MUSIC AUSTRALIA

Core Contribution Fund

2-year funding for eligible organisations providing services to key areas of the contemporary Australian music industry.

“New and sustainable growth requires ambitious models of investment. Traditionally, core operations and staffing have only been partially funded through project and program-specific grants. Music Australia recognises the important role of trade associations, peak bodies and member organisations – the majority of which are run on a volunteer basis or with minimal staffing support. This targeted investment will increase the strength of Australian organisations and the value they subsequently provide to their respective memberships, made up of Australian artists and industry professionals.” – Millie Millgate (Director, Music Australia)

About the program

The Music Australia Core Contribution Fund is designed to support eligible organisations providing services to key areas of the contemporary Australian music industry. It provides a 2-year investment for core operations and staffing to build stability and capacity in the Australian contemporary music sector, with a focus on industry representative, advocacy, member and/or growth and development organisations representing and/or supporting: 

  • a key sector area or membership 
  • a specific genre of music 
  • gender equity 
  • Australian artists/musicians.

Organisations may apply for between $100,000 and $140,000 for 2 years of operational costs. This equals between $50,000 and $70,000 per year, to be paid in 2 equal instalments. 

Supported expenses must last no longer than two years from the proposed start date. The applicant may determine the most appropriate start date for their organisation, the earliest being 1 January 2025. For your planning, please note that the budget template runs across two calendar or two financial years (i.e. 2025 or 2025-26 and 2026 or 2026-27).   

Please read the following grant guidelines for further information.

If you need advice about applying contact Music Australia: musicaustraliagrants@creative.gov.au or +61 2 9215 9028.  

  • Australian organisations whose primary activity is providing services to key areas of the Australian contemporary music industry 

The activity of the organisation must meet the Music Australia Council’s agreed definition of contemporary music, as follows: 

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.” 

  • A consortium may apply in certain circumstances, but the proposal must be funded and contracted through one member of the consortium.  
  • Music Australia requires that organisations be registered under Australian law (for example, incorporated association or company limited by guarantee) or created by law (for example, a government statutory authority).  Organisations may be required to provide a certificate of incorporation or evidence of their current legal status.    

You cannot apply for this grant if:  

  • you are a radio station
  • you are a tertiary education or private training institution
  • you are an individual or group 
  • your organisation is not legally constituted    
  • your organisation is a Trust or Partnership 
  • your organisation is in receipt of Multi-Year Investment from Creative Australia in 2024, 2025 or 2026 
  • your organisation is a pilot service delivery partner with Music Australia or Creative Australia in 2024 or 2025 
  • your organisation is a national training organisation, funded by the Australian Government 
  • your organisation’s primary activity is not supporting a sector of the Australian contemporary music industry 
  • you have an overdue grant report 
  • you owe money to Creative Australia 
  • your organisation is not registered in Australia. 

This investment will support your organisation’s core operational needs, providing stability for your organisation and building capacity in the contemporary music sector.  

This can include:   

  • staffing costs including wages and fees 
  • administration and other operational running costs 
  • professional skills development for artists and/or arts workers 
  • sector development or capacity building 
  • promotion and marketing
  • market development activity.

Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Therefore, budgets may also include costs associated with making activities accessible to a wide range of people (e.g. Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).   

If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer, or support worker assistance. Please  contact Music Australia to discuss your specific needs.   

You can’t apply for:   

  • artistic project costs such as creating new work, artistic and/or creative development, production, performing, recording, touring or festivals – if you are seeking funding for these activities, please apply to Arts Project for Organisations 
  • the presentation of live music (for example as a live music venue or festival)
  • staffing or wage costs for international personnel 
  • operations that do not have a contemporary music focus 
  • expenses that have already been incurred 
  • activities engaging with First Nations content, artists and communities that do not adhere to Creative Australia’s First Nations Cultural & Intellectual Property Protocols

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material.  More information on the First Nations Protocols is available here. 

Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the  National Principles for Child Safe Organisations. 

You must submit additional support material with your application. Industry Advisors will review this support material to help them gain a better sense of your activity.  

You must provide:  

  • up to 3 URLs (weblinks) that best demonstrate your organisation’s activity as it relates to this Core Contribution Fund application. These URLs may include website links, video, audio, images and written materials  
  • the organisation’s last 2 years of audited financial accounts, or equivalent financial data. 

For organisations who report on a calendar year basis this should be for 2022 and 2023; for organisations who report on a financial year basis this should be 2022-23 and 2023-24 (if available). 

You may also provide:  

  • existing business, operational or strategic plans
  • biographies or CVs of key personnel – these should be presented as a single document not longer than 5 A4 pages in total  
  • letters of support.

Individuals, groups or organisations can write letters in support of your application.  

If relevant to your organisation, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the First Nations Protocols for more information.  

You can include up to five letters of support, with each letter not exceeding one A4 page.  

We do not accept application-related support material submitted via post. Application-related material received by post will not be assessed and will be returned to the sender. If you think you will have difficulty submitting your support material online or need advice on what type of material to submit, please  contact Artists Services.  

Our preferred method of receiving support material is via URLs (weblinks).  

You can provide up to three URLs that link to content that is relevant to your proposal. This may include video, audio, images, or written material.  

Please note: Our industry advisors will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access.  

If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.  

Other accepted file formats  

If you cannot supply support material via URLs, you may upload support material to your application in the following formats:  

  • video (MP4, QuickTime, and Windows Media)  
  • audio (MP3 and Windows Media)  
  • images (JPEG and PowerPoint) 
  • written material (Word and PDF).  
  • proposals are reviewed by expert industry representatives called Industry Advisors  
  • Industry Advisors are experts in their field with relevant experience and knowledge of the contemporary music industry
  • proposals will be reviewed by Industry Advisors who will make recommendations for Music Australia to consider when making the final investment decisions for organisations
  • Industry Advisors will be published on our website following notification. Further detail on Industry Advice can be found  here.    

We will review your proposal against three selection criteria listed below.

Under each criterion are bullet points indicating what may be considered when reviewing your proposal. You do not need to respond to every bullet point listed.

Viability

Industry Advisors will review your organisation’s track record of delivery and assess the viability of your proposal and your organisation’s demonstrated capacity to deliver its vision. We may consider:

  • value for money as evidenced in your responses and budget to deliver services to the sector
  • organisational structure and the experience of the people leading and governing your organisation
  • the financial health of your organisation, including the effective use of resources
  • the diversity and scale of income and co-funding you generate and receive (e.g. earned income, grants, memberships, sponsorship, and in-kind contributions)
  • whether your work is supported by meaningful evaluation
  • how you demonstrate cultural competencies and adherence to relevant cultural protocols, particularly if your organisation works with diverse artists, audiences or communities. Where relevant, evidence that the Protocols for First Nations Cultural and Intellectual Property in the Arts have been adhered to
  • factors that have impacted your organisation’s financial health, planning and priorities
  • appropriate governance arrangements. You may wish to refer to our guide on  Essential Governance Practices
  • capacity to deliver the proposed services or activities
  • relevance and timeliness of this opportunity for your organisation
  • realistic and achievable planning
  • the safety and wellbeing of people involved in the activities
  • where relevant, evidence that you have considered and addressed any access issues associated with your project
  • where relevant, evidence of an environmental impact plan which may include cost-benefits.
Impact

Industry Advisors will assess how your activity contributes towards building a sustainable and diverse contemporary music sector. They may consider how your proposed activity:

  • contributes to building capacity in the contemporary music industry in Australia, with a focus on organisations representing:
    • a key sector area or membership
    • a specific genre
    • gender equity
    • Australian artists/musicians.
  • demonstrates collaboration and/or leadership on industry-wide issues
  • contributes to increasing diversity (including First Nations, disability, gender, LGBTIQ+, age and cultural diversity) within the contemporary music sector
  • the diversity of stakeholders that may be beneficiaries of the services to be provided
  • benefit for and impact on careers, artistic or cultural practice.
Alignment

Assessors will consider how your organisation’s vision and plan aligns with one or more of the principles and actions of the five pillars identified in the National Cultural Policy – Revive, Creative Australia’s Corporate Plan and the goals of Music Australia.

This may include:

  • First Nations arts and culture are self-determined
  • the creative workforce has the skills needed to maintain thriving careers and businesses
  • viable lifelong careers in creative fields attract and retain a broad creative workforce
  • creative careers and business models are financially sustainable
  • supporting the development of original music
  • growing the market for contemporary Australian music.

Frequently asked questions

No, the Core Contribution Fund is not for the presentation of live music.

No, the fund is for organisations whose primary activity is providing services to key areas of the Australian contemporary music industry.

MUSIC AUSTRALIA

Record Label Development Scheme

Up to $150,000 for eligible record labels to support the holistic development and success of Australian recording artists.

About the program

The Music Australia Record Label Development Scheme (RLDS) aims to support competitive Australian labels discovering, developing, and promoting Australian talent. At the heart of what they do, labels finance the production and recording of artists’ music in order to support their artistic and career development. Labels are taking on financial risk and providing the essential support, knowledge, and expertise required for artists to break through the noise. 

Concerns with Australian artist discoverability and cut through, the fragmented media environment, and the potential impacts of emergent technologies and AI-generated music, are all significantly impairing the operations of our labels sector. 

Rising production costs, the shift from physical sales to digital formats, and the need to invest heavily in artist promotion and development in a highly saturated market, all pose significant challenges to a label’s ability to remain financially viable, and subsequently invest in and support Australian talent. 

The fund aims to provide financial support to Australian record labels, from local independents through to major label subsidiaries. An injection of capital in the form of direct grants, the Record Label Development Scheme requires applicants to provide a compelling contribution to ensure that a maximum ROI is achieved from the investment. 

Grants are available from $10,000 to $150,000 to eligible Australian record labels, and Australian subsidiaries of multinational record labels, that have been operating for a minimum of 3 years.  

Applicants must demonstrate clear and measurable outcomes for the investment, which can contribute towards costs, associated with a variety of eligible activities, including: 

  • Professional recordings, that enhance and increase the quality of output, whilst also contributing to the economic wellbeing of Australian recording studios, engineers and producers.  
  • Create high quality visual production including videos, digital content and artwork. 
  • Significant marketing and promotional campaigns aimed at building an artist’s brand and increasing their visibility and market penetration.  
  • Costs associated with production, manufacturing and freight of vinyl, CDs and cassettes (preferably manufactured in Australia and using sustainable materials). 
  • Artist development that includes refining an artist’s craft, honing artistic vision and enhancing professional skills, enabling them to grow and succeed. 
  • Outlays in technology that enhance business capabilities, the recruitment of additional staff and opportunities that lead to professional development training. 

This investment will make sure Australian labels can continue to compete effectively, support their artists, and contribute to the vibrant music ecosystem in Australia.  

We will consider eligible applications through an open competitive grant process. All applicants must be pre-approved, via an eligibility check process closing Tuesday 8 October 2024 3pm AEDT in advance of the closing date. 

The Music Australia Record Label Development Scheme is a competitive program. Applicants are advised to ensure that they meet all eligibility requirements, before submitting an application.  

Please read the following grants guidelines for further information. If you need advice about applying contact Music Australia: musicaustraliagrants@creative.gov.au or +61 2 9215 9028.  

This grant is open to organisations, partnerships and sole traders that are Australian domestic record labels and Australian subsidiaries of multinational record labels and have been operating for a minimum of 3 years. Please see the FAQs below for information on how to apply as a partnership.

To be considered eligible for the Music Australia Record Label Development Scheme, applying labels must:  

  • have an ABN
  • derive most of their revenue from the exploitation of master recordings of which they own or have licensed the copyright
  • deliver A&R and creative development services to their signed artists
  • have minimum annual recorded music trade revenues of $40,000 from core business activities earned as a record label, from their Australian roster
  • have a minimum of 3 artists that all meet the eligibility threshold of 5000 followers/fans, on any one of the following platforms: Amazon Music, Bandcamp, Discord, Facebook, Instagram, Soundcloud, Spotify, Tidal, TikTok, YouTube Music, or the artist’s mailing list
  • have a minimum of 3 active Australian musical artists on their roster. Active artists are defined as having had a release by the label in the last 18 months
  • have released at least 5 x singles and 1 x EP and/or 1 x LP of Australian artist recordings within the last 12 months.

Record labels may submit only one application, that includes multiple activities for more than one artist within the submission.  

The artistic output of the label must meet the Music Australia Council agreed definition of contemporary music, as follows: 

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.” 

You cannot apply for this grant if: 

  • you have an overdue grant report 
  • you owe money to Music Australia/Creative Australia 
  • you are a group.

If you or your artist/s have applied to Creative Australia for Arts Projects for Individuals or Organisations in September 2024, or any other Creative Australia program, you cannot be successful in more than one fund for the same activities.

Activities and costs we will fund may include, but are not limited, to:  

  • Recording, editing, mixing and mastering at an Australian facility by an Australian artist signed to an Australian-based label. 
  • Pre-production, studio hire, producer, engineer, session musicians, guest artists, hard drives and equipment hire. 
  • Manufacturing of physical product, e.g. vinyl mastering, vinyl/CD pressing and associated freight. Music Australia encourages environmentally sustainable practices, and labels that can demonstrate to have been guided by Green Music Australia’s Sound Country: A Green Guide on Physical Music Products, will be reimbursed the difference in expenditure per unit, upon evidence of their tax invoices after 1 July 2025. 
  • Video production incurred in Australia (i.e. music videos, videos for online marketing purposes, and video recording of live performances for promotion or sale). Costs may include; Producer; Director; Director of Photography; Camera Assistant; Grip; Gaffer; Art Department; First Assistant Director (AD); Runner; Casting; Talent/Extras; Stylist; Make-Up/Hair; Camera; Lighting; Props; Permits; Insurance; Travel (domestic only); Wardrobe; Catering/Unit; Animation/VFX; Stock Footage; Editor; Grade; hard drive.  
  • Visual representation (artwork) including design; photography; images, incurred in Australia. 
  • Digital content creation incurred in Australia (i.e. reels for online social media marketing purposes). 
  • Australian marketing and promotion activities for new recordings by Australian artists signed to the record label. May include digital marketing; radio ads; social media ads; publicist, radio promotion, and posters. 
  • Budget allocations towards software are eligible if required for an activity (such as digital infrastructure and innovation).  
  • Business development activities that contribute to the expansion of a company’s operational capacity (e.g. human resources enhancement, undertaking strategic business travel within Australia, implementing technology solutions/enhancements to optimise revenue generation and/or enhance customer/audience experience etc.).   
  • New Australian position: the cost of a new position that is being created because of the proposed activity (salaried or contract) may be included as a distinct line item in the activity budget. In the description of the activity, applicants must include an explanation of why the new position is necessary for the undertaking of the proposed activity, and if the position is intended to continue beyond the initial RLDS-supported period, a rationale must be provided for how the position will be sustained by the company. (e.g. Creative Producer/Director, Data Analyst, Digital Marketing specialist). 
  • Current/ongoing position: A portion of salaries or wages for existing Australian staff or ongoing Australian contract employees (whether part-time or full-time) that are assigned to work on the proposed activities may be included as part of the “administrative and overhead expenses” section of the budget. All labour costs included must be undertaken by Australian-based staff or contract employees, and must be directly related to the proposed activities. 
  • Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Budgets may include costs associated with making activities accessible to a wide range of people (e.g. translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats). If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer, or support worker assistance. Please contact Artists Services to discuss your specific needs. 

Music Australia funding can only be used for activities that occur after  the activity start date of 1 January 2025. Therefore, any costs incurred  before  this date (i.e. pre-production, recording costs, mixing, mastering etc.) are not eligible for funding. Activity invoiced after 1 January 2025 for costs incurred before this date is not eligible.  

Items which Music Australia will not accept in a funded project budget: 

  • Touring, showcase and other live performance activity.  
  • Catering, except during music video shoots.  
  • Live performance production expenses, unless directly related to content creation for this project.  
  • Costs relating to international artists.  
  • Staff & labour costs not directly related to the activity.  
  • Staff benefit costs.  
  • Fees relating to the compilation, review, or audit of applicant financial statements. 
  • Fees relating to the procurement of services of grant writers for preparing government funding applications. 
  • Cost of General Liability insurance.   
  • Taxes that are recoverable by the recipient (such as GST).  

Funding is available in the form of a direct grant.  

  • Applicants must have minimum annual recorded music trade revenues of $40,000 from core business activities earned as a record label, from their Australian roster. 
  • Eligible applicants may apply for up to 25% of the company’s two-year average of total annual recorded music revenue from label activity.  
  • The minimum funding request is $10,000 and the maximum funding is capped at $150,000.  
  • No expense paid for from the Music Australia funding can be allocated to an artists’ recoupable ledger. 

Artist Creation Fee  

The Music Australia Record Label Development Scheme funding is available for amounts ranging from $10,000 to $150,000 plus GST.  

In addition, a mandatory 10% artist creation fee will be added to the grant amount for eligible activities. This fee covers creative and artistic services provided by the artists for the project. This includes recording activities and video production that features the recording artist.  

For example, if the label receives $50,000 in funding, an extra payment of $5,000 will be added to the funding amount, bringing the total funding to $55,000. This artist creation fee is a non-recoupable expense, to be shared amongst the artists that are featured in the project activities. 

The artist creation fee will be paid upon documentation received after 1 July 2025. 

Co-Investment 

Applicants must demonstrate co-investment either as a financial contribution towards the identified project costs, or their investment towards items not covered by the Music Australia Record Label Development Scheme such as domestic or international touring, international release and related costs, creative direction and branding and media training. The co-investment must be cash and not in-kind and is to be clearly detailed in the application budget.  

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

  • Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here. 

  • Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations. 

Before applying, you must read and understand these guidelines.  

  • Complete the pre-application eligibility check process no later than Tuesday 8 October 3pm AEDT electronically through the Creative Australia online Application Management System to determine eligibility. 
  • Once approved, submit a full application electronically through the Application Management System no later than Tuesday 12 November 3pm AEDT.

Pre-application Eligibility Check

To apply for the Music Australia Record Label Development Scheme, you must first ensure you meet the pre-application criteria by completing the eligibility check in the Application Management System.

The pre-application process will also determine the amount the label is eligible to apply for.

The Pre-application Eligibility Check includes the following criteria:

  • the application is for an Australian label, or Australian subsidiary of a multinational label, releasing contemporary Australian music
  • at least 3 active Australian artists on the label’s roster are supported through this funding
  • the audience engagement profile meets the minimum threshold of 5000 followers/fans for each artist, on any of the following platforms: Amazon Music, Apple Music, Bandcamp, Discord, Facebook, Instagram, Soundcloud, Spotify, Tidal, TikTok, YouTube Music, or the artist’s mailing list
  • the label has released at least 5 singles and 1 x EP or 1 x LP of Australian artist recordings within the last 12 months
  • Financial documentation (this information is used by Music Australia for the eligibility check only and is not provided to the industry advisors). This can include any or all of the following:
    • signed financial statements (including P&L & balance sheet) for the 2 most recently completed fiscal years
    • up to two years’ worth of PPCA statements
    • up to two years’ worth of streaming income statements
    • up to two years’ worth of BAS statements.

    The grant amount each label will be eligible to apply for, will be based on 25% of annual recorded music trade revenues (not profit). Please see FAQ for what income can be included to make up the minimum trade revenue

The budget is completed in the full application form. The maximum amount you are eligible to apply for will be entered by Music Australia, using the financial data provided in the pre-application eligibility check.

Anticipated outcomes for the Music Australia Record Label Development Scheme may include any of the following, depending on the type of activity undertaken. It is not expected that each applicant will achieve all the outcomes below. Applicants should provide a list of all anticipated outcomes they will report on in their final acquittal report, should their funding request be successful.  

Measurable outcomes:  

  • number of artists supported  
  • number of new recordings supported  
  • number of new performance opportunities for artists (including online)  
  • online and social media impact (metrics)  
  • traditional media impact (metrics): radio/video plays, interviews, articles, reviews, etc
  • critical success of supported projects  
  • sustainability of activity outcomes  
  • sales success of supported activities: units sold, streams, ticket revenue, etc
  • company growth/increased revenue  
  • number of international markets targeted  
  • increased revenue from international sales  
  • jobs created/retained  
  • tangible initiatives to improve or further embed diversity, equity and inclusion within company operations (i.e. staff training, hiring practices, artist signings).

For the Pre-application Eligibility Check you must provide financial documentation including any or all of the following

  • signed financial statements (including P&L & balance sheet) for the 2 most recently completed fiscal years
  • up to two years’ worth of PPCA statements
  • up to two years’ worth of streaming income statements
  • up to two years’ worth of BAS statements.

*This information does not go to the Industry Advisors and will be used by Music Australia for internal purposes only to determine the amount of funding you are eligible to apply for if you meet the pre-application eligibility criteria above.

No other support material is required for this pre-application stage.

If you are deemed eligible to submit a full application, you should include the following support material. The Industry Advisors may review this material to help them gain a better sense of your project and those involved.

  1. You must include audio of at least 3-4 artist recordings (existing or demo recordings).

Additional support material may include:

  1. Other artistic support material 

This should include relevant, recent examples of artistic work.

  1. Biographies and CVs 

You can include a brief bio or curriculum vitae (CV) for key artists, personnel or other collaborators involved in your project.

Brief bios or CV information should be presented as a single document no longer than two A4 pages in total.

  1. Letters of support 

Individuals, groups, or organisations can write letters in support of your project. A support letter should explain how the project or activity will benefit your label, artists or music professionals, other participants, or the broader community. It can also detail the support or involvement of key project partners, or evidence of consultation.

If relevant to your activity, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the  First Nations Protocols  for more information.

You can include up to five letters of support, with each letter not exceeding one A4 page.

  1. Other support material

You may also include other evidence to support your application including the label co-investment and label and/or artist track record on music releases.

Types of support material we accept

Our preferred method of receiving support material is via URLs (weblinks).

You can provide up to three URLs (weblinks) that link to content that is relevant to your proposal. This may include video, audio, images, or written material.

Please note:  Our industry advisors will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access.

If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.

Other accepted file formats

If you cannot supply support material via URLs, you may upload support material to your application in the following formats:

  • video (MP4, QuickTime, and Windows Media)
  • audio (MP3 and Windows Media)
  • images (JPEG and PowerPoint)
  • written material (Word and PDF).

The assessment process will use Industry Advisors, with relevant label experience. The assessment criteria includes project viability, quality and impact. 

We assess applications against the assessment criteria and against other applications. We consider each application on its merits, based on: 

  • how well it meets the criteria  
  • how it compares to other applications  
  • whether it provides value for money.

When assessing the extent to which the application represents value for money, we will give regard to:  

  • the overall objective/s to be achieved in providing the grant 
  • the relative value of the grant sought 
  • extent to which the geographic location of the application ensures that there is a spread of successful applications from across Australia including urban, regional and remote locations  
  • the extent to which different genres of music are represented to ensure there is diverse representation 
  • the extent to which the evidence in the application demonstrates that it will contribute to meeting the outcomes/objectives. 

After applicant and activity eligibility have been confirmed, applications will be assessed by a panel of Industry Advisors against to the following 3 criteria:  

Quality 

Advisors will assess the calibre of the artists and label staff involved and the quality of the music. They may consider: 

  • the track record of the key artists involved and their previous releases 
  • the degree to which the applicant demonstrates that it has the track record and organisational capacity (financial, human resources) to effectively execute the activities including their achievements, as evidenced by their biography and professional profile
  • the presence of diversity among leadership, staff, or contract employees, particularly underrepresented communities within the music industry   
  • the degree to which diversity is reflected within the applicant’s roster 
  • the cultural value of the project for Australian audiences. 
  • the strength of the artistic support material provided.

Impact 

Advisors will assess the impact your application will have on the growth and sustainability of original contemporary Australian music. They may consider: 

  • thoroughness of the applicant’s description of the proposed activity and its anticipated impacts  
  • degree to which expected results are well documented in the application, including a description of tangible, measurable, and realistic goals and a clear explanation of anticipated return on investment (ROI)
  • good and achievable range of project KPIs
  • potential to assist with increasing levels of Australian music on radio
  • potential to impact online audiences with significant streams/views/shares/likes/sales
  • applicant’s potential to achieve strong measurable critical and/or commercial impact  
  • extent to which the application demonstrates forward thinking strategic planning and focus on long-term growth and sustainability  
  • degree to which the company can leverage the investment to strengthen its profile/capital/human resources pool for future investment and growth  
  • how the work will support the development of First Nations, or female and/or non-binary, music artists.  

Viability 

Advisors will assess the viability of your budget, release strategies and marketing plans. They may consider: 

  • how viable and achievable the project is (as evidenced by the budget accuracy, release timelines and planning) 
  • the strength of the overall release plan, including the marketing and promotion campaign and audience development strategy, including evidence of demand   
  • the resources supporting the project (including financial and/or in-kind) 
  • effectiveness of the applicant’s articulation of its financial capacity to undertake the proposed activities  
  • stability and strength of the applicant’s financial position based on company’s financial statements  
  • the strength of the key people and partners involved, including confirmations of their involvement and their track record delivering similar recorded works and output
  • appropriate safety and wellbeing practices in place for artists and studios  
  • risk assessment on the project team.

Frequently Asked Questions

Applicants must have minimum annual recorded music trade revenues of $40,000 from core business activities earned as a record label, from their Australian roster. Please note that this figure is your revenue, not profits.

Eligible applicants may apply for up to 25% of the company’s two-year average of total annual recorded music revenue from label activity. 

The sources of revenue that could be counted towards your total includes the following:

  • on-demand streaming 
  • downloads
  • physical sales (CDs/Vinyl)
  • synchronisation licensing fees (for TV/film/advertising/games)
  • public performance and broadcast rights
  • brand partnerships where an artist endorses a product and the label receives a cut
  • label merchandise
  • artist merchandise if the label receives a cut
  • distributor advance on future earnings.

You must register for GST, if your business turnover (GROSS income) is $75,000 or over. If your label is registered for GST, then it’s likely a good indicator that you should clear the threshold minimum of $40,000 annual trade revenue.

If you have a Partnership ABN you will need to nominate someone to register and apply as an Individual. We do not accept registrations from Partnerships. In the application form you can nominate your Partnership to administer the grant.

LIFECYCLE: First Nations Recording Grants

A collaborative initiative NATSIMO providing 12 grants of $20,000 for new music recordings by Aboriginal and Torres Strait Islander creators.

Creative Futures Fund

Us And All Of This by Liesel Zink. Photo by Mark Gambino

About the Fund

The Creative Futures Fund is an initiative of the National Cultural Policy – Revive: a place for every story, a story for every place referenced in the Policy as “Works of Scale”.

The Fund will support the creation and sharing of Australian stories, and new ways for people to engage with them.

The Fund is not a traditional grant program. It is a new way for Creative Australia to invest to support artistic works that build partnerships, drive engagement, and attract other sources of revenue and investment.

We are seeking great ideas that are genuinely innovative and unexpected. This includes new works and projects that may leverage existing intellectual property. The investment available is significant, but scalable depending on your ambition and context. We want to know what that investment will help you do, that might not otherwise be possible.

The fund will only support stories that are uniquely Australian, for example the intellectual property must be majority owned by Australian creatives, be an Australian concept, with subject matter relevant to contemporary Australia.

We will ask you to articulate what engagement means to you, your context and your artform – who you are planning to reach and connect with through this new work and how you plan to do this.

The Fund will be adaptive, responsive, and flexible to meet the needs of the sector. This investment will support all art forms and may change its emphasis over time.

In the first year of the Fund (2024/25) we will prioritise applications:

  • from organisations that demonstrate genuine and robust partnerships with artists and creative workers of calibre
  • that demonstrate how Creative Australia’s investment will leverage other sources of income
  • that leverage existing Australian work and intellectual property, capitalising on previous investments
  • that create new connections and partnerships in and outside the creative industries, and the public, commercial and private sectors
  • that support genuine innovation for artists, audiences, and communities.

For updates on the Creative Futures Fund, sign up here.

In this first cycle of the investment in 2024/25, two streams of investment will be offered to Australian organisations only. Organisations must be legally constituted and registered or created by law. Sole traders, unincorporated groups, and partnerships cannot apply.

Applications will be prioritised for those organisations who are genuinely working in partnership with a range of collaborators and artistic individuals.

  • Development Investment: This stream will support the development of new ideas, the adaptation of existing works, and/or allow you to test the market. Individual investments of between $50,000 – $250,000 will be negotiated
  • Delivery Investment: This stream will support the delivery of new works, including adaptation, building partnerships, securing co-investment, realising and sharing the work, and achieving impact. Individual investments of between $250,000 – $1,500,000 will be negotiated.

Please note that this is not a pipeline fund. Support for the Development Phase does not necessarily indicate ongoing support for the Delivery Phase in later rounds.

Applications to both investment streams will be accepted and assessed in two stages – an initial Expression of Interest, with a small number of organisations invited to submit a full application.

In selecting the final cohort of recipients, Creative Australia will curate a portfolio of creative works that may be varied in art form, geography, level of investment, outcome type and risk.

Creative Australia will negotiate bespoke investment agreements with successful applicants, reflecting the context of each application. This will include the level and scheduling of investment, special conditions, and financial / non-financial deliverables.

Activity Dates
Stage 1: Expressions of Interest open June 2024
Stage 1: Expressions of Interest close 6 August 2024
Stage 1: Notifications of outcomes and invitations to Stage 2 October 2024
Stage 2: Full Application round opens (invitation only) October 2024
Stage 2: Full Application round closes 3 December 2024
Stage 2: Notification of outcomes February 2025

 

Yes, they can. They will need to demonstrate why public investment is required for this development, and explain how financial dividends, if any, will be distributed.

Creative Australia may negotiate the right to recoup a portion of its investment from commercially successful projects.

Yes, they can. We accept different business units, departments, divisions or trading names (listed under the one parent entity ABN) as separate entities.

If two different departments exist for one organisation, then both departments can register separately. However, they cannot use more than one registration to edit and submit the same grant application or grant acquittal report.

Yes, they can.

No, only organisations are eligible to apply under this investment fund. You may wish to work with an organisation to develop a work, however they must be the applicant.

Priority will be given to applicants where there is a genuine collaboration and partnership with a range of artists, groups, or partners.

While we can support screen-based art, we do not solely support activities associated with short film, feature film, television or documentary or electronic games.

As per the eligibility, activities that develop, produce, promote and distribute Australian narrative (drama) and documentary screen content, that could be supported via Screen Australia, cannot apply to this investment fund.

Applicants should consider if there is funding overlap with Screen Australia and its allied state and territory equivalents and Games Investment steams. Requests for the same activities supported by other funds are ineligible.

Applicants should also note that investment support may come in different stages and for different components of their activities. Applicants should carefully consider what aspects of their projects require investment support and at what times.

Yes, you can. Please note your submission would be competing within a very competitive field of applications from arts organisations, commercial entities and those that work solely in the arts and culture sector. Applications from schools that are based on projects that mainly benefit the school and its grounds would not be competitive.

The industry advisors understand that it’s not possible to confirm every activity, partnership, source of co-funding or venue at the time that you apply at this initial Expression of Interest stage. However, if the advisors are deciding between two submissions of equal artistic merit, the application that has more activities and partnerships confirmed, may be more competitive.

If there are too many unconfirmed elements of your proposal, the advisors may question its alignment to this fund. If the artistic concept behind your project is still not sufficiently developed, you may not be ready to apply. The process of drafting your application will help you determine this.

As the applicant, it is your responsibility to demonstrate how the proposed activity differs from your usual developments. This may be via new partnerships, collaborations and artistic practices. We are seeking to support innovative proposals that expand Australians access to arts experiences.

Creative Australia is seeking to support, invest in and champion innovation through the following means:

  • Creativity: This may explore innovation in the creative content to be explored and realised over the duration of the development.
  • Connection and experimentation: The applicant may, for example, address elements of entrepreneurship and new ways of working. This may include how they will engage with new partners not typical for the applicant or diversify their income streams through co-investment models (e.g. commercial investments, new partners in philanthropy to support their work).

Concepts, ideas, developments and stories are terms we use interchangeably to describe the project or idea you want to develop and refine. Story can be expressed through a range of art forms and is not restricted to narrative based projects.

We are interested in great ideas that are ambitious, unexpected and reflect contemporary Australia.

As the organisational applicant, it is your responsibility to demonstrate how this activity is not a part of your ‘business as usual’ activities and you are essentially, extending your practice and approach.

You may be engaging with collaborators and partners as they have highly refined and established skill sets or artistic approaches that are unique, important and relevant to this development. These collaborators may not need to extend their usual practice.

If you are applying as a consortium, we would expect collaborators to show innovation.

Yes, this will become more relevant if your submission is invited to Stage 2 – Full Application. This is where industry advisors are analysing and assessing your budget and expenditure activities.

If this is a part of your concept outlined in your EOI, you will need to demonstrate its relevance to the development of your work.

This will become more relevant if your submission is invited to Stage 2, to submit a full application (see below).

Other income will vary depending on the type of project you are proposing for development. It should reflect the nature of your project, who is involved and the area of practice. Please consider the more you request, the greater the expectation that our investment leverages other cash income (be it philanthropy, earned, sponsorship etc).

Yes. Organisational administrative costs, including auspicing, should be reasonable and directly related to the project delivery. They should generally not exceed 10% of the total budget, although this will depend on the nature of the delivery of the project. If those costs are higher, your application may be less competitive.

Stage 1 is closed and not accepting applications.
The Australian Government is committed to this investment program and future iterations and new rounds will be announced in 2025.

Stage 1 Expressions of Interest (Feedback)

Industry advisors were impressed by the range of projects across art forms with elements of risk in the work. The strongest submissions:

  • showed a profound depth of practice and process
  • were well-written and easy to read, avoiding jargon or vague statements
  • told stories that were clear, powerful and demonstrated an urgency to share and present
  • addressed the two assessment criteria carefully and critically
  • discussed the innovation in the art or form, engagement with new partners or in communities scored more favourably against the alignment criterion
  • where appropriate, First Nations artist/s or the artistic leadership were clearly evident in the co-design of the proposal
  • where relevant, could demonstrate the links between the project and future engagement/audiences
  • confirmed partners that were well matched to the ambition of the project and indicated a collaboration that was mutually beneficial
  • provided a clear artistic vision and the ‘voices’ of the artistic team were present and instrumental to the delivery of the work
  • included details of the organisation and its work ensuring that Industry Advisors could see how the proposal differed from business-as-usual activities for the organisation
  • demonstrated exceptional artistic quality through engaging with artists of the highest calibre
  • provided support material such as biographies/CVs alongside evidence of previous developments or showings were also valued
  • provided compelling letters of support from stakeholders/communities/artists
  • included carefully curated support material to describe the organisation and illuminate the intention of the proposed artistic work.

Industry Advisors also noted the following:

  • Submissions that demonstrated connection to place and community, describing meaningful types of engagement were highly regarded.
  • Submissions that proposed working with targeted groups, such as the d/Deaf community or young people included permissions/endorsement for the work where their lived experience was clear.
  • While recognising business-as-usual may look different in a post-Covid world, advisors supported submissions where the application was ambitious, innovating away from their current practice and working in new ways. Advisors were less supportive of works that looked to be their usual business or programming.
  • Advisors were also interested in submissions where the applicant had demonstrated a life of the work beyond a presentation or engagement outcome.
  • If submissions are adapting existing works, a compelling explanation must be included. Do not assume that assessors have read the original work to know why it is an important story to adapt and share.

Watch our information session here and below.

Frequently asked questions

The Australian Government is committed to this investment program and future iterations and new rounds will be announced in 2025.

Future iterations of the fund have not yet been finalised and there may be variations and updates to these guidelines.

The assessment and moderation process can be found in the guidelines for the Stage 1: Expressions of Interest (EOI) under ‘Assessment’ which you can find on both the Development and Delivery investment stream page.

General feedback can be viewed on the Creative Futures Fund for both the Development and Delivery streams under ‘Stage 1 Expression of Interest (Feedback)’ on this page. Specific feedback on individual applications is not available.

Successful recipients of the fund will be published in early March 2025.

Only organisations were eligible to apply under this investment fund. We encouraged individuals to work with an organisation to develop a work, however the organisation must be the applicant.

MUSIC AUSTRALIA
EXPORT DEVELOPMENT FUND

International Market and Audience Development

Up to $10,000 matched funding to support international promotional and content creation activities.

About the program

The Music Australia Export Development Fund forms a bold partnership between the Australian Government and the Australian music industry – a matched funding initiative, designed to provide financial support to a diverse range of Australian artists at distinct phases of their international careers. 

The program has been developed to support emerging, breakthrough and established acts and is made available to Australian citizens or permanent residents who are current practicing music professionals. This includes solo artists, instrumentalists, bands, ensembles, DJ/producers and electronic artists, producers, songwriters and composers.

The International Market and Audience Development fund (Category 3) is designed to support activity that includes international promotional and content creation activities with matched funding of $2000 to $10,000. Find out more in  What you can apply for

Before starting your application for the Export Development Fund, please complete the Go Global Toolkit quiz, selecting ‘Creative Industries’.


Before submitting your application, please ensure you check the following or your application will be ineligible:

□ your activity fits within the eligible dates for this round

□ you have included evidence of your matched funding in the Support Material

□ your activity meets the definition of contemporary Australian music (see below)

□ you have read ‘What you can apply for’ in the guidelines (see below) and are applying to the correct category for your proposed activity.

To guide initial investments, the Music Australia Council endorsed the following definition of ‘contemporary music’, which you must meet to be eligible. 

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia”.  

If you don’t meet the definition above for contemporary music, you may be eligible to apply for our Arts Projects for Individuals and Groups, Arts Projects for Organisations, or International programs.

  • Activity must start between 1 April 2025 and 30 June 2025, and be completed within 12 months.
  • An applicant can submit a maximum of one application to each category of the Music Australia Export Development Fund.
  • The budget in your application needs to demonstrate matched funding (see ‘What we mean by matched funding’ for more information), and evidence of matched funding must be supplied in your support material.
  • Planning and preparation such as arranging or booking dates, venues, contracts, travel and visas, and rehearsals in your country of residence, are not eligible activities for the purposes of this grant and should not be included in the activity details section of your application. We encourage and expect considered planning and preparation of your activities in advance of the proposed international activity dates you are applying for. If you are unsure about the eligibility of any part of your proposed activity, please contact musicaustraliagrants@creative.gov.au.
  • Your activity must meet the following definition of contemporary music: “Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.”
  • Open to Australian artists, composers, creators individually or in groups.
  • Organisations and music businesses may apply on behalf of their artists.
  • If you have been successful in a previous round of the Export Development Fund, you are eligible to apply again, however funding priority may be given to first time recipients.

You cannot apply for this grant if:

  • You have already submitted an application to this category
  • You have an overdue grant report
  • You owe money to Creative Australia
  • You have applied to our Arts Project grant rounds for the same activity.  

Please complete the budget in the application form. Your budget does not need to have a net zero balance, but we ask that you explain your budget surplus or deficit in the application form, if applicable.

You must provide evidence of your matched funding in your support material – if you do not provide this evidence your application will be deemed ineligible. Please see the list below for examples of evidence you can supply, watch the video, or contact Music Australia if you have questions.

The budget in your application needs to demonstrate matched funding. Every application (individual, group, organisation or company) must demonstrate that they are contributing an amount equal to, or more than, the total funding request, ensuring that the co-investment by industry is, at a minimum, matching the Government’s investment.

What we mean by ‘matched funding’:

  1. You are required to match the Music Australia Export funding for your project on at least a 50:50 basis.
  2. Your share of project costs is 50% of eligible expenditure up to the maximum grant limit and all remaining costs not met by the grant.
  3. You cannot use in-kind (non-financial) contributions for matched funding.
  4. You cannot use other government grant sources to match the Music Australia Export grant.
  5. You will need to provide documentary evidence of your ability to fund your share of project costs in your support material.

Evidence might include:

  • Advanced ticket sales for upcoming tour
  • Festival guarantees
  • Previous tour reconciliations.
  • Advance from a label or publisher
  • Merchandise sales
  • Upcoming or past royalty payment
  • Commitment to a future sync placement
  • Available bank balance (provide a document or screenshot of the account balance and account name – removing other personal and transaction details)
  • Crowd funding (including Australian Cultural Fund (ACF) generated income).

A minimum of $2,000, up to a maximum of $10,000, whereby the recipient must demonstrate an investment of an equal or greater amount to the funding request.

The International Market and Audience Development fund (Category 3) is designed to support activity that includes:

  • International PR and promotional campaigns
  • Implementing an international radio campaign
  • Content Creation: music video clips, multiple reels, lyrics translations targeted towards international audiences
  • Performance on an international TV talk show
  • Attendance by a composer at the premiere of a commissioned composition
  • Presenting lecture at an overseas academy, institute or university

As well as costs directly associated with the activity listed above, you may apply for all costs associated with completing your export activity. Eligible costs include but are not limited to:

  • artist and creative worker fees
  • flights, accommodation, per diems, ground transport costs
  • travel insurance
  • visas
  • freight or baggage costs
  • childcare, carer and access costs
  • tickets and/or registration costs to attend events
  • costs associated with reducing the environmental impact of your activity.

Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Budgets may include costs associated with making activities accessible to a wide range of people (e.g. performances using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).

If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance. Please contact Artists Services to discuss your specific needs.

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

  • Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here. 

  • Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations. 

Applications will be assessed by industry advisors.  

Learn more about how we assess your application. 

As well as meeting the eligibility requirements listed above, industry advisors will review your application using the criteria below.

Viability

Assessors will consider whether your activity is feasible. Some ways to consider viability are listed below.

  • The activity is confirmed
  • Evidence of matched funding at a minimum of 50% of the total budget
  • Realistic budgeting and touring logistics
  • The relevance and timeliness of the proposed activity
  • The skills and abilities of those involved, and their relevance to the activity
  • Well-researched and rationalised activity, particularly if this is your first engagement with an international market
  • Measures being applied to ensure the safety and wellbeing of people involved in the project
  • Measures being applied to ensure the proposed activity is accessible
  • Where relevant to the project, evidence that the protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to, or the relevant cultural protocols for the international jurisdiction in which you are working.

Impact

Assessors will consider the impact of your activity. Some ways to consider impact are listed below.

  • The extent to which this activity develops an international market or relationship, or enhances international networks, audiences, and profile.

Alignment

Assessors will consider how your activity meets one or more of the principles and actions of the five pillars identified in the National Cultural Policy – Revive, and the goals of Music Australia.

This may include:

  • First Nations arts and culture are First Nations-led
  • Artists and arts workers have career structures that are long-term and sustainable, supported by vocational pathways
  • Creative industries and practice are future focused, technology enabled, networked and globally recognised, including through reciprocal exchange, export and cultural diplomacy
  • Arts and culture are generative (creating new works and supporting emerging artists) and preservative (protecting heritage and conserving cultural memory)
  • Development of original music
  • Growing the market for contemporary Australian music
  • Training and skills development for artists, and industry professionals

You must submit support material with your application. The industry advisors will review your support material including your evidence of your matched funding and whether the activity is confirmed. It can also be used to gain a better understanding of your activity, and arts practice.

Your application will be ineligible if it does not include support material providing evidence of your matched funding.

We strongly advise you to include evidence of confirmed activity (such as letters and invitations).  

The following support material may also be included with your application:  

  • how cultural protocols have been or will be observed and permissions obtained (if relevant to your activity) 
  • evidence of your practice relevant to the activity for which you are seeking funding, such as a website link, audio and/or video links (maximum duration 10 minutes in total), images and/or written material
  • biographies and CVs for key artists, personnel or other collaborators involved in the activity (no longer than 2 A4 pages in total)
  • letters of support (up to 5 letters of support, with each letter not exceeding one A4 page)
  • risk management – for international travel, you may submit a one-page risk management plan (in any format). If you require a template, you can download a template here 

We prefer to receive information via web links (URLs). 

You may submit up to three URLs per application. For example, you could include a link to your website, a link to a video or audio file, and a link to scanned documents demonstrating your matched funding and letters of confirmation.  

If you are not able to provide URLs, you may upload support material as attachments (up to two PDF or Word documents). You may collate documents to include multiple pages.

We do not accept support material submitted by post.  If you need help submitting material online, or you are not sure what support material to submit, please contact us. 

To help with future applications, we have summarised feedback from the previous round/s of the Export Development Fund.
Please note that Music Australia receives many more applications than it is able to fund and has the difficult task of deciding between many strong proposals in order to allocate limited funds.

General feedback (in addition to the essential eligibility criteria):

  • do not assume assessors have existing knowledge of the artists’ work or activity
  • use the Activity Details section of the application form to list the proposed dates, activity, location/s and whether the activity is confirmed
  • if applying to more than 1 category, be clear about the plan for the specific category you are applying for – do not copy the same text across each application. Each category is assessed on its individual merits, by different assessment panels
  • include clear evidence of ALL your matched funding – labelled in your support materials as ‘Matched funding evidence’ or similar
  • unlike many other grant programs, your budget does not need to balance – a surplus or deficit with a clear, brief explanation is acceptable when applying to this fund.

The strongest applications:

  • include clear, concise and relevant support material that is easy to access
  • clearly explain why the time is right for the proposed activity, and the potential impact
  • clearly demonstrate why the applicant/s are targeting the proposed country/ies or territory/ies for the activity
  • show a well thought out, realistic and productive timeline of activity, leveraging available opportunities
  • explain who the artist/s will be working with and why, including specific names and organisations
  • include all, or a high proportion, of confirmed activity
  • may use metrics and data, such as streaming numbers and audience/engagement insights (where relevant), to strengthen the application
  • include a clearly articulated budget with costs that are commensurate to the proposed activity.

We encourage those who have applied and been unsuccessful for previous rounds of this fund to use this feedback to strengthen their application, and re-apply for future rounds where possible (noting date eligibility requirements).

Watch our webinar information session (here or below) with Music Australia Director Millie Millgate and Council member Danielle Caruana (aka Mama Kin) to learn more about the scheme and how to apply.

Frequently asked questions

Activity must start between 1 April 2025 to 30 June 2025, and be completed within 12 months.

If the activity in your application starts before 1 April 2025, your application will not be eligible.

For activity that starts after 30 June 2025 please see the dates listed below and apply in the appropriate round.

Yes – there will be additional rounds of this fund in 2024 and 2025. Please note that opening and closing dates are provisional and may change. There will be eligibility restrictions for applicants who are successful in previous rounds.

Opening date: 3 February 2025
Closing date: 1 April 2025
Activity to commence from 1 July 2025 – 30 September 2025

Matched funding is Music Australia’s way of partnering with creatives who are engaging in activity that has income streams embedded, partners who are co-investing, or previous income/cash contributing to it. Matched funding is not limited to a cash injection upfront, but may include projected income from this or other activity.

No, this grant round is for export activity only. There are other grant opportunities that support domestic touring activity such as the Contemporary Music Touring Program, and Arts Projects for Individuals and Groups or Organisations. We also recommend you sign up for Music Australia updates to be alerted to other Music Australia opportunities.

There is no mandated proportion of confirmed activity required to be eligible, however applications with support material confirming most or all of their activity will be more competitive.

Yes, we encourage applications from all genres for activity that meets the definition of contemporary music outlined above.

Yes. Please contact our Artists Services team to discuss your accessibility requirements. More information on accessibility is available on our website at Accessibility. 

Yes, we do. More information is available on our website at Languages other than English.

No, the music activity must be in support of music you produce.

Yes. Please note that references to an organisation throughout the application form also includes commercial companies such as a record label, management firm or publisher.  

As you can only make one application per category using your account in the Application Management System, we suggest your artist(s) set up an account in their name to apply.

.

No. The activity must be in a country other than Australia.

You should include the full cost of flights and accommodation in each application in case you are only successful in one. If successful, your granted amount may be revised to avoid duplication of expenses.

Please indicate whether expenses have been duplicated across multiple applications by answering yes or no to the question: ‘Expenses included in other Music Australia applications’.

MUSIC AUSTRALIA
EXPORT DEVELOPMENT FUND

International Professional and Artistic Development

Up to $15,000 matched funding to support international professional development activities.

About the program

The Music Australia Export Development Fund forms a bold partnership between the Australian Government and the Australian music industry – a matched funding initiative, designed to provide financial support to a diverse range of Australian artists at distinct phases of their international careers. 

The program has been developed to support emerging, breakthrough and established acts and is made available to Australian citizens or permanent residents who are current practicing music professionals. This includes solo artists, instrumentalists, bands, ensembles, DJ/producers and electronic artists, producers, songwriters and composers.

The International Professional and Artistic Development fund (Category 2) is designed to support international professional development activity with matched funding of $3000 to $15,000. Find out more in What you can apply for

Before starting your application for the Export Development Fund, please complete the Go Global Toolkit quiz, selecting ‘Creative Industries’.


Before submitting your application, please ensure you check the following or your application will be ineligible:

□ your activity fits within the eligible dates for this round

□ you have included evidence of your matched funding in the Support Material

□ your activity meets the definition of contemporary Australian music (see below)

□ you have read ‘What you can apply for’ in the guidelines (see below) and are applying to the correct category for your proposed activity.

To guide initial investments, the Music Australia Council endorsed the following definition of ‘contemporary music’, which you must meet to be eligible. 

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia”.  

If you don’t meet the definition above for contemporary music, you may be eligible to apply for our Arts Projects for Individuals and Groups, Arts Projects for Organisations, or International programs.

  • Activity must start between 1 April 2025 and 30 June 2025, and be completed within 12 months.
  • An applicant can submit a maximum of one application to each category of the Music Australia Export Development Fund.
  • The budget in your application needs to demonstrate matched funding (see ‘What we mean by matched funding’ for more information), and evidence of matched funding must be supplied in your support material.
  • Planning and preparation such as arranging or booking dates, venues, contracts, travel and visas, and rehearsals in your country of residence, are not eligible activities for the purposes of this grant and should not be included in the activity details section of your application. We encourage and expect considered planning and preparation of your activities in advance of the proposed international activity dates you are applying for. If you are unsure about the eligibility of any part of your proposed activity, please contact musicaustraliagrants@creative.gov.au.
  • Your activity must meet the following definition of contemporary music: “Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.”
  • Open to Australian artists, composers, creators individually or in groups.
  • Organisations and music businesses may apply on behalf of their artists.
  • If you have been successful in a previous round of the Export Development Fund, you are eligible to apply again, however funding priority may be given to first time recipients.

You cannot apply for this grant if:

  • You have already submitted an application to this category
  • You have an overdue grant report
  • You owe money to Creative Australia
  • You have applied to our Arts Project grant rounds for the same activity.  

Please complete the budget in the application form. Your budget does not need to have a net zero balance, but we ask that you explain your budget surplus or deficit in the application form, if applicable.

You must provide evidence of your matched funding in your support material – if you do not provide this evidence your application will be deemed ineligible. Please see the list below for examples of evidence you can supply, watch the video, or contact Music Australia if you have questions.

The budget in your application needs to demonstrate matched funding. Every application (individual, group, organisation or company) must demonstrate that they are contributing an amount equal to, or more than, the total funding request, ensuring that the co-investment by industry is, at a minimum, matching the Government’s investment.

What we mean by ‘matched funding’:

  1. You are required to match the Music Australia Export funding for your project on at least a 50:50 basis.
  2. Your share of project costs is 50% of eligible expenditure up to the maximum grant limit and all remaining costs not met by the grant.
  3. You cannot use in-kind (non-financial) contributions for matched funding.
  4. You cannot use other government grant sources to match the Music Australia Export grant.
  5. You will need to provide documentary evidence of your ability to fund your share of project costs in your support material.

Evidence might include:

  • Advanced ticket sales for upcoming tour
  • Festival guarantees
  • Previous tour reconciliations.
  • Advance from a label or publisher
  • Merchandise sales
  • Upcoming or past royalty payment
  • Commitment to a future sync placement
  • Available bank balance (provide a document or screenshot of the account balance and account name – removing other personal and transaction details)
  • Crowd funding (including Australian Cultural Fund (ACF) generated income).

A minimum of $3,000, up to a maximum of $15,000, whereby the recipient must demonstrate an investment of an equal or greater amount to the funding request.

The International Professional and Artistic Development Fund (Category 2) is designed to support activity that includes:

  • Co-writing sessions
  • Invitation to a songwriting camp
  • Contribution towards overseas recording expenses such as tracking, mixing, mastering
  • Engaging an international producer
  • International residency or fellowship
  • Attending an international trade fair, trade show, conference, forum
  • Visa costs to work in overseas territories

As well as costs directly associated with the activity listed above, you may apply for all costs associated with completing your export activity. Eligible costs include but are not limited to:

  • artist and creative worker fees
  • flights, accommodation, per diems, ground transport costs
  • travel insurance
  • visas
  • freight or baggage costs
  • childcare, carer and access costs
  • tickets and/or registration costs to attend events
  • costs associated with reducing the environmental impact of your activity.

Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Budgets may include costs associated with making activities accessible to a wide range of people (e.g. performances using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).

If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance. Please contact Artists Services to discuss your specific needs.

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

  • Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here. 

  • Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations. 

Applications will be assessed by industry advisors.  

Learn more about how we assess your application. 

As well as meeting the eligibility requirements listed above, industry advisors will review your application using the criteria below.

Viability

Assessors will consider whether your activity is feasible. Some ways to consider viability are listed below.

  • The activity is confirmed
  • Evidence of matched funding at a minimum of 50% of the total budget
  • Realistic budgeting and touring logistics
  • The relevance and timeliness of the proposed activity
  • The skills and abilities of those involved, and their relevance to the activity
  • Well-researched and rationalised activity, particularly if this is your first engagement with an international market
  • Measures being applied to ensure the safety and wellbeing of people involved in the project
  • Measures being applied to ensure the proposed activity is accessible
  • Where relevant to the project, evidence that the protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to, or the relevant cultural protocols for the international jurisdiction in which you are working.

Impact

Assessors will consider the impact of your activity. Some ways to consider impact are listed below.

  • The extent to which this activity develops an international market or relationship, or enhances international networks, audiences, and profile.

Alignment

Assessors will consider how your activity meets one or more of the principles and actions of the five pillars identified in the National Cultural Policy – Revive, and the goals of Music Australia.

This may include:

  • First Nations arts and culture are First Nations-led
  • Artists and arts workers have career structures that are long-term and sustainable, supported by vocational pathways
  • Creative industries and practice are future focused, technology enabled, networked and globally recognised, including through reciprocal exchange, export and cultural diplomacy
  • Arts and culture are generative (creating new works and supporting emerging artists) and preservative (protecting heritage and conserving cultural memory)
  • Development of original music
  • Growing the market for contemporary Australian music
  • Training and skills development for artists, and industry professionals

You must submit support material with your application. The industry advisors will review your support material including your evidence of your matched funding and whether the activity is confirmed. It can also be used to gain a better understanding of your activity, and arts practice.

Your application will be ineligible if it does not include support material providing evidence of your matched funding.

We strongly advise you to include evidence of confirmed activity (such as letters and invitations).  

The following support material may also be included with your application:  

  • how cultural protocols have been or will be observed and permissions obtained (if relevant to your activity) 
  • evidence of your practice relevant to the activity for which you are seeking funding, such as a website link, audio and/or video links (maximum duration 10 minutes in total), images and/or written material
  • biographies and CVs for key artists, personnel or other collaborators involved in the activity (no longer than 2 A4 pages in total)
  • letters of support (up to 5 letters of support, with each letter not exceeding one A4 page)
  • risk management – for international travel, you may submit a one-page risk management plan (in any format). If you require a template, you can download a template here 

We prefer to receive information via web links (URLs). 

You may submit up to three URLs per application. For example, you could include a link to your website, a link to a video or audio file, and a link to scanned documents demonstrating your matched funding and letters of confirmation.  

If you are not able to provide URLs, you may upload support material as attachments (up to two PDF or Word documents). You may collate documents to include multiple pages.

We do not accept support material submitted by post.  If you need help submitting material online, or you are not sure what support material to submit, please contact us. 

To help with future applications, we have summarised feedback from the previous round/s of the Export Development Fund.
Please note that Music Australia receives many more applications than it is able to fund and has the difficult task of deciding between many strong proposals in order to allocate limited funds.

General feedback (in addition to the essential eligibility criteria):

  • do not assume assessors have existing knowledge of the artists’ work or activity
  • use the Activity Details section of the application form to list the proposed dates, activity, location/s and whether the activity is confirmed
  • if applying to more than 1 category, be clear about the plan for the specific category you are applying for – do not copy the same text across each application. Each category is assessed on its individual merits, by different assessment panels
  • include clear evidence of ALL your matched funding – labelled in your support materials as ‘Matched funding evidence’ or similar
  • unlike many other grant programs, your budget does not need to balance – a surplus or deficit with a clear, brief explanation is acceptable when applying to this fund.

The strongest applications:

  • include clear, concise and relevant support material that is easy to access
  • clearly explain why the time is right for the proposed activity, and the potential impact
  • clearly demonstrate why the applicant/s are targeting the proposed country/ies or territory/ies for the activity
  • show a well thought out, realistic and productive timeline of activity, leveraging available opportunities
  • explain who the artist/s will be working with and why, including specific names and organisations
  • include all, or a high proportion, of confirmed activity
  • may use metrics and data, such as streaming numbers and audience/engagement insights (where relevant), to strengthen the application
  • include a clearly articulated budget with costs that are commensurate to the proposed activity.

We encourage those who have applied and been unsuccessful for previous rounds of this fund to use this feedback to strengthen their application, and re-apply for future rounds where possible (noting date eligibility requirements).

Watch our webinar information session (here or below) with Music Australia Director Millie Millgate and Council member Danielle Caruana (aka Mama Kin) to learn more about the scheme and how to apply.

Frequently asked questions

Activity must start between 1 April 2025 to 30 June 2025, and be completed within 12 months.

If the activity in your application starts before 1 April 2025, your application will not be eligible.

For activity that starts after 30 June 2025 please see the dates listed below and apply in the appropriate round.

Yes – there will be additional rounds of this fund in 2024 and 2025. Please note that opening and closing dates are provisional and may change. There will be eligibility restrictions for applicants who are successful in previous rounds.

Opening date: 3 February 2025
Closing date: 1 April 2025
Activity to commence from 1 July 2025 – 30 September 2025

Matched funding is Music Australia’s way of partnering with creatives who are engaging in activity that has income streams embedded, partners who are co-investing, or previous income/cash contributing to it. Matched funding is not limited to a cash injection upfront, but may include projected income from this or other activity.

No, this grant round is for export activity only. There are other grant opportunities that support domestic touring activity such as the Contemporary Music Touring Program, and Arts Projects for Individuals and Groups or Organisations. We also recommend you sign up for Music Australia updates to be alerted to other Music Australia opportunities.

There is no mandated proportion of confirmed activity required to be eligible, however applications with support material confirming most or all of their activity will be more competitive.

Yes, we encourage applications from all genres for activity that meets the definition of contemporary music outlined above.

Yes. Please contact our Artists Services team to discuss your accessibility requirements. More information on accessibility is available on our website at Accessibility. 

Yes, we do. More information is available on our website – Languages other than English.

No, the music activity must be in support of music you produce.

Yes. Please note that references to an organisation throughout the application form also includes commercial companies such as a record label, management firm or publisher.  

As you can only make one application per category using your account in the Application Management System, we suggest your artist(s) set up an account in their name to apply.

No. Your proposed activity must not take place in the country where you are permanently based.

No. The activity must be in a country other than Australia.

You should include the full cost of flights and accommodation in each application in case you are only successful in one. If successful, your granted amount may be revised to avoid duplication of expenses.

Please indicate whether expenses have been duplicated across multiple applications by answering yes or no to the question: ‘Expenses included in other Music Australia applications’.

MUSIC AUSTRALIA
EXPORT DEVELOPMENT FUND

International Performance and Touring Activity

Up to $25,000 matched funding for international tours and performances by Australian contemporary music artists.

About the program

The Music Australia Export Development Fund forms a bold partnership between the Australian Government and the Australian music industry – a matched funding initiative, designed to provide financial support to a diverse range of Australian artists at distinct phases of their international careers. 

The program has been developed to support emerging, breakthrough and established acts and is made available to Australian citizens or permanent residents who are current practicing music professionals. This includes solo artists, instrumentalists, bands, ensembles, DJ/producers and electronic artists, producers, songwriters and composers.

The International Performance and Touring fund (Category 1) is designed to support international touring and showcase activity, with matched funding of $5000 to $25,000. Find out more in What you can apply for

Before starting your application for the Export Development Fund, please complete the Go Global Toolkit quiz, selecting ‘Creative Industries’.


Before submitting your application, please ensure you check the following or your application will be ineligible:

□ your activity fits within the eligible dates for this round

□ you have included evidence of your matched funding in the Support Material

□ your activity meets the definition of contemporary Australian music (see below)

□ you have read ‘What you can apply for’ in the guidelines (see below) and are applying to the correct category for your proposed activity.

To guide initial investments, the Music Australia Council endorsed the following definition of ‘contemporary music’, which you must meet to be eligible. 

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia”.  

If you don’t meet the definition above for contemporary music, you may be eligible to apply for our Arts Projects for Individuals and Groups, Arts Projects for Organisations, or International programs.

  • Activity must start between 1 April 2025 and 30 June 2025, and be completed within 12 months.
  • An applicant can submit a maximum of one application to each category of the Music Australia Export Development Fund.
  • The budget in your application needs to demonstrate matched funding (see ‘What we mean by matched funding’ for more information), and evidence of matched funding must be supplied in your support material.
  • Planning and preparation such as arranging or booking dates, venues, contracts, travel and visas, and rehearsals in your country of residence, are not eligible activities for the purposes of this grant and should not be included in the activity details section of your application. We encourage and expect considered planning and preparation of your activities in advance of the proposed international activity dates you are applying for. If you are unsure about the eligibility of any part of your proposed activity, please contact musicaustraliagrants@creative.gov.au.
  • Your activity must meet the following definition of contemporary music: “Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.”
  • Open to Australian artists, composers, creators individually or in groups.
  • Organisations and music businesses may apply on behalf of their artists.
  • If you have been successful in a previous round of the Export Development Fund, you are eligible to apply again, however funding priority may be given to first time recipients.

You cannot apply for this grant if:

  • You have already submitted an application to this category
  • You have an overdue grant report
  • You owe money to Creative Australia
  • You have applied to our Arts Project grant rounds for the same activity.  

Please complete the budget in the application form. Your budget does not need to have a net zero balance, but we ask that you explain your budget surplus or deficit in the application form, if applicable.

You must provide evidence of your matched funding in your support material – if you do not provide this evidence your application will be deemed ineligible. Please see the list below for examples of evidence you can supply, watch the video, or contact Music Australia if you have questions.

The budget in your application needs to demonstrate matched funding. Every application (individual, group, organisation or company) must demonstrate that they are contributing an amount equal to, or more than, the total funding request, ensuring that the co-investment by industry is, at a minimum, matching the Government’s investment.

What we mean by ‘matched funding’:

  1. You are required to match the Music Australia Export funding for your project on at least a 50:50 basis.
  2. Your share of project costs is 50% of eligible expenditure up to the maximum grant limit and all remaining costs not met by the grant.
  3. You cannot use in-kind (non-financial) contributions for matched funding.
  4. You cannot use other government grant sources to match the Music Australia Export grant.
  5. You will need to provide documentary evidence of your ability to fund your share of project costs in your support material.

Evidence might include:

  • Advanced ticket sales for upcoming tour
  • Festival guarantees
  • Previous tour reconciliations.
  • Advance from a label or publisher
  • Merchandise sales
  • Upcoming or past royalty payment
  • Commitment to a future sync placement
  • Available bank balance (provide a document or screenshot of the account balance and account name – removing other personal and transaction details)
  • Crowd funding (including Australian Cultural Fund (ACF) generated income).

A minimum of $5,000, up to a maximum of $25,000, whereby the recipient must demonstrate an investment of an equal or greater amount to the funding request. 

The International Performance and Touring fund (Category 1) is designed to support activity that includes:  

  • Headline tour, support tour, opening slot (or combination of all three) 
  • Festival or Biennale appearance/s 
  • Commissioned performance/s 
  • Official showcase performance 

As well as costs directly associated with the activity listed above, you may apply for all costs associated with completing your export activity. Eligible costs include but are not limited to:

  • artist and creative worker fees
  • flights, accommodation, per diems, ground transport costs
  • travel insurance
  • visas
  • freight or baggage costs
  • childcare, carer and access costs
  • tickets and/or registration costs to attend events
  • costs associated with reducing the environmental impact of your activity.

Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Budgets may include costs associated with making activities accessible to a wide range of people (e.g. performances using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).

If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance. Please contact Artists Services to discuss your specific needs.

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

  • Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here. 

  • Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations. 

Applications to the International Performance and Touring Activity fund will be assessed by Industry Advisors. After assessing and ranking the eligible applications using the assessment criteria, the highest ranked applications will be awarded funding. If demand exceeds the available funding the assessment panel reserves the right to draw the remaining applications deemed fundable via a ballot. A non-random sample bias will be applied to the ballot to take into account diversity measures.

As well as meeting the eligibility requirements listed above, industry advisors will review your application using the criteria below.

Viability

Assessors will consider whether your activity is feasible. Some ways to consider viability are listed below.

  • The activity is confirmed
  • Evidence of matched funding at a minimum of 50% of the total budget
  • Realistic budgeting and touring logistics
  • The relevance and timeliness of the proposed activity
  • The skills and abilities of those involved, and their relevance to the activity
  • Well-researched and rationalised activity, particularly if this is your first engagement with an international market
  • Measures being applied to ensure the safety and wellbeing of people involved in the project
  • Measures being applied to ensure the proposed activity is accessible
  • Where relevant to the project, evidence that the protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to, or the relevant cultural protocols for the international jurisdiction in which you are working.

Impact

Assessors will consider the impact of your activity. Some ways to consider impact are listed below.

  • The extent to which this activity develops an international market or relationship, or enhances international networks, audiences, and profile.

Alignment 

Assessors will consider how your activity meets one or more of the principles and actions of the five pillars identified in the National Cultural Policy – Revive, and the goals of Music Australia.

This may include:

  • First Nations arts and culture are First Nations-led
  • Artists and arts workers have career structures that are long-term and sustainable, supported by vocational pathways
  • Creative industries and practice are future focused, technology enabled, networked and globally recognised, including through reciprocal exchange, export and cultural diplomacy
  • Arts and culture are generative (creating new works and supporting emerging artists) and preservative (protecting heritage and conserving cultural memory)
  • Development of original music
  • Growing the market for contemporary Australian music
  • Training and skills development for artists, and industry professionals
  • Activities that promote the Government’s international arts and cultural engagement and cultural diplomacy priorities
  • Discoverability and working with digital service providers and radio networks to support Australian contemporary music.

You must submit support material with your application. The industry advisors will review your support material including your evidence of your matched funding and whether the activity is confirmed. It can also be used to gain a better understanding of your activity, and arts practice.

Your application will be ineligible if it does not include support material providing evidence of your matched funding.

We strongly advise you to include evidence of confirmed activity (such as letters and invitations).  

The following support material may also be included with your application:  

  • how cultural protocols have been or will be observed and permissions obtained (if relevant to your activity) 
  • evidence of your practice relevant to the activity for which you are seeking funding, such as a website link, audio and/or video links (maximum duration 10 minutes in total), images and/or written material
  • biographies and CVs for key artists, personnel or other collaborators involved in the activity (no longer than 2 A4 pages in total)
  • letters of support (up to 5 letters of support, with each letter not exceeding one A4 page)
  • risk management – for international travel, you may submit a one-page risk management plan (in any format). If you require a template, you can download a template here 

We prefer to receive information via web links (URLs). 

You may submit up to three URLs per application. For example, you could include a link to your website, a link to a video or audio file, and a link to scanned documents demonstrating your matched funding and letters of confirmation.  

If you are not able to provide URLs, you may upload support material as attachments (up to two PDF or Word documents). You may collate documents to include multiple pages.

We do not accept support material submitted by post.  If you need help submitting material online, or you are not sure what support material to submit, please contact us. 

To help with future applications, we have summarised feedback from the previous round/s of the Export Development Fund.
Please note that Music Australia receives many more applications than it is able to fund and has the difficult task of deciding between many strong proposals in order to allocate limited funds.

General feedback (in addition to the essential eligibility criteria):

  • do not assume assessors have existing knowledge of the artists’ work or activity
  • use the Activity Details section of the application form to list the proposed dates, activity, location/s and whether the activity is confirmed
  • if applying to more than 1 category, be clear about the plan for the specific category you are applying for – do not copy the same text across each application. Each category is assessed on its individual merits, by different assessment panels
  • include clear evidence of ALL your matched funding – labelled in your support materials as ‘Matched funding evidence’ or similar
  • unlike many other grant programs, your budget does not need to balance – a surplus or deficit with a clear, brief explanation is acceptable when applying to this fund.

The strongest applications:

  • include clear, concise and relevant support material that is easy to access
  • clearly explain why the time is right for the proposed activity, and the potential impact
  • clearly demonstrate why the applicant/s are targeting the proposed country/ies or territory/ies for the activity
  • show a well thought out, realistic and productive timeline of activity, leveraging available opportunities
  • explain who the artist/s will be working with and why, including specific names and organisations
  • include all, or a high proportion, of confirmed activity
  • may use metrics and data, such as streaming numbers and audience/engagement insights (where relevant), to strengthen the application
  • include a clearly articulated budget with costs that are commensurate to the proposed activity.

We encourage those who have applied and been unsuccessful for previous rounds of this fund to use this feedback to strengthen their application, and re-apply for future rounds where possible (noting date eligibility requirements).

Watch our webinar information session (here or below) with Music Australia Director Millie Millgate and Council member Danielle Caruana (aka Mama Kin) to learn more about the scheme and how to apply.

Frequently asked questions

Activity must start between 1 April 2025 to 30 June 2025, and be completed within 12 months.

If the activity in your application starts before 1 April 2025, your application will not be eligible.

For activity that starts after 30 June 2025 please see the dates listed below and apply in the appropriate round.

Yes – there will be additional rounds of this fund in 2024 and 2025. Please note that opening and closing dates are provisional and may change. There will be eligibility restrictions for applicants who are successful in previous rounds.

Opening date: 3 February 2025
Closing date: 1 April 2025
Activity to commence from 1 July 2025 – 30 September 2025

Matched funding is Music Australia’s way of partnering with creatives who are engaging in activity that has income streams embedded, partners who are co-investing, or previous income/cash contributing to it. Matched funding is not limited to a cash injection upfront, but may include projected income from this or other activity.

No, this grant round is for export activity only. There are other grant opportunities that support domestic touring activity such as the Contemporary Music Touring Program, and Arts Projects for Individuals and Groups or Organisations. We also recommend you sign up for Music Australia updates to be alerted to other Music Australia opportunities.

There is no mandated proportion of confirmed activity required to be eligible, however applications with support material confirming most or all of their activity will be more competitive.

Yes, we encourage applications from all genres for activity that meets the definition of contemporary music outlined above.

Yes. Please contact our Artists Services team to discuss your accessibility requirements. More information on accessibility is available on our website at Accessibility. 

Yes, we do. More information is available on our website here Languages other than English.

No, the music activity must be in support of music you produce.

Yes, please note that references to an organisation throughout the application form also includes commercial companies such as a record label, management firm or publisher.  

As you can only make one application per category using your account in the Application Management System, we suggest your artist(s) set up an account in their name to apply.

No. Your proposed activity must not take place in the country where you are permanently based.

No, the activity must be in a country other than Australia.

You should include the full cost of flights and accommodation in each application in case you are only successful in one. If successful, your granted amount may be revised to avoid duplication of expenses.

Please indicate whether expenses have been duplicated across multiple applications by answering yes or no to the question: ‘Expenses included in other Music Australia applications’.

Sir Robert William Askin Operatic Scholarship

Travelling scholarship to support the professional development of a man or male under 30 with outstanding ability and promise in opera singing.

About the Scholarship

The Sir Robert William Askin Operatic Scholarship was established by a Deed of Lady Mollie Askin to further culture and advance education in Australia by providing a travelling scholarship for Australian citizens with outstanding ability and promise in opera singing.

The scholarship is awarded biennially to a young man or male candidate who has outstanding ability and promise in opera singing. The scholarship is worth $30,000, payable in two instalments of $15,000 over two years.

The scholarships are administered by Creative Australia on behalf of Perpetual as trustee.

A list of previous recipients is available here.

Who can apply

Applications for the Sir Robert William Askin Operatic Scholarship are open to individual artists who identify as a man or male and are Australian citizens aged 18 – 29 at the closing date.

These are terms established by the Sir Robert William Askin Operatic Scholarship Trust. There are no exceptions to these requirements.

If you are an Australian citizen but will have difficulty providing a copy of a birth certificate, passport or citizenship certificate, please contact Artists Services.

Who can’t apply

You can’t apply for a scholarship if:

  • you have an overdue grant report
  • you owe money to Creative Australia
  • you were previously awarded a Sir Robert William Askin Operatic Scholarship.

Scholarship funds can be used to assist with study programs, professional training courses and mentor programs that would not otherwise be obtainable due to lack of financial resources.

Scholarship proposals will be reviewed by Creative Australia staff. We may seek industry advice on your scholarship before making our recommendations to Perpetual, who will make the final decision.

The decision of Perpetual is final, and no feedback will be provided  on your application or the decision.

Your application will be assessed against two criteria:

  • the potential of the applicant
  • the viability of the proposal.

Scholarship applications are submitted through Creative Australia’s Application Management System (AMS).

Once logged into the AMS, click on ‘Apply for a Grant’ from the left panel menu. Scroll down the list of opportunities. Under ‘Co-Investment Opportunities’ select ‘The Sir Robert William Askin Operatic Scholarship’.

The type of questions we ask you in the application form include:

  • your name and contact details
  • your gender
  • confirmation that you are an Australian citizen
  • confirmation of your age
  • information about your practice, your professional experience and your career goals
  • the proposed aims and activities of your scholarship (names of teachers/institutions, travel plans, dates, etc.), and how your planned activities will assist your career
  • supporting material relevant to your proposal.

Additional material can be submitted to support your application. We will review support material to understand your artistic practice and viability of your proposal.

We do not accept support materials submitted via post. Application-related material received by post will not be assessed and will be returned to the sender. If you think you will have difficulty submitting your support material online, please contact Artists Services.

You can submit the following support material with your application:

1. Artistic support material

You may submit up to two URLs (web links). These URLs should be direct links to material that can include video, audio, images, and writing.

Please provide:

  • a direct link/URL to a video or audio recording of a performance.

2. Letters of support

You may include up to three letters of support or written references for you and your scholarship, with each letter not exceeding one A4 page. The letters should explain how the proposed scholarship will benefit you.

Our preferred method of receiving support material is via URLs (weblinks). However, if you cannot supply artistic support material via URL, we will accept artistic support material in the following formats:

      • video (MP4 and Windows Media)
      • audio (MP3 and Windows Media)
      • images (JPEG and PowerPoint)
      • written material (PDF).

Please note: Our assessors will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access.

If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.

To find out more about support material, including advice on how to get examples of your work online, please contact Artists Services.

International Travel Fund

$5,000 to $20,000 to support travel costs associated with attending key market development and cultural exchange platforms and gatherings.

Asia Topa 2020 Showcase The Seen & Unseen by Kamila Andini, Ida Ayu Wayan, Arya Satyani, Adena Jacobs, Eugyeene Teh, Jenny Hector. Image: Ifa Isfansyah

 

About the program

The International Travel Fund supports international travel costs associated with Australian artists, creative workers and organisations attending market development or key gatherings overseas.

Market development activities are those that enable applicants to promote, market, pitch, or sell works with a focus on entering or maintaining new or existing international markets.

The aims of the fund are to:

  • support international travel costs associated with individuals, groups or organisations to attend market development, key gatherings, events or opportunities overseas
  • enable support for Australian artists, creative workers and organisations to build and sustain international connections.

Applicants should consider when their travel activities will take place and plan in advance where possible.

Applicants can apply for flat rates of $5,000 or $10,000 or $15,000 or $20,000. Requests for other amounts will not be accepted.

Applications are accepted from:

  • Australian-based individuals
    Australian citizens living overseas are eligible. If your application is successful, you may be required to provide evidence of your Australian citizenship
  • Australian-based groups and organisations.

Applications from internationally based organisations are eligible, however international organisations must demonstrate the request benefits practicing Australian artists or creative workers, their work or Australian audiences.

  • open to individuals, groups and organisations, including small businesses
  • noting that recipients of Creative Australia’s Two-Year Investment for Organisations Pilots 2025-2026 and Four-Year investment for Organisations funding are eligible to apply
  • applicants can submit one (1) application per closing date. Note you cannot submit an individual application as well as a group or organisation application
  • art forms supported:
    • community arts and cultural development
    • dance
    • emerging and experimental arts
    • First Nations arts and culture
    • literature
    • music (excluding contemporary music as per Music Australia’s definition)
    • multi-art form
    • visual arts
    • theatre.
  • you are an internationally based individual artist or creative worker who is not an Australian citizen or permanent resident
  • you are an international individual, group or organisation seeking support for travel to Australia
  • you have already applied to this closing date under this grant category
  • you have already applied to an Arts Projects grant category for the same activity
  • you are an organisation and receive investment through the National Performing Arts Partnership Framework. Overseas organisations wanting to apply to work with a National Performing Arts Partnership Framework organisation are also ineligible
  • you have an overdue grant report to Creative Australia
  • you owe money to Creative Australia
  • you work in contemporary music. You must apply to the Export Development Fund from Music Australia.

Contemporary music, as defined by the Music Australia Council, is:

“Australian contemporary music is any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.”

You may apply for any and all costs associated with travel and attendance at confirmed international market development or key gatherings.

Eligible costs include but are not limited to:

  • fees for your time to attend the opportunity, (if wages are not covered by your organisation). We strongly advise you refer to and pay at, or above, industry standard rates
  • flights, accommodation, per diems and ground transport costs
  • travel insurance
  • visas
  • freight or baggage costs
  • marketing, promotion and project management costs
  • costs associated with attendance at international book fairs
  • costs associated with attendance at events and activities associated with publication and promotion of literary, art fair or works in international markets
  • costs associated with conferences however, applicants must demonstrate the market development outcome/s
  • childcare, carer and access costs
  • tickets and/or registration costs to attend events
  • costs associated with reducing the environmental impact of your activity
  • access costs, see below.
  • travel costs that are for the same activity across other applications to Creative Australia
  • travel costs for professional development, international tours, showcases or presentations (apply to Arts Projects instead)
  • travel costs to participate in international exchange activities such as residencies, labs, and peer exchange models (apply to the International Engagement Fund instead)
  • travel that does not involve or benefit Australian practicing artists or creative workers
  • travel to events or activities that do not have a clearly-defined arts component
  • travel for events and activities that have already taken place
  • activities engaging with First Nations content, artists and communities that do not adhere to the Creative Australia First Nations Cultural & Intellectual Property Protocols
  • travel to attend contemporary music activities. You must apply to the Export Development Fund from Music Australia.

Access costs are legitimate expenses and may be included. We encourage applicants to ensure that their work is accessible to everyone. This may include costs associated with making activities accessible to a wide range of people (e.g. presentation or delivery activities using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).

If you are working with d/Deaf people or people with disability in your application, you may use funds for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance including travel costs. Please contact Artist Services to discuss your specific needs.

Your application must comply with the following protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding.

Protocols for using First Nations Cultural and Intellectual Property in the Arts

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, provide evidence of this in their application and support material. More information on the First Nations Protocols is available here.

Commonwealth Child Safe Framework

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involving contact with children, will additionally be required to implement the National Principles for Child Safe Organisations.

Industry Advisors and Creative Australia staff with relevant experience will assess the applications against the assessment criteria listed below. Creative Australia staff will consider how the proposed activities align with the aims of the fund when making final decisions on submissions.

Applicants are required to nominate the art form expertise required to assess your submission.

Under each criterion are bullet points indicating what assessors may consider when assessing your application. You do not need to respond to every bullet point listed.

Assessors will assess the quality of the applicants’ practice in the context of the opportunity.

They may consider:

  • the quality of your work, demonstrating your professional track record
  • the relevance of the planned activities and the significance of these on your ongoing development
  • realistic and achievable planning and resource use, including contingency and relevant plans for international travel to enable the proposed outcomes
  • where relevant, evidence that the Protocols for First Nations Cultural and Intellectual Property in the Arts have been adhered to.

Assessors will assess the expected impact or outcome of the proposed activities for the applicant.

They may consider:

  • how the activity is relevant to the identified areas of practice and career development
  • the benefit and impact on career, artistic or cultural practice of the applicant
  • the potential to develop new markets, relationships or meet existing market demand
  • the extent to which the activity contributes to a sector that is accessible, inclusive and equitable
  • the capacity to strengthen skills and abilities of those involved.

Creative Australia staff will consider how the proposed activities align to the aims of the fund when making final decisions on submissions.

They may also consider:

  • capacity of the applicant to deliver on the proposed outcomes
  • supporting diversity across investment streams, timelines, activities, art forms, geography, representation, audiences and risk, how the activity supports the development of artists and their works in international markets.

Applications must be submitted via Creative Australia’s Application Management System.

If you are registering to use the System for the first time, make sure you register well before the closing date. It can take up to two business days to process your registration.

The types of questions we ask in the application form include:

  • how you would like your application to be assessed (art form expertise).
  • a summary of your proposal.
  • a description of the international activities and how it meets the assessment criteria:
    • Quality: Tell us about your creative practice in relation to this opportunity
    • Impact: Tell us about the opportunity, possible partners and why this is important for your ongoing development as an artist/creative worker or as an organisation
  • Activity details including dates and locations
  • Supporting material as relevant to your project, including examples of your work, CVs or bios, invitations, and letters of support or permission from participants, communities, First Nations organisations, and Elders where relevant.

Additional material must be submitted to support your application. We will review support material to understand your artistic practice, quality and impact of your proposal. Do not assume that those who are reading your submission, know your work or experience and consider this when deciding what should be included.

We strongly recommend you curate your support material to be relevant, targeted and easily accessible.

Our preferred method of receiving support material is via URLs (weblinks) that link to content that is targeted and relevant to your submission.

Assessors will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to applications or documents that require users to log in or pay for access.

If you are linking to sites or files that are private or password protected, please provide the password in the password field on the application form.

You can provide up to 3 URLs and 3 file uploads.

You can include a maximum of:

  • 10 minutes of video and/or audio recording, and/or
  • 10 images as a single PDF, and/or
  • 10 pages of written material (for example, CVs/bios and letters of support/invitation or confirmation, promotional plans).

If you provide material that exceeds these limits it may not be reviewed as a part of the assessment process.

If you cannot supply support material via URLs, you may upload support material to your application in the following formats:

  • video (MP4, Windows Media)
  • audio (MP3, Windows Media)
  • images (JPEG, PowerPoint)
  • written material (Word, PDF).

We do not accept support material submitted via post. Support material received by post will not be assessed and will be returned to the sender. If you think you will have difficulty submitting your support material online or need advice on what type of material to submit, please contact Artist Services.

Learn more about support material via the Creative Australia website.

  1. Creative/artistic and cultural support material

This should include relevant, recent examples of your creative or cultural work and/or the services you provide using the formats identified above.

Information should be presented as a single document and not exceed the collective total of no more than 10 pages of written material, see above.

  1. Biographies and CVs

You can include a brief bio or curriculum vitae (CV) for key artists, personnel or other collaborators involved in your project.

Brief bios or CV information should be presented as a single document and not exceed the collective total of no more than 10 pages of written material, see above.

  1. Information about the international opportunity

This could include background information on the opportunity you wish to participate in. You may wish to include direct weblinks to the event/schedule of the program.

  1. Letters of support, invitation or confirmation

Individuals, groups or organisations can write letters in support of your project. A support letter should explain how the project or activity will benefit you, other artists or arts professionals, participants or the broader community. It can also detail the support, co-investment (financial or in-kind) or involvement of key project partners, or evidence of consultation.

If relevant to your activity, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the First Nations Protocols for more information.

You may wish to include evidence of presenting venues or invitation or attendance to confirm your involvement. Each letter should include confirmation of any invitations, partners fees or contributions to the activity, whether cash or in-kind, if relevant.

Written information should be presented as a single document and not exceed the collective total of no more than 10 pages, see above.

If relevant to your application, evidence of appropriate permissions and support from First Nations organisations, communities and Elders must be provided. Please refer to the First Nations Protocols for more information.

Frequently asked questions

This fund covers many art forms and sectors. Individuals who may wish to apply to the fund could include artists, curators, producers, presenters and literary agents, rights managers and publishers, authors, illustrators and tour managers.

If you have applied as an individual, you are unable to also apply as a part of a group or organisation’s submission.

Applications will be assessed by Industry Advisors and Creative Australia staff. Assessments will also incorporate a moderation process before final decisions are made. This moderation will include the Heads of Practice and the International team.

The assessment team will also consider the suitability of each request in relation to the art form. An example of this may include the literature sector where applicants are encouraged to plan a suite of activities rather than attendance at a single event. This may include literary festivals or promotional opportunities.

International Engagement Fund

$5,000 to $30,000 for creative collaboration and development, cultural exchange and reciprocal activities.

Rainbow Chan, The Bridal Lament, 2022, Image courtesy of the artist.

 

About the program

The International Engagement Fund supports Australian artists and creative workers to undertake reciprocal exchange projects with confirmed international partners. This includes creative collaboration and development; cultural exchange and knowledge sharing; labs and practice-exchange models.

Activities can take place in-person, online, or in a combination of in-person and online (hybrid).

International organisations working with Australian artists or creative workers are eligible to apply.

Only one application can be made to this category per closing date.

Funding amounts are available between $5,000 to $30,000.

Applications must meet at least one of Creative Australia’s International Engagement Strategy 2021–2025 priorities:

  • rethink and expand the concept of mobility through testing dynamic engagement models that include digital, hybrid and in-person connection
  • leverage technologies and digital platforms for creation, distribution, networking, and increasing discoverability of Australian work
  • activate borderless thinking to build reciprocal and multilateral partnerships across regions and industries, and leverage co-investment
  • strengthen First Nations exchange that is First Nations-led and self-determined
  • amplify Asia Pacific engagement, and the perspectives of the Asia Pacific diaspora in Australia
  • diversify income and revenue streams to foster sustainable careers and business models by increasing access to markets, information and networks and showcase Australian work to global audiences and influencers
  • foster creative risk-taking, experimentation and innovation in creation, distribution, connection and profile-building
  • centre equity and access and reflect Australia’s diversity
  • embed sustainability through research and investment in best-practice models and frameworks to minimise the sector’s carbon footprint.

Supported activities must last no longer than two years from the proposed start date.

Please read through the following grant guidelines.

If you need advice about applying, contact an Artists Services Officer.

Community arts and cultural development, dance, emerging and experimental arts, First Nations arts and culture, literature, multi-artform, visual arts, theatre, and music.

This excludes contemporary music, defined by the Music Australia Council as:

“Any genre or subgenre of music currently composed, written, produced by Australians and licensed, recorded, presented, and distributed through commercial and non-commercial activity. For the purposes of Music Australia’s initial investments, the focus will be on musical works that are new, original and relevant to contemporary Australia.”

Music Australia has established an Export Music Development Fund for those artists working in contemporary music. Details to those three funding categories can be found here:

  1. Performance and Touring Activity
  2. Professional and Artistic Development
  3. Market and Audience Development
  • Eligible applicants include Australian artists, and creative workers who do not work in contemporary music (as defined above).
  • You can only submit one application to each closing date for the International Engagement Fund.
  • Individuals, groups and organisations (including small businesses) may apply to this category.
  • International organisations can apply for projects that benefit practicing Australian artists or creative workers, their work or Australian audiences.

You can’t apply for a grant if:

  • you have already applied to this closing date for the International Engagement Fund
  • you have already applied to the 3 September 2024 closing date for the Arts Projects grant categories for the same activity
  • you have an overdue grant report
  • you owe money to Creative Australia
  • you receive, or are working with an organisation that receives, investment through the National Performing Arts Partnership Framework
  • you work in contemporary music (as defined above). You must apply to the Export Development Fund from Music Australia.

You may apply for costs associated with creative collaboration and development; cultural exchange and knowledge sharing; research, experimentation, scoping and prototyping activities; and reciprocal relationship-building activities such as residency exchanges, labs and peer exchange models.

Activities may take place in-person, online, or a combination of in-person and online (hybrid activities).

Eligible costs include but are not limited to:

  • artist and creative worker fees. You may refer to industry benchmarks set by the National Association for the Visual Arts (NAVA), and the Australian Society of Authors (ASA), etc
  • flights, accommodation, per diems, ground transport costs
  • travel insurance
  • visas
  • freight or baggage costs
  • production expenses
  • marketing, promotion and project management costs
  • childcare, carer and access costs
  • costs associated with reducing the environmental impact of your activity.

Access costs are legitimate expenses and may be included in your application. We encourage applicants to ensure that their work is accessible to everyone. Budgets may include costs associated with making activities accessible to a wide range of people (e.g. performances using Auslan, translation to other languages, captioning, audio description, temporary building adjustments, and materials in other formats).

If you are a d/Deaf applicant, an applicant with disability, or are working with d/Deaf artists or artists with disability, you may apply for access costs associated with the use of an interpreter, translation services, specific technical equipment, carer or support worker assistance. Please contact Artists Services to discuss your specific needs.

You can’t apply for:

  • costs that duplicate from the same activity across other current applications to Creative Australia
  • international activities that do not involve or benefit Australian practicing artists or creative workers
  • international activities without international partners
  • international activities that do not have a clearly-defined arts component
  • international activities that have already taken place
  • activities engaging with First Nations content, artists and communities that do not adhere to Creative Australia First Nations Cultural & Intellectual Property Protocols
  • travel to attend contemporary music activities. You must apply to the Export Development Fund from Music Australia

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding.

Protocols for using First Nations Cultural and Intellectual Property in the Arts

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, provide evidence of this in their application and support material. More information on the First Nations Protocols is available here.

Commonwealth Child Safe Framework

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including working with children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations.

Industry Advisors will assess your application against the published assessment criteria. Creative Australia staff will moderate the assessment.

You must respond to all three selection criteria: viability, impact and strategic focus.

Listed under each criterion are points the assessors may consider when reviewing your application.

Assessors will consider whether your activity is feasible. Some ways to consider viability are listed below. You do not need to respond to every bullet point.

  • The relevance and timeliness of the proposed project.
  • The skills and abilities of those involved, and their relevance to the project.
  • Realistic and achievable planning and resource use, including contingency plans.   
  • Evidence of other sources of income or co-funding, such as earned income, grants, sponsorship and/or in-kind contributions.
  • Well-researched and rationalised activity, particularly if this is your first engagement with an international market.
  • Extent of sustainable practices, multiple engagements and/or slow touring or concept touring, where the idea, process, or work travels but the artist does not.  
  • Appropriate payments to participating artists, creative professionals, collaborators, participants, or cultural consultants.   
  • Measures being applied to ensure the safety and wellbeing of people involved in the project.   
  • Measures being applied to ensure the proposed activity is accessible.   
  • Where relevant to the project, evidence that the protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to, or the relevant cultural protocols for the international jurisdiction in which you are working.   
  • Evidence of appropriate consultation with participants, audiences or communities.   
  • Confirmation of the role of partners or collaborators, including any income and co-funding, such as earned income, grants, sponsorship and in-kind contributions.    

Assessors will consider the impact of your activity. Some ways to consider impact are listed below. You do not need to respond to every bullet point.

  • The extent to which this activity develops an international market or relationship for, or enhances international networks, audiences, and profile.
  • The contribution of the activity towards re-imagining the future for international engagement in the cultural and creative industries.
  • The extent to which the activity contributes to a sector that is accessible, inclusive and equitable.

Assessors will consider how your activity aligns with one or more of the strategic priorities identified in our International Engagement Strategy 2021–2025.

You must respond to one or more of the bullet points listed below.

  • Rethink and expand the concept of mobility through testing dynamic engagement models that include digital, hybrid and in-person connection.
  • Leverage technologies and digital platforms for creation, distribution, networking, and increase discoverability of Australian work.
  • Activate borderless thinking to build reciprocal and multilateral partnerships across regions and industries, and leverage co-investment.
  • Strengthen First Nations exchange that is First Nations-led and self-determined.
  • Amplify Asia Pacific engagement, and the perspectives of the Asia Pacific diaspora in Australia.
  • Diversify income and revenue streams to foster sustainable careers and business models by increasing access to markets, information and networks and showcase Australian work to global audiences and influencers.
  • Foster risk-taking, experimentation and innovation in creation, distribution, connection and profile-building.
  • Centre equity and access and reflect Australia’s diversity.
  • Embed sustainability through research and investment in best-practice models and frameworks to minimise the sector’s carbon footprint.

The types of questions we ask in the application form include:

  • a title for your project
  • a summary of your project
  • a brief description of the individual/group/organisation applying
  • an outline of your project and what you want to do
  • a timetable or itinerary for your project
  • a description of the outcome your project delivers
  • a projected budget which details the expenses, income, and in-kind support of the project
  • supporting material as relevant to your project, including examples of your work, bios of additional artists, and letters of support or permission from participants, communities, First Nations organisation, and Elders.

You should submit support material with your application. The Industry Advisors may review this support material to help them gain a better sense of your project.

We do not accept application-related support material submitted via post. Application-related material received by post will not be assessed and will be returned to the sender. If you think you will have difficulty submitting your support material online, or need advice on what type of material to submit, please contact Artists Services.

There are three types of support material you may submit:

1. Artistic support material

This should include relevant, recent examples of your artistic or cultural work, or the services you provide.

Types of support material we accept

Our preferred method of receiving support material is via URLs (weblinks).

You can provide up to three URLs (weblinks) that link to content that is relevant to your proposal. This may include video, audio, images, or written material.

These URLs can include a total of:

  • 10 minutes of video and/or audio recording
  • 10 images
  • 10 pages of written material (for example, excerpts of literary writing).

Please note: Our industry advisors will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access.

If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.

Other accepted file formats

If you cannot supply support material via URLs, you may upload support material to your application in the following formats:

  • video (MP4 and Windows Media)
  • audio (MP3 and Windows Media)
  • images (JPEG and PowerPoint)
  • written material (Word and PDF).

2. Biographies and CVs

You can include a brief bio or curriculum vitae (CV) for key artists, personnel or other collaborators involved in your project.

Brief bios or CV information should be presented as a single document no longer than two A4 pages in total.

3. Letters of support

Individuals, groups or organisations can write letters in support of your project. A support letter should explain how the project or activity will benefit you, other artists or arts professionals, participants or the broader community. It can also detail the support or involvement of key project partners, or evidence of consultation.

If relevant to your activity, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the First Nations Protocols for more information.

You can include up to five letters of support, with each letter not exceeding one A4 page.

Please provide a single link to all letters or scan the letters into one PDF file. 

There were 170 eligible applications; 26 applications were funded.

From Monday 6 January 2025, you can use our online grants database to see the list of funded applications.

You can review the guidelines for the opportunity on our website.

Although there is no specific feedback on applications, the industry advisors provided some general feedback on applications to this round below which you may find helpful.

General feedback on applications to this round:

  • competitive applications had a reciprocal international exchange component
  • competitive applications clearly articulated the rationale, outcomes, and/or the longevity of a proposed international partnership, exchange or engagement
  • proposals that demonstrated community engagement, long-term relationship building, and deeper connection beyond a one-off activity were generally more compelling
  • the strongest applications demonstrated deeper thinking around international engagement as well as finding new ways of working, including innovative uses of technology
  • residencies where there was no reciprocity (i.e. an international artist coming to Australia as well as an Australian artist travelling overseas) were uncompetitive
  • the strongest proposals provided evidence of confirmed activities and project partners and provided strong letters of support
  • applications that articulated the timeliness and relevance of the activity were more competitive, as well as those that demonstrated their viability through detailed and thorough planning and an effective use of resources
  • applications that did not provide a detailed breakdown of the budget, appropriate payments to artists and cultural consultants, and confirmed income from other sources did not score as highly
  • proposals that articulated a clear rationale for why they were engaging with the country or region were more competitive
  • where First Nations artists, creative workers or communities were involved in a project, successful applications demonstrated that the activity was self-determined and First Nations led, and complying with the Protocols for using First Nations Cultural and Intellectual Property in the Arts.

Createch: Digital Enterprise Program

We’re funding coaching for digital creative enterprises in partnership with industry leaders, REMIX Summits.

Photo credit: Culture Vault

Watch our info session

Remix Summits, Creative Australia and previous program alumni answer your questions about applying for and participating in Createch.

Watch here

About the program

We are collaborating with REMIX to support for a cohort of creative entrepreneurs. The program will help you scale a digital innovation project or creative business and is open to individuals, groups or organisations.

Alongside REMIX, Createch is co-facilitated by Tara McKenty, the Chief Innovation Officer and Co-Executive Creative Director at BMF Australia. 

You will receive 24 hours of consultancy and seed funding to support the development of your digital enterprise.   

The program will run from March 2025 – June 2025. Full dates and program activities are detailed below. 

We are seeking people with an existing track record who would benefit from consulting and support from experienced creative entrepreneurs and industry specialists. 

The goal of this program is to provide you with access to REMIX’s consulting to give you the highest likelihood of success. Outcomes will be tailored to your needs, but may include: 

  • coaching and strategic advice around the development of your project 
  • expert advice and strategic reviews to identify challenges and opportunities 
  • planning for investment 
  • planning your technical or project roadmap 
  • global trend analysis and insights to assist your project development 
  • introductions to potential investors 
  • introductions to potential partners and collaborators who can grow and expand your idea/s. 

In addition to 24 hours of bespoke consulting, you will become part of a unique peer community made up of Australia’s leading creative innovators. You will also attend REMIX Summit Sydney in June 2025 to network and exchange with peers. 

As part of the program you will receive $5000 seed funding at the program mid-point in April 2025 to help towards scaling your business, developing new technologies or piloting new products/programs.  

The consultancy hours with REMIX will include guidance on the use of the seed funds to best support your project to the next level. You will need to present a short pitch outlining how the funds will be used, at the mid-point workshop. Seed funds will be granted following a successful pitch. 

REMIX has worked with some of the world’s greatest cultural institutions, technologists, funding bodies and creative businesses to apply its global market intelligence. It helps clients respond to disruptive new trends – redefining services, rethinking business models and creative experiences to find innovative ways to unlock additional revenue streams and engage new audiences. Clients have included Tate, the National Gallery (UK), State Library Victoria, ACMI, Melbourne Arts Precinct, Saatchi Gallery, and the Houses of Parliament (UK).

For further information and case studies please see here.

Co-facilitator: Tara McKenty 

Tara McKenty is the Chief Innovation Officer and Co-Executive Creative Director at BMF Australia.

She started her career at TBWA in Aotearoa/New Zealand before heading to Saatchi & Saatchi in Sydney, Australia then moving to Google where she held multiple roles and lead teams that ignited love in the Google brand through creativity. One of Tara’s most notable career achievements to date was founding Rare with Google: an initiative that provides equitable opportunities for underrepresented creatives. 

Tara led a project with client OPSM that was named the most effective marketing campaign in the world by the WARC 100 in 2016 and continues to disrupt the status quo and has won over two hundred awards during her advertising rebellion including D&AD pencils, Cannes Lions, Grand Prix’s, and Best in Shows. 

The program will run from 10 March – 27 June 2025.

You will:

  • receive 24 hours of bespoke consulting delivered online by REMIX co-founders Peter Tullin & Simon Cronshaw and an additional program facilitator
  • receive $5000 seed funding at the program mid-point in April 2025 to help towards scaling your business, developing new technologies or piloting new products/programs
  • Attend three online cohort workshops with other participants featuring presentations from digital innovators and disruptors:

Orientation Workshop: 9am-12pm AEST, Tuesday 11 March 2025 (Online)
Mid-Point Workshop: 9-11am AEST, Tuesday 15 April 2025 (Online)
Final Workshop: 9-11am AEST, Thursday 26 June 2025 (Online)

  • have access to digital REMIX resources, including talks and the Business of Culture course, supporting those working in the creative industries to develop new revenue streams and audiences
  • attend REMIX Summit Sydney in-person on 12-13 June 2025. Travel and accommodation provided
  • become part of a unique peer community made up of Australia’s leading creative innovators.

This opportunity is open to arts-aligned/creative industries individuals, groups and organisations based in Australia that have: 

1) A proven track record with further potential for growth and/or impact 

Your project or organisation is getting traction; you can point to its positive reception and early growth or your expertise in a particular area. Now you are ready to grow it to the next level, for example through investment, introductions, strategic planning or advanced tech support. 

2) A digital or hybrid innovation that reimagines how the arts are experienced or supported 

You are a disrupter with an ability to imagine new opportunities for the arts sector, whether fully digital or hybrid. Innovations may come from the use of technology (e.g. immersive experiences using projection or free-roam VR) or innovations offering new or improved digital access to culture (e.g. new aggregation models, new creative platforms, gamification, creator economy, hybrid online/offline experiences, new digital content or new distribution channels). We’re also open to digital innovations that directly support the arts but don’t have a creative end product (e.g. new models for creative retail, funding or networks).

Applications will be reviewed by staff and industry advisors. Your application will be based on merit, response to the selection criteria below, and in line with our commitment to diversity and inclusion.

Your application will be assessed on the: 

  • viability of the proposed project 
  • timeliness and relevance of the consulting opportunity to scale your project 
  • potential impact your project will have on the creative sector. 

Learn more about how we assess your application. 

​​To apply, you will need to answer the following questions:

  • ​Project title
  • ​Project description
  • How your project is getting traction. Describe how you have had a positive reception and early growth and why this opportunity is timely in terms of supporting the scaling of your project
  • ​Describe how you have been a disrupter with an ability to imagine new opportunities for the arts sector, whether fully digital or hybrid
  • ​Describe the potential impact of your project on the creative sector​.

A ‘project’ in this context can be a standalone creative enterprise or a program/business unit within a cultural organisation. It can be either for-profit or non-profit but must be digital or hybrid. It should be innovative in driving new audiences and/or revenues, and already be (or have the longer-term potential to become) financially sustainable. If it operates within a cultural organisation, at least one staff member should be assigned to the project as a component of their job function (so we have a clear lead to work with on the program).

A ‘disrupter’ is free from traditional assumptions about how creative and cultural experiences and content should look. They are the first to ask, ‘Why does it have to be done this way?’ and instead champion innovative new models and approaches. Disrupters forge their own paths, inventing bold new ways of engaging the general public with cultural content and experiences.

Some examples of potential ‘impacts’ are:

  • to set new standards for what digital and hybrid experiences look like in the creative sector
  • to create strategies, tools or platforms that other organisations could also benefit from
  • to redefine how audiences regard or engage with the creative and cultural sectors; rethinking audience demand, consumption and involvement.

You will own the intellectual property rights in any material you bring to the program and/or create through your participation in this program. Notwithstanding this, you give us permission to use and communicate any material you submit to us as part of this program for internal reporting purposes only. 

Please email digital@creative.gov.au if you would like more information.

Creative Climate Leadership Program

A transformative 5-day climate leadership program for artists and arts professionals, delivered in-person at Bundanon, NSW.

Julie’s Bicycle’s Creative Climate Leadership Benelux 2023 programme, photo by Moa Karlberg

Creative Climate Leadership (CCL) empowers artists and cultural professionals to take action on the climate and ecological crisis with impact, creativity, and resilience. It was designed to mobilise and connect a creative climate movement.

CCL offers:

  • An inspiring 5 day program of learning and peer-to-peer exchange for 24 talented and motivated participants living and working in Australia.
  • A powerful opportunity to collaborate and develop creative ideas in a serene environment.
  • A space to develop and/or scale up cultural leadership on climate action and justice.
  • A supportive network of national and international CCL alumni.

Participants will:

  1. Deepen their understanding of the climate and ecological crises as an intersectional issue.
  2. Understand and develop the role of culture and creativity in responding to these challenges.
  3. Emerge with a toolbox of approaches and practical solutions for transformative action, including:
    • approaches to action and collaboration that are equitable and inclusive
    • methods for designing solutions to complex problems
    • strategies for rethinking and reorienting the cultural ecosystem towards a thriving future that prioritises the well-being of people and nature
  4. Develop insights into climate ‘leadership’ at individual and collective levels, bottom up and top down
  5. Emerge ready to translate their learning into a CCL Action project

The Australia Council is committed to increasing the diversity of leaders in our industry and encourages applications from people who identify as First Nations, from culturally and linguistically diverse backgrounds, people with disability, and people living in regional and remote areas.

We actively work with individuals to support access needs – including childcare, cultural practices, financial and/or learning access needs as required.

Find out more information about this program in a one-hour Zoom information session with Mikala Tai and Adam McGowan from the Australia Council; Farah Ahmed and Chiara Badiali (Music Lead) from Julie’s Bicycle, and Australian Facilitator Ruth Langford. Watch the recording here.


This program delivery is supported by the British Council.

Ruth has a diverse background in cultural arts, environmental, social justice, youth work and Indigenous Medicines Therapy and divides her time on projects that reflect her passion for uniting ancient traditions and contemporary innovations for optimistic action and healing for all.

As a Songwoman and Storyteller, Ruth draws upon the cultural knowledge of her Yorta Yorta lineage and the Tasmanian Aboriginal community where she was born and continues to live.

Combining over twenty years traveling the world sitting with Indigenous Elders, Senior Knowledge Keepers and World Wisdom Teachers with conscious research, Ruth Langford’s vision is to connect people to the ancient wisdom of Indigenous teachings in a contemporary and relevant context through the expression of cultural arts, ceremony and ritual.

Establishing Nayri Niara Centre for the Arts of Healing and Nayri Niara Good Spirit Festival, Ruth has gained a reputation as an expert facilitator and coordinator of effective capacity building programs, which have as their guiding principles Connection to Country, Culture, the Self and the Sacred.

Alison established Julie’s Bicycle in 2007 as a non-profit company helping the music industry reduce its environmental impacts and develop new thinking in tune with global environmental challenges. JB has since extended its remit to the full performing and visual arts communities, heritage and wider creative and cultural policy communities. JB is acknowledged as a leading organisation bridging sustainability with the arts and culture.

Originally trained as a cellist, Alison worked with seminal jazz improviser and teacher John Stevens. She worked for many years at Community Music and at Creative and Cultural Skills where she established the National Skills Academy. She has been on many advisory and awarding bodies including Observer Ethical Awards, RCA Sustainable Design Awards, D&AD White Pencil Awards. She has been on the boards of the Music Business Forum, Live Music and Sound Connections, and is on the board of Energy Revolution.

Farah Ahmed (she/they) is the Climate Justice Lead at Julie’s Bicycle. She supports the delivery of events and the Creative Climate Justice programme, developing resources, training and advocacy, connecting environmental, racial and social justice, and creative activism. Their interests lie in how art can centre stories and solutions from the frontlines of climate impacts, and how we can imagine and enact decolonial and anti-capitalist ways of being.

Farah is also co-founder and facilitator of Diaspora Futures, a reflective space for people of colour to centre collective care in the face of the climate crisis. She was on the sounding board for Arvae, a site-specific experiment in collaborative work between artists, scientists and regional environmental experts in Arosa, Switzerland, and was on the oversight board for Art For The People, a citizen’s assembly on arts and culture in Coventry. She is an alumni of the peer-led accelerator programme Huddlecraft and is also an Arts Emergency mentor, supporting young people into careers in the arts.

Thiago Jesus is a creative producer and researcher that joined JB in 2022 to work on the Creative and Climate Leadership programme. For over ten years, he has managed wide-ranging international creative projects and interdisciplinary research at People’s Palace Projects (Queen Mary University of London) in collaboration with artists, academics, activists, and local communities in ten countries.

Since 2014, as the head of PPP’s Indigenous Exchange and Climate Action projects, Thiago has been working closely with Indigenous peoples from the Xingu Territory—in the Brazilian Amazon’s ‘arc of deforestation’—leading an exchange programme for the preservation of indigenous cultural practices as a key factor in safeguarding these communities from the climate crisis.

Thiago is doing doctoral research at Queen Mary University of London, funded by the AHRC (LAHP Collaborative Doctoral Awards). The study, ‘The Art of Creating Climates’, investigates how third-sector organisations with arts and environment at the heart of their programmes approach climate change and respond to environmental issues in distinct North and South contexts, in partnership with the Calouste Gulbenkian Foundation and Inhotim Institute in Brazil.

Thiago holds a MA in Visual Culture (University of Westminster) and a BA in Media and Communications (Federal University of Rio de Janeiro, Brazil) and is a Fellow of the Royal Society of Arts.

Aimee Smith is an award-winning choreographer and climate change professional working for 20 years at the intersection of these two fields.

As a choreographer Aimee has created over 15 professional productions including Borderline, Wintering, Accidental Monsters of Meaning and The Futures Project, and has an extensive community arts and cultural exchange practice. She is inspired by the capacity of art and creative experiences to hold spaces for dialogue about the issues of our time, and to imagine the kind of future(s) we want to create.

With a Masters in Sustainability and Climate Policy, Aimee has also worked as a climate change professional across government, business and academia. She has supported arts companies and festivals to develop and implement sustainability strategies and climate action plans, and co-founded Arts and Cultural Workers for Climate Action (ACWCA) to mobilise WA artists & cultural workers for the global student climate strikes.

Anna Weekes is a parent, activist & artist with a CACD practice, working both in Australia and internationally on arts projects for social and environmental justice. Anna has previously worked in Cambodia with an arts organisation, and remote Vanuatu with a women’s group.

Anna has spent the last 14 years working in the Northern Territory. Anna is one of the Creative Producers and Executive Officers at Darwin Community Arts, is a recipient of the Kirk Robson CACD Award, Future Leaders, and Australian Progress fellowship alumni.

Antonia is an arts leader living and working on Gadigal land. She has a rich knowledge of the performing arts sector and the national touring landscape, and is passionate about the transformative impact of arts experiences as well as working collaboratively to lead on change. In her current role as Executive Director of Arts on Tour, she has led on, and is deeply committed to, supporting the transition to environmentally sustainable touring, launching in 2022 the award-winning Green Touring Toolkit. In 2024 Arts on Tour will launch a carbon neutral touring service.

Antonia has held senior management roles in marketing, producing and development at companies large and small, including Urban Theatre Projects, the Australian Theatre Forum, Performing Lines, the Lyric Hammersmith in London and Sydney Dance Company. An alumna of Adaptive Leadership Australia, past Board roles include Co-Chair of PYT Fairfield and Chair of De Quincey Co.

Ari Fuller is Facilities Management Officer at the Queensland Art Gallery and Gallery of Modern Art (QAGOMA) in Brisbane, Queensland. With 20 years of invaluable experience at QAGOMA, Ari has emerged as a driving force for museum sustainability practices. Leading the sustainability portfolio since 2015, Ari has implemented comprehensive initiatives that have positioned QAGOMA at the leading edge of Australian museum sustainability.

Drawing on a strong background in museum operations and armed with dual arts degrees, Ari brings a unique blend of artistic sensibility, operational expertise and personal influence to his role. His commitment to institutional carbon reduction strategies has earned him recognition in and beyond the art gallery community. With a vision of carbon neutrality, Ari continues to shape the future of museum operations, leaving an indelible mark on QAGOMA’s sustainability practices and contributing to the preservation of art and culture for generations to come.

Astrid Edwards is a teacher, interviewer and critic. Her PhD at the University of Melbourne investigates potential and perceived barriers to publishing and selling climate fiction in Australia. She hosts The Garret, a podcast exploring the Australian writing and publishing industry, and teaches in the Associate Degree of Professional Writing and Editing at RMIT University. She is the former Chair of Melbourne Writers Festival and former Deputy Chair of Writers Victoria.

Beatrice is a Facilitator, Creative Producer and Climate Impact Manager. For the best part of the last decade, Bea has worked with festivals, events, arts organisations and touring musicians to reduce emissions and take action on climate.

Bea has worked with Green Music Australia, the Off-Grid Living Festival, Slingsby Theatre Company, the Adelaide Festival, Tim Minchin and Lime Cordial.

Last year Bea co-produced Climate Crisis and the Arts, a free one-day event as part of the Adelaide Festival. Bea also co-curated and produced Australia’s first Culture and Environment Roundtable, a collaboration with Julie’s Bicycle, British Arts Council and Australian Council for the Arts.

In November 2022, Bea launched Creative Climate Action, an environmental action course to build frameworks and set goals for sustainability in the live music and arts sector.

Bea is currently working with FEAT.Live, spearheading a new climate action strategy designed to reduce the emissions of live entertainment by unlocking sustainability funding through ticket sales.

In between projects, Bea leads multi-day hiking trips and outdoor adventures around Australia.

Bryony Anderson has been a maker, designer and creative director of participatory artworks for 26 years, creating high calibre works with salvaged materials for puppetry, performance and exhibition. Her work has toured nationally and internationally with many of Australia’s leading performing arts companies. Currently heading Terrapin’s workshop team in Hobart, Tasmania, she has led the company’s move towards carbon neutrality. She has held over 120 workshops in rural, desert, and urban communities and is currently training emerging makers in sustainable practice.

Bryony and her family spent 15 years living in an off-grid shed in the forests of NSW, where they experienced first-hand the upheavals of extreme climate events. Her work is dedicated to raising awareness of the preciousness of resources and ecosystems, coupled with the potential of imagination to motivate and illuminate.