Become a Peer Assessor

WAO 2022, Koolbardi Wer Wardong, Kalgoorlie. Copyright: Mellen Burns

What is a peer assessor?

A peer is anyone who has sufficient knowledge or experience of the arts sector to make a fair and informed assessment of applications for funding. You may have developed this knowledge and experience as a practising artist, creative worker or industry expert in one or more art forms.

Each year, Creative Australia invests in arts organisations and individual artists across the country. Peers bring expertise, knowledge of the arts, and independence from the Australian Government to grant decision making. Peer assessment and arm’s length funding are guiding principles of Creative Australia. They ensure that funding is offered to artists and arts organisations whose proposals, in competition with those of other applicants and within budget constraints, demonstrate the highest degree of merit against the published assessment criteria.

Peers will serve for a three year period – from the start of 2025 until the end of 2027.

Easy English

Click here to read for the Easy Read version of how to apply.

Creative Australia has ten peer assessment panels:

  • First Nations
  • Arts and Disability
  • Community Arts and Cultural Development
  • Dance
  • Experimental and Emerging Arts
  • Literature
  • Multi arts
  • Music
  • Theatre
  • Visual Arts

Read more detail about the panels here.

You may nominate up to three panels in your application that most match your expertise. You can only submit one application.

Government Touring Initiatives

Creative Australia also administers government initiatives that support touring to regional and remote areas, including the Contemporary Music Touring Program and Playing Australia.

If you believe your experience is suitable you can nominate to assess for these panels in the application.

This opportunity is open to:

  • Australian citizens or Australian permanent residents
  • people who are practising artists, creative workers, or advisors to the arts industry
  • people with an in-depth understanding of the arts sector and current art form practice, including international trends and markets, or with specialist knowledge of an area of arts development or capability building.

 

Creative Australia is committed to increasing the diversity of the Pool of Peers.
Applications from First Nations people, d/Deaf people or people with disability and people based in regional and remote Australia are greatly needed on all our panels. We also strongly encourage applications from younger people, older people, as well as people who identify as culturally and linguistically diverse.

Creative Australia receives many more highly suitable applications to the Pool of Peers than there are opportunities.

Some art form areas and locations attract a particularly high volume of applications to the Pool of Peers.

Creative Australia staff review applications and shortlist a Pool of Peers with the skills and knowledge to assess applications to our grant programs.

We consider the balance of representation across all areas, including location and art form, when shortlisting peers.

Creative Australia staff will:

  • review applications
  • shortlist a Pool of Peers with skills and knowledge best suited to assess our investment programs
  • recommend that the Creative Australia Nominations and Appointments Committee and Board appoint the shortlist.

The Pool of Peers is formally approved by Creative Australia’s Board (now known as the Australia Council), and the names of the peers are published on our website.

You will need an account to use our Application Management System. It can take up to two business days for a new account to be approved. If you have an account already you can log in. You will need to create and submit your application from a desktop or laptop computer.

  1. Click on the ‘Apply Now’ button at the top of this page to go to our Application Management System.
  2. Login (or register as a new user if this is your first time)
  3. Select ‘Apply for a grant’ from the left panel menu. From the list of opportunities select ‘Apply to be a Creative Australia peer’.

In the application form, you will be asked:

  1. which art form/s you are best qualified to assess
  2. to include a brief biography and work history
  3. what groups of people you have experience working with
  4. to provide contact details for at least one referee who can speak to your experience on the selected panel. A second referee is optional
  5. whether you require any additional support or have access requirements
  6. to confirm that you have read the Peer Handbook.
  7. to confirm that you are aware that applying does not guarantee you will be selected to be a peer.

See our list of available panels above.

Please contact the Assessment team via assessment@creative.gov.au if:

  • you would like these guidelines in another format
  • you want to submit your application in a different format including video, audio, Auslan or other form.

You can also read more about accessible application formats on our Accessibility page.

We are available to assist you in understanding the role of a peer, the application requirements and how to submit your application. We do not review application drafts.

Please contact us if you would like to discuss the support available. Email the team at assessment@creative.gov.au or book a time to chat with us booking form link

If you need help to speak or listen use the National Relay Service.

Panellists

Emma Bennison – facilitator

Emma is the past CEO of Arts Access Australia and Accessible Arts. Emma is an artist and passionate advocate for the arts.

Sofya Gollan – panellist

Multi-disciplinary artist, writer & director, Sofya Gollan, is an award-winning filmmaker and a graduate from both NIDA and AFTRS. As an actor she has worked with the Sydney Theatre Company, the National Theatre of the Deaf USA, but is best loved for being on Play School for over 30 years.

Georgia Mokak – Creative Australia panellist

Georgia is a proud Djugun woman from Rubibi (Broome), raised as a visitor on Ngunnawal and Ngambri Country, and has continued to grow as a guest on Larrakia, Wangal and Gadigal Country.

Her practice in producing, advocacy, policy and education is rooted in First Nations futurisms, cultural safety, and intergenerational/intercultural collectivity.

Georgia is a past peer assessor and now works for Creative Australia as Manager First Nations Development Programs, Industry Development.

Christopher Bryant – Creative Australia panellist

Christopher is an Artists Services Officer and works with artists from the application stage through to acquittal. He has a particular focus on theatre and disability arts.

 

Picture this. You apply to be a peer assessor, and your application is accepted. Then you are invited to assess your first funding round. Perhaps you have mixed emotions. You feel honoured to be able to elevate artists doing groundbreaking work; you are anxious to make the best decisions possible; depending on how confident you’re feeling, maybe you question whether you have enough experience or credibility to be at the table.

Now, imagine you are a First Nations artist, an artist with disability, an artist from the LGBTQI+ community, an artist from a culturally or linguistically diverse background. You might even identify with several of these experiences. Not only are you likely to be experiencing all of the uncertainties associated with being a peer for the first time, perhaps these feelings are magnified because you’ve experienced your share of discrimination and microaggressions. On top of that, you know that you will likely be the only person in the room representing your lived experience, so you’re feeling the pressure mounting. Then it dawns on you that you need to share your access requirements with Creative Australia so you can participate fully in the assessment process.

If all that sounds like a lot to contend with, it certainly can be. But fortunately, Creative Australia actively works to diversify its peer assessment panels and is committed to creating a safe and supportive process which encourages peers to explore with Creative Australia what support they need to bring their whole selves to the assessment process, even if they’re unsure what assistance they require. Creative Australia recently produced a webinar on accessible peer assessment, where peers explained how they navigated the assessment process and how their access requirements were met. Creative Australia staff also shared observations about how diversity on assessment panels enhances the process across the board.

While no organisation is perfect when it comes to accessibility, the webinar highlights Creative Australia’s progress to date and its commitment to continuous improvement. So if you’re considering applying to become a peer, or if you’ve assessed before but need guidance about how to ask for what you need, this webinar could be for you. Our hope is that hearing directly from your peers and from Creative Australia staff about how to navigate the process reassures you that the support you need is available and that your perspectives are valued and sought after.

Emma Bennison, past CEO of Arts Access Australia and Accessible Arts

The session provides an overview of the peer’s role in the assessment process and how best to approach it.
  • Panellists: Nardi Simpson, Lucy Mendelssohn, Wenona Byrne and Patricia Adjei.

This webinar was held on Tuesday 24 August 2021 at 12:00pm.

The Protocols are best practice guidelines that guide you through 10 principles of how you should respect and interact with First Nations communities and artists. The 10 principles are centred on the United Nations Declaration on the Rights of Indigenous Peoples.

The most important principles in the Protocols talk to consultation and consent. Even before the thought of an idea of a project, if you want to engage and collaborate with First Nations artists or communities, it’s important to build up a relationship with that community first.

Refer to the check list for assessors here.

And The First Nations Cultural and Intellectual Property Protocols document here.

Frequently asked questions

The term for a peer assessor is three years. The new term begins at the start of 2025 until the end of 2027. It’s up to you to decide whether you’re available to take part each time you’re called upon.

During that time, peers can expect to be invited to participate in one to six assessment meetings.

Depending on the panel, peers will assess between 20–120 applications.

We aim to allow peers four to five weeks to read and score the applications.

One application can take 15–30 minutes to read and score.  Please note this will vary depending on your reading pace and working style. Peers become more adept the more meetings they participate in, as you grow more familiar with the criteria, guidelines and process.

Previous peers describe the time commitment required in these interviews.

All meetings are held online using Microsoft Teams or Zoom.

For more information on workload, please refer to the Peer Handbook.

Peer fees are determined based on the number of applications assessed plus the length of the meeting.

We pay superannuation in accordance with the Superannuation Guarantee (Administration) Act 1992.

We don’t provide formal training; however, peers are offered a technical induction to help navigate the online Application Management System and the Microsoft Teams program, which is where the online assessment meeting will take place. Peers also attend a pre-meeting group induction with their fellow peers and Creative Australia staff. You will be paid to attend this meeting.

We will provide a scoring guide for the category you are assessing, a step-by-step guide for using the Application Management System, as well as guidance around protocols and other supporting information as required.

Your Assessment Officer can assist you with any enquiries.

If you’re based overseas, you need to be an Australian citizen or resident and have a current understanding of the Australian creative sector. You need to be able to attend meetings in AEDT/AEST time. We encourage you to chat with us before applying.

Absolutely. We welcome applications from younger people with an in-depth understanding of an art form. Your perspective is vital to a balanced panel.

Once you submit your application, we will send you an email confirming we have received your application.

We will notify you of the outcome of your application by email in December 2024.

We work closely with our peers to understand access needs and create plans as required.

Please refer to our website for things we have helped with in the past and refer to our webinar on access.

We are always open to new ways of working with our peers and encourage you to tell us how we can best support you through the assessment process.

This can include things like:

  • Auslan interpretation
  • captioning
  • having a support person and/or carer attend the assessment meeting with you
  • support finding a suitable space to assess and attend the assessment meeting for you and/or your support person or carer.

We can also provide support for childcare, cultural practices and internet access.

Please contact us if you would like to discuss the support available. Email the team via assessment@creative.gov.au or book in a time with us to have a chat.

If you need help to speak or listen use the National Relay Service.

 

No, however you will not be able to sit on the panel you have submitted an application to.

Assessment meetings are held online using Microsoft Teams or Zoom.

Creative Australia receives many more highly suitable applications to the Pool of Peers than there are opportunities.

Some art form areas and locations attract a particularly high volume of applications to the Pool of Peers.

We consider the balance of representation across all areas, including location and art form, when shortlisting peers.

If you are not selected as a peer in the next pool, there may be an opportunity for you to assess as an industry advisor.

Industry advice is another assessment model we use at Creative Australia. Industry advisors assess targeted opportunities and awards, advising Creative Australia staff on the most competitive applications based on a deep, practical understanding of their field. Creative Australia staff, and in some cases Creative Australia’s Board (now known as the Australia Council) or a co-investment partner, determine which applications will be supported based on this advice.

Uplift: Digital Skills Program

Supporting First Nations led digital capability and training initiatives.

Patrina Munuŋgurr, The Mulka Project, Warwuyun Gurra Wäŋawu (Sorrow For Home), 2020

Join our Uplift online information session

2pm-3pm, Wednesday 19 February 2025

Register here

 

About the program

Uplift provides grants of up to $50,000 to support professional development, training and mentoring to build digital capability for First Nations artists and creative workers. 

This opportunity is open to First Nations led organisations and businesses to deliver activities within local communities. Funding can support a range of digital development opportunities identified as priority areas for building capacity. 

Applicants will need to provide a detailed proposal outlining planned activities, timeline and intended outcomes. Activities must take place between July 1 2025 – June 30 2026. 

  • e-commerce training and development to support First Nations businesses in the digital economy  
  • formal training and hands on experience in the use of digital platforms for video, sound or game engines, e.g. Final Cut Pro, Touch Designer, Blendr, Pro Tools, Abelton Live, Unity, Unreal Engine, Premiere Pro (for VR) 
  • purchase of specialist equipment and accompanying workshops to support training, e.g. filming and post-production on 360 degree video 
  • mentorships between emerging and established digital artists  
  • workshops with First Nations digital entrepreneurs to support business development and viability for digital enterprises  
  • LAB models supporting practical experimentation and skills exchange in VR, AR, Immersive or interactive video  
  • placements, secondments or attachments to support emerging digital practitioners  
  • networking and delegation opportunities to attend technology and digital conferences 
  • training and mentoring for artists in game development   
  • on-the-job training for staff within an organisation to digitally upskill 
  • digital marketing and audience engagement coaching and strategy development.

This opportunity is only open to: 

  • First Nations organisations and businesses 

You cannot apply if: 

  • you are not a First Nations organisation or business
  • you are an individual or a group
  • you have already received funding from another Creative Australia grant category for the same activity 
  • you received a grant from Creative Australia in the past and that grant has not been satisfactorily acquitted
  • you owe money to Creative Australia. 

You can only submit one application. 

Information sessions  

Question and answer sessions 

We will host a question and answer session where you can anonymously submit questions about the fund, and we will answer them live. 

This session will be Auslan interpreted and live captioned. A recording of the session will be posted here after the event.  

Applications will be reviewed by Creative Australia staff and industry advisors. Your application will be assessed based on how well it addresses the selection criteria.  

The selection criteria are:  

Quality: The quality of the proposed activities to support the proposed area of digital skills development     

Viability: The viability of the proposed activities; planning; access; protocols; evaluation; budget  

Impact: The expected impact or outcome of the proposed activities for the targeted participants/audience.  

In the application form we ask you some questions to help you respond to these criteria.  

Your application must comply with the following Protocols. We may contact you to request further information during the assessment process, or if successful, as a condition of your funding. 

  • Protocols for using First Nations Cultural and Intellectual Property in the Arts 

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here. 

  • Commonwealth Child Safe Framework 

All successful applicants are required to comply with all Australian law relating to employing or engaging people who work or volunteer with children, including Working With Children checks and mandatory reporting. Successful organisations who provide services directly to children, or whose funded activities involve contact with children, will additionally be required to implement the National Principles for Child Safe Organisations. 

Click on the ‘Apply Now’ button at the top of this page to go to Fluxx, our system for managing applications.  

You will need an account to use Fluxx. It can take up to 2 business days for a new account to be approved. If you have an account already you can log in.  

Select ‘Apply for a Grant’ from the left panel menu. From the list of opportunities select “Uplift”. 

The application form will require you to fill in some details about your organisation, select from some options, respond to questions and submit support material. 

The types of questions we ask in the application form include a:  

  • title for your project 
  • biography of your organisation or business 
  • description and detailed outline of the planned activity and how it will address an area need in digital skills development 
  • project start and end dates 
  • a projected budget which details the expenses, income and in-kind support of the project 
  • support material/letters of support. 

Support material required:  

1. Letters of Support 

You must include one (1) and no more than three (3)  letters of support for your project, with each letter no longer than one A4 page. Where possible, combine your letters into a single document or link. 

Individuals, groups or organisations can write letters of support for your activity. These letters should explain: 

  • how the activity will benefit digital skills development for the intended participants 
  • how appropriate cultural protocols will be observed and relevant permissions obtained. 

 2. Evidence of your organisations experience in delivering professional development activities  

Provide recent examples of your work that is relevant to the activity. This could include, but is not limited to: 

  • a link to examples  of your work that may include video, audio, images or written material 
  • a link to examples of your proposed activity  that may include video, audio, images, written material or  links to websites and related social media sites. 

Our preferred way of receiving support material is via URLs (web links). You can submit up to three URLs, which may include your website, or links to video, audio, images, scanned documents and written material. 

If you cannot provide URLs, you  can  attach up to two documents to your application in either PDF or Word. 

We strongly recommend you link to existing, accessible examples of your work – there is no need to create new content for this application. 

We do not accept support material submitted via post. 

Please contact digital@creative.gov.au if:  

  • you would like these guidelines in another format. 
  • you want to submit your application in a language other than English. You can also read more on our Languages Other Than English page.  
  • you want to submit your application in a different format including video, audio, Auslan or other form. You can also read more about accessible application formats on our Accessibility page. 

We will not assess the quality of your chosen format, just what you tell us.  

We are available to assist you in understanding the program, application requirements and submitting your application. We do not review application drafts.  

If you need help to speak or listen use the National Relay Service.

Frequently Asked Questions (FAQs)

This opportunity is for First Nations organisations and businesses who are committed to supporting digital development for First Nations artists and creative workers. Applicants will need to demonstrate impact of proposed activities in meeting specific skills needs for the intended participants. 

Yes, provided the funding from Creative Australia is supporting activities to scale or increase access. This would need to be addressed specifically in your application. 

Yes, providing the business is First Nations led and activities are supporting First Nations artists and creative workers. 

Once you submit your application, we will send you an email acknowledging that we have received your application. 

You will be notified about the outcome of your application by email in late May 2025.  

(re)situate Biennale Delegates Program

A funded opportunity for early career individuals working in visual arts. Engage with the Adelaide Biennial of Australian Art, Yokohama Triennale, and Venice Biennale 2024.

Biennale Delegates Program 2022, MCA.

About the program

The (re)situate Biennale Delegates Program is a professional development opportunity for early career individuals working in the visual arts industry (producers, technicians, writers, curators, artists, project managers) who are based in Australia or Aotearoa (New Zealand). The program will facilitate exchange of ideas, catalyse new perspectives, and support the seeding of future projects and collaborations.

Between February and April 2024, a total of 15 individuals living in either Australia and Aotearoa (New Zealand), will connect with artists, producers and curators from Adelaide Biennial of Australian Art (face-to-face), Yokohama Triennale (online), and the Venice Biennale (face-to-face).

The (re)situate Program forms part of Australia’s participation in the Venice Biennale, extending development and engagement outcomes to the visual arts sector and providing critical exposure to contemporary visual arts practice in an international context. In line with Creative Australia’s International Engagement Strategy 2021-25 the program focusses on Australian practice with a borderless approach to international engagement.


The Biennale Delegates Program is delivered in partnership with Creative New Zealand, Yokohama Triennale and the Adelaide Biennial of Australian Art. It is made possible through co-investment from ArtsACT, Create NSW, Arts NT, Arts Queensland, Arts South Australia, Arts Tasmania and Creative Victoria and the Department of Local Government, Sport and Cultural Industries – Western Australia. Additional access support for successful applicants has been made possible through the generosity of the Cross Family Foundations.

2024 Biennale Delegates Program Participants

Alice Castello

Annika Aitken

Aspen Beattie (Luritja, Warumungu and Yawuru)

Bahar Sayed

Bilquis Ghani

Eloise Breskvar

Emily Jean Robertson (Palawa)

Georgia Hayward (Mardigan)

Israel Randell (Rarotonga and Tainui, Ngāti Kahungunu)

Jasmine Craciun (Barkindji, Malyangapa)

Linda Iriza

Matariki Williams (Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, Te Atihaunui-a-Pāpārangi)

Moorina Bonini (Yorta Yorta, Wurundjeri and Wiradjuri)

Peggy Kasabad Lane (Saibai Koedal Awgadhalayg)

Samia Sayed

Fundraising Masterclass with Bernard Ross

Our biennial Masterclass brings international expertise to the Australian sector providing arts professionals access to the leading fundraising knowledge in the form of an intensive workshop, developing your next fundraising campaign.

MATCH Lab

Up to $10,000 in matched funding for independent artists and collectives to run a fundraising campaign, and build fundraising and business skills.

About the program

MATCH Lab is a matched funding program for independent artists and collectives. The program aims to build artists’ skills in fundraising, increase their knowledge of philanthropy and business partnerships, develop their broader arts business experience and learn more about creating sustainable sources of revenue for their work into the future.

We’re looking for enthusiastic independent artists and collectives of artists who have a project to fund and are keen to learn the art of fundraising and building a sustainable arts practice.

Where does the ‘match’ part come in?  

Creative Australia will give your project a boost by matching dollar-for-dollar (up to $10,000) what you raise during your fundraising campaign. This incentive should help you leverage support for your new project.

MATCH Lab is for individual artists and small groups of artists. If you are unsure, please contact the Private Investment Capability team.  

To be eligible, applicants must:   

  • be a practicing artist, or group of artists
  • be an Australian Citizen or permanent resident
  • be aged 18 years or over
  • have an ABN and be prepared to receive project funds; OR have an agreement in place with an auspicing body
  • be available to participate in the Raising Money for Your Art clinic taking place on 22 and 23 October 2024 in Melbourne
  • be prepared to run a fundraising campaign beginning after Fundraising Plan approval and concluding before 31 May 2025 (fundraising campaigns must run for a minimum of 4 weeks). 

Screen (film, documentary, web series) applicants please note: When making your application and selecting your main arts practice please select experimental arts practice and for your arts practice genre please select experimental arts practice.


Who can’t apply:

  • Arts organisations
  • School groups or tertiary training institutions
  • Applicants that have outstanding funding or acquittals with us

  • Applicants that have previously participated in MATCH Lab.

Applicants that have previously received funding from Creative Australia must have met all existing acquittal and reporting requirements, including the Australian Cultural Fund, to be eligible for MATCH Lab. 

Please note that all successful applicants will need to meet the National Framework for Protecting Australia’s Children 2009-2020. More information regarding the framework can be found here.   

We strongly encourage you to read our MATCH Lab resources to help you think about your professional practice before you apply.  

Your application can be saved and edited at any time until the application deadline. Once submitted, you cannot make further edits or amendments.  

The information you’ll need to provide in your application includes:  

  • A brief outline of your art practice
  • Three of your artistic achievements or career highlights
  • A brief description of the project you’re seeking to fundraise to support
  • Information about your auspicing body (if applicable)
  • A project budget
  • Your experience with fundraising
  • The skills you hope to gain from participating in MATCH Lab

Screen (film, documentary, web series) applicants please note: When making your application and selecting your main arts practice please select experimental arts practice and for your arts practice genre please select experimental arts practice.

The assessment process will consider:

 

Industry Advisors will assess the quality of the fundraising plan. They may consider:

  • A clearly articulated fundraising strategy that demonstrates a strong likelihood of success
  • Well communicated case for support

Industry Advisors will assess the viability of the proposed fundraising activities, planning and budget. They may consider: 

  • A demonstrated track record of your arts practice
  • Evidence of any previous experience in fundraising or your willingness to learn new skills
  • Evidence of your capacity to fundraise and deliver a fundraising plan that builds private sector support (individual donations, crowdfunding, philanthropy, trusts or foundations, and business sponsorship)
  • Evidence the budget is realistic and well-planned

Industry Advisors will assess the expected impact or outcome of the opportunity on the applicant and their future capability to secure support through fundraising. They may consider: 

  • Evidence that your proposed plan will build skills in fundraising and increase your knowledge of philanthropy and business partnerships, to create sustainable sources of revenue into the future
  • Evidence that your proposed plan will assist in the ongoing sustainability of your arts practice

Final decisions will be made by Creative Australia. Consideration is also given to ensuring that successful applicants reflect a geographical spread across all states and territories, as well as a spread across art forms. 

Dates: Tuesday 22 and Wednesday 23 October 2024 in Melbourne. 

We offer up to 25 places to participate in MATCH Lab. Participants will be fully supported to attend the Raising Money for Your Art clinic, including cost of attendance, return domestic airfares and accommodation.  

Only one representative of a successful group will be able to attend the Melbourne clinic. At this clinic you’ll connect with experts and your peers to develop a fundraising strategy for supporting your arts practice and your next artistic project.  

Fundraising campaign window: after fundraising campaign approval to 31 May 2025 (fundraising campaigns must run for a minimum of 4 weeks).  

Armed with the fundraising plan developed at the clinic, your next step is to implement your own tailored fundraising campaign.  

We’ll provide matched funding for fundraising activities up to $10,000 per applicant. 

This program will match funds sourced from: 

  • Philanthropy (including individual giving) 
  • Fundraising events 
  • Crowdfunding

This program will not match: 

  • Bequests 
  • In-kind support 
  • Loans 
  • Earned income (including membership, box office and non-deductible ticket expenses)
  • Local, state or federal government funding 
  • Pre-existing fundraising commitments made prior to commencement of the fundraising window

Funded projects can start from the conclusion of fundraising campaigns and must be completed by 30 June 2026. 

Recipients are expected to liaise regularly with the Private Investment and Capability team and communicate any project changes or challenges. Any changes to the funded project/activity must be approved by us in advance. 

Recipients are required to report on the progress and results of their campaign and project. Templates are provided to the recipient prior to the report due date via Fluxx. 

Acquittal 1: Fundraising campaign report due at the end of the fundraising campaign or no later than 13 June 2025.  

  • Value of funds raised and the number and type of campaign contributors 
  • Evaluation of their campaign strategy
  • Assessment of unexpected problems and challenges and opportunities encountered through the campaign


Acquittal 2: Project and updated fundraising report
due by 30 June 2026. 

  • How private sector funding and MATCH Lab matched funds were spent
  • Additional information as requested, including testimonials, media, promotional material and details of ongoing donor relationships

Before you submit your application, read these guidelines thoroughly and contact the Private Investment Capability team with any questions.

Frequently asked questions

Successful participants will come together for the Raising Money for Your Art clinic, a two-day intensive fundraising and professional development opportunity.

This clinic will help attendees workshop their fundraising aspirations and develop their careers as creative entrepreneurs. Attendees will benefit from a wealth of information on raising money for projects, planning projects for different types of fundraising activities, strategies for fundraising success and nurturing relationships with donors and sponsors.

Armed with that planning, the next step is to develop and implement your own tailored fundraising campaign. We’ll match whatever you raise, up to $10,000 – a great incentive to get people on board with your project and practice.

As part of MATCH Lab we’ll fund your attendance at the Raising Money For Your Art clinic if it takes place in person, including your return airfares, two-nights’ accommodation and selected meals. We’ll match dollar-for-dollar money raised through your fundraising campaign up to $10,000 per participant.

Glad you asked! We are focused on helping artists learn how to fund their art in sustainable ways, so they can build a career. Our research shows that matched funding is an especially powerful tool in leveraging support from the private sector and maximising an investment in you as an artist.

It’s a great incentive that encourages more value for donations, higher levels of engagement from donors, and helps artists build relationships that can continue long after a particular project has been and gone.

MATCH Lab isn’t for everyone. This isn’t a traditional arts or grants program – it’s designed as an intensive, hands-on professional and business development opportunity.

We’re looking for people who have lots of ideas and passion for their art and want to arm themselves with knowledge of how they can make a sustainable path for their work.

When assessing applications, we’re looking for independent artists or small group of artists who can show:

  • a demonstrated track record of arts practice
  • your professional experience, direction and goals
  • your capacity to fundraise and build private sector support (individual donations, crowdfunding, philanthropy, trusts or foundations, and business sponsorship) for your work.

The type of project you want to fundraise for is up to you! We will support costs associated with development of new works, touring costs, paying artists, venue hire, recording, purchasing equipment – whatever your next creative endeavour is.

No. If you have been a recipient of MATCH Lab in the past you cannot apply.

We’re able to fund up to 25 participants to attend the two-day fundraising and professional development clinic and receive up to $10,000 in matched funding from us for their fundraising campaign.

Yes! However, an important part of MATCH Lab is the development, with our help, of the fundraising strategy that’s right for you, your practice and your project.

Yes! We strongly recommend that you give us a call or  email us to discuss your application before submitting it. We’re here to help and answer any questions you may have.

No. We will only consider one application from each applicant in each round.

We can’t read over your application, but we can guide you through the process and talk through your ideas.

We’ve developed resources and case studies on our website that help you think holistically about your professional practice and develop knowledge about the various income streams available to artists across government funding, crowdfunding, donations, foundations, sponsorship, and selling products and services. Our expectation is that you have taken the time to read these important resources before applying.

If you’d like to talk to someone, no problem at all – pick up the phone and call our Private Investment Capability team (03 9616 0321), or book an appointment with one of our State Managers Development & Partnerships.

No. You don’t need to upload or attach any support material to your application. Any additional information (letters of support etc.) that is uploaded or attached to the application won’t be included in the assessment.

The most important thing you can do is read all the resources we’ve put together for you. Read the guidelines and application forms thoroughly before you apply, and well before the closing date!

Before applying, we encourage you to chat to our Private Investment Capability team (03 9616 0321), or book an appointment with one of our State Managers Development & Partnerships.

The budget in the application is for your PROJECT that you are raising the funds for. It should also include your fundraising costs.

In your budget you must also:

  • include your private sector fundraising target AND the Plus1/MATCH Lab funding amount you are requesting in your income
  • include all income sources for your project/activity. e.g. other government sources (federal/state/local council), ticket income etc.
  • include CONFIRMED (C) or NOT CONFIRMED (NC) next to all income sources
  • balance your budget for the application to be eligible for assessment (total income = total expenditure)

See below example for how to complete the budget in your application.

Income $ Expenditure $
Plus1 or MATCH Lab grant (NC) $3,000 Expense item 1 $300
Fundraising event 1 (NC) $1,000 Expense item 2 $1,200
Online fundraising campaign (NC) $2,000 Expense item 3 $4,000
Other government grant (C) $12,000 Expense item 4 $6,708
Ticket sales (NC) $1,800 Expense item 5 $3,000
Expense item 6 $250
Expense item 7 $3,500
Expense item 8 $842
Total $19,800 Total $19,800

Leveraging is just another way of explaining how you will use the dollar-for-dollar matched funding to attract donors and partners and reach your fundraising target. This is not your typical grant or funding opportunity – the harder you work it, the better the result!

No. You only need to upload a budget quote or invoice for large expenses to qualify a large amount of money.

Digital Specialist-in-Residence

This program provides arts organisations with access to a specialist to help them develop their digital capacity and pilot a new digitally led project.

Danny Brookes, Cityguide.

Online Information Sessions

Watch our regionally-focused online Information Session to find out more about the program and how it can help your organisation.

Focus on Western Australia

Watch here or below.

Focus on regional, remote and Tasmania

Watch here or below.


 

About the program

This program evolves and replaces the Digital Strategist-in-Residence initiative, embedding learnings from our program evaluations over the last two years to incorporate new elements and include an additional piloting phase.

The Digital Specialist-in-Residence program provides arts organisations with access to a specialist who will help them develop their digital capacity and pilot a new digitally led project. The program also provides $3000 seed funding to assist in prototyping or piloting your digitally led project (granted after a successful pitch of your project).

Over a period of fourteen weeks, the specialist will work with your organisation to:

  • review your current digital capabilities
  • identify areas for digital improvement
  • interview and engage with key internal stakeholders
  • explore new opportunities to expand digital activities
  • develop a digital project tailored to the values, people and context of your organisation
  • pilot program and evaluate learnings

 

The program is delivered in four phases. Your organisation will work with the specialist to complete the following:

  1. Assess: the specialist will guide you through a process to identify the organisation’s current level of digital maturity.
  2. Ideate: a process of ideation and investigation to identify digital challenges and opportunities for your organisation.
  3. Develop: Develop your flagship project, model program or prototype product.
  4. Pilot & Refine: Launch project, evaluate early learnings, present findings.

The Digital Specialist-in-Residence will connect and collaborate with key members of your team. The program will involve facilitated sessions and self-directed tasks.

There is a one week pre-program period of onboarding and program orientation, after which the specialist will be available for one day a week over fourteen weeks. There is a small seed grant for each organisation to go towards piloting their project.

Each organisation must nominate a minimum of two team members (one in a leadership position) who will work closely with the digital specialist over the fourteen weeks, and continue the work on completion of the residency.

The commitment of both time and staff members to lead on this work is essential to make the residency a success.  Organisations should ensure their digital champions can dedicate one day each week for the length of the program.

There will also be five compulsory online sessions with the cohort of participating organisations to provide an opportunity to connect and share experiences and knowledge and hear from industry experts.

This program provides $3000 seed funding to assist in prototyping or piloting your digitally led project (granted after a successful pitch of your project). Your Digital Specialist will provide support in ideating your digitally led project.

You will be required to complete an acquittal report at the conclusion of the program.

The Digital Specialist-in-Residence program is open to Australian arts organisations.

The program invites a diverse range of organisations to apply, and the opportunity is open to applicants from any:

  • art form or area of practice
  • scale or size of organisation
  • location in Australia, however organisations in regional or remote locations are particularly encouraged to apply
  • main activity, including performing, producing, service or collecting
  • existing level of digital readiness or capability.

Your organisation will be matched with an appropriate specialist from our group of creative technologists based on your needs and opportunities.

You are eligible to apply whether or not your organisation currently receives funding from the Creative Australia.

Please note this program requires a commitment of eight hours a week over the fourteen-week period.

Applicants who submitted in an earlier round are invited to apply again.

Organisations who have participated in the Digital Strategist-in-Residence program are ineligible.  

This program has identified positions for two First Nations organisations.

Please read our FAQs before commencing your application.

Applications will be reviewed by staff and industry advisors. Your application will be based on merit, response to the selection criteria below, and in line with Creative Australia’s commitment to diversity and inclusion. 

Selection Criteria:

  • timeliness and relevance of the program to your organisation
  • drive and motivation of team members to collaborate and experiment with diverse ways of learning and innovation
  • commitment to exploring and implementing digital solutions for the arts sector.
  • Shortlisted applicants may be invited for an interview following submission of an application.

Shortlisted applicants may be invited for an interview following submission of an application.

Read about how your application will be assessed here.

Creative Australia encourages applications from people who identify as First Nations, from culturally and linguistically diverse backgrounds, people with disability and people living in regional and remote areas.

We actively work with individuals to support access needs – including childcare, cultural practices, financial and/or learning access needs as required. We encourage applicants to contact us via phone or email to discuss this further. 

Additional information

Once you submit your application, we will send you an email acknowledging receipt of your application.

After you submit your application, we first check it meets the eligibility criteria for the grant or opportunity to which you are applying.

You will be notified of the outcome of your application in early January 2024.

For FAQs relating to the grants model, please click here.

Please contact the Artists Services team.

Once all applications have been assessed, you will be contacted about the outcome of your application. If you have been successful, you will also be sent an agreement.

Frequently asked questions

Phase 1: Program onboarding and introduction

  • Introduction to your Digital Specialist
  • Providing your specialist with information about your organisation
  • Introduction to program and program materials

Program Overview’ Cohort workshop (120 minutes online, date TBC)

 

Phase 2: Assess

Your specialist will guide you through a process to identify the organisation’s current digital capacity.

‘Ideate’ Cohort workshop (120 minutes online, date TBC)

 

Phase 3: Ideate

A process of ideation and investigation to identify digital challenges and opportunities for your organisation. This will include workshops with internal and external stakeholders.

‘How to Pitch’ Cohort workshop (120 minutes online, date TBC)

 

Phase 4: Develop

Identify, test and develop your flagship project, model program or prototype product. Seed funding is released. ‘Organisations Pitch Projects’ Cohort workshop (120 minutes online, date TBC)

 

Phase 5: Pilot & Refine  

Launch project, evaluate early learnings, present findings. Put in place tracking and evaluation frameworks. 

‘Organisations Present Learnings’ Cohort workshop (120 minutes online, date TBC)  

Our digital specialists are a diverse group of creative technologists and digital consultants with a broad range of experience across digital technologies, capacities and roles. Specialists will be located across Australia and are selected based on their:

  • knowledge of the arts and creative industry
  • experience with digital transformation
  • commitment to digital inclusion, cultural competency and accessibility.

Organisations will be matched with specialists based on the individual needs and priority areas.

The Digital Specialist will be available for one day each week across the fourteen-week residency. This will include some mutual contact hours each week (as well as the Specialist’s research and planning time for your organisation).

There will be a combination of contact and non-contact hours with your organisation for between two to four team members. Other team members should also be invited to discrete activities and kept informed by the organisation as to the project progress and timing.

There will also be five compulsory online sessions with the cohort of participating organisations to provide an opportunity to connect and share experiences and knowledge and hear from industry experts.

This residency is designed to be delivered online with potential for hybrid delivery, involving a combination of in-person and online sessions with your specialist via negotiation.

Individuals can apply via our online application system. If you have access requirements, please get in touch so we can assist you.

  • timeliness and relevance of the program to your organisation
  • drive and motivation of team members to collaborate and experiment with diverse ways of learning and innovation
  • commitment to exploring and implementing digital solutions for the arts sector.
  • Please respond to the selection criteria.
  • Introduce your organisation and why you do what you do.
  • How has your organisation explored digital so far?
  • What are some digital projects you would like to explore during the residence?
  • How has your organisation explored and managed digital so far?
  • What does digital leadership in the sector look like to you?
  • What tools and processes do you have in place to facilitate collaboration between your team members?
  • Please list your organisation’s two Digital Champions, who would participate in the program, if successful.

This opportunity is open to organisations.

An ‘organisation’ is a legally constituted organisation that is registered or created by law. For example, incorporated associations, companies limited by guarantee or government statutory authorities are all defined as organisations.

Your application will be assessed as per the selection criteria. The program is designed to bring together a diverse range of applicants from organisations around the country and we work to ensure a balance between geographic locations and artforms. This will be considered in the assessment process.

The program requires you to identify a minimum of two Digital Champions (one in a leadership position) from your organisation to lead the residency. Consider staff who have the ability to lead your team and enact the recommendations or opportunities that may arise. It is important to get buy-in across your organisation, so consider representatives from different teams.

This program provides $3000 seed funding to assist in prototyping or piloting your digitally led project. These funds will be granted after a successful pitch of your project, during the course of the program. Successful applicants will be given detailed instructions on this process.

The application form asks: “What are some digital projects you would like to explore during the residence?” If successful, your Digital Specialist will provide support in ideating your digitally led project, so suggested ideas are sufficient for the application.

You do not need to supply a budget with your application.

You will be required to complete an acquittal report at the conclusion of the program.

Please send an email to digital@creative.gov.au if you would like to discuss your eligibility or application.

Space to Create: First Nations Music Residency

An immersive program providing First Nations creatives at all levels with studio space, mentoring and production support.

Photo of Yil Lull studio technician and leader Will Kepa. Credit: ANU Media.

Space to Create

First Nations music industry residency

Photo of Yil Lull studio technician and leader Will Kepa. Credit: ANU Media.

About the program

This is an immersive program providing First Nations creatives at all levels with studio space, mentoring and production support that will be delivered in partnership with the Australian National University’s School of Music and the Yil Lull (‘To Sing’) recording studio.

The aim of the program is to create a dedicated space so each of the participants can take the time to sustain, grow creative ideas and collaborate including composition, voice coaching, strengthening technical skills and providing professional development opportunities for the future.

The program is open to emerging to established First Nations musicians, artists, songwriters, audio engineers, producers and those employed in the music industry.

The Program will offer 2 stages:

Stage 1: A one-week group residency at ANU between 17 and 25 March 2025

Stage 2: A one-week individual residency to complete your project between April – October 2025.

Please note: You must be available to attend residencies on scheduled dates.

Space to Create: Music Residency will provide:

  • travel, accommodation, per diems, ground transport costs to and from ANU campus
  • a participation fee for the attendance at the group and individual residential periods
  • access to Yil Lull First Nations Recording Studio control room, software, mastering and video editing resources
  • technical, studio production support from Yil Lull First Nations Recording Studio Senior Technical Officer and Producer, Will Kepa
  • mentoring from selected music industry professionals
  • music industry masterclasses and creative labs.

In partnership with:

Situated on Ngunnawal-Ngambri country in the heart of the nation’s capital, and on the campus of Australia’s foremost research university, the School of Music at ANU has a proud and rich history. For nearly 50 years the school has played a leading role in the cultural life of Canberra and the surrounding region.

ANU is home to the Yil Lull First Nations Recording Studio, which offers free recording and music assistance to First Nations musicians from across Australia. The studio is named after the song Yil Lull (‘To Sing’) by legendary First Nations musician Joe Geia, to honour his standing in the industry, and is used with his permission.

The Yil Lull First Nations Recording Studio was established in 2021, the studio is led by Senior Technical Officer, Torres Strait Islander musician Will Kepa. Will’s vision for the studio is to be “a place for us, our mob, to come and meet; to create and to share; to expand on our stories; to keep our culture alive and our music alive; and to just keep that fire burning”.

This new initiative is part of Creative Australia’s First Nations First industry development programs. The programs have been developed in response to extensive community consultation on priorities and needs of the sector in response to Pillar 1, First Nations First – Revive, the Australian Government’s shared vision for Australia: a place for every story and a story for every place.  These new initiatives aim to elevate existing programs and deliver new funding that build on a 50-year legacy of First Nations leadership and investment at Creative Australia.

To apply log in here to our Application Management System (AMS) if you have an account. You can create an account if you do not already have one.

Once you have logged in, follow the next steps:

  1. select ‘Apply for a Grant’ from the left panel menu
  2. from the list of opportunities select ‘Space to Create’
  3. complete the fields and select answers with dropdown menus
  4. upload any necessary support material
  5. select ‘Save’ once complete
  6. if you are not ready to submit your application, you can return to it through ‘Your Draft Applications’ in the left panel menu at a later date
  7. otherwise select ‘Submit’.

Space to Create: Music Residency activities can include (but are not limited to):

  • album or EP concept
  • engaging with a producer
  • multi-disciplinary and cross sector projects
  • film soundtrack and commercial jingles
  • music for theatre productions
  • sound engineering, production and mastering projects
  • music recording projects
  • informed instrumental/vocal plans of development
  • cross-genre music projects
  • music industry planning (workshop).

Who can apply?

  • Australian First Nations artist, composers, and creators over 18 years of age
  • you must be an Australian citizen or an Australian permanent resident.

Please note:

You can only submit one application per year for Space to Create: Music Residency round.

Who cannot apply?

You cannot apply for this grant if:

  • you are not an Australian First Nations practising artists or arts professional
  • you are a group or organisation
  • you are based outside Australia
  • you have an overdue grant report
  • you owe money to Creative Australia
  • you are an artist manager or agent.

Protocols for using First Nations Cultural and Intellectual Property in the Arts

All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here.

A First Nations Industry Advisory Panel will review eligible applications against the following assessment criteria:

  • artist merit
  • impact
  • viability on career.
1. Artistic merit, experience, and previous works

This will include:

  • vision, ideas and artistic rationale
  • demonstrated ability, skills and creative thinking
  • contribution to cultural expression
  • quality of work previously produced.
2. Impact on artists career development

This will include:

  • significance of the work and relevance to the artist’s career development
  • effective use of resources
  • capacity to strengthen skills and ability of the individual.
3. Viability
  • relevance and timeliness of the residency to the applicant’s career
  • where relevant to the project, evidence that the Protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to.

You should submit support material with your application. The Industry Advisory Panel may review this support material to help them gain a better sense of your activity and arts practice.

We do not accept application-related support material submitted via post. Application-related material received by post will not be assessed and will be returned to the sender.

If you think you will have difficulty submitting your support material online or need advice on what type of material to submit, please contact Joseph Clarke, Project Manager, First Nations Arts and Culture.

There are three types of support material you may submit:

  • artistic support material
  • biographies and CVs
  • letters of support

Artistic support material

This should include relevant, recent examples of your artistic or cultural work.

Types of support material we accept

Our preferred method of receiving support material is via URLs (weblinks).

You can provide up to three URLs (weblinks) that link to content that is relevant to your project activity. This may include video, audio, images, or written material.

These URLs can include a total of:

  • 10 minutes of video and/or audio recording
  • 10 images
  • 10 pages of written material.

Please note: The Advisory Panel will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access. If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.

Other accepted file formats:

If you cannot supply support material via URLs, you may upload support material to your application in the following formats:

  • video (MP4, QuickTime, and Windows Media)
  • audio (MP3 and Windows Media)
  • images (JPEG and PowerPoint)
  • written material (Word and PDF).

Biographies and CVs

You can include your current brief bio or curriculum vitae (CV) that is relevant to your application.

Please note: Brief bios or CV information should be presented as a single document no longer than two A4 pages in total.

Letters of support

Individuals, groups or organisations can write letters in support of your project. A support letter should explain how the project or activity will benefit you, other artists or arts professionals, participants or the broader community. It can also detail the support or involvement of key project partners, or evidence of consultation.

If relevant to your activity, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the First Nations Protocols for more information.

You can include up to five letters of support, with each letter not exceeding one A4 page.

2025 recipients

Bedlam Rigney

Kirsty Burchill

Canisha Clemmet-kennedy

Toni Janke

Kaytlyn Johnson

Davin Ojala

Blake Rhodes

Troy Russell

2024 recipients

  • Nidala Barker
  • Lilly Gogos
  • Normey Jay
  • Georgia Llewellyn
  • Russell Smith
  • Cloe Terare

Tags

Indigenous Contemporary Music Program

The Indigenous Contemporary Music program supports Aboriginal and Torres Strait Islander musicians and bands, providing opportunities and skills to develop ongoing income and employment pathways in the music industry. Applications close Thursday 20 April 2023. Enquiries via arts.gov.au. 

The Indigenous Contemporary Music program supports Aboriginal and Torres Strait Islander musicians and bands, providing opportunities and skills to develop ongoing income and employment pathways in the music industry. Applications close Thursday 20 April 2023. Enquiries via arts.gov.au.

Indigenous Visual Arts Industry Support Program

The Indigenous Visual Arts Industry Support program helps fund the operations of around 80 Indigenous-owned art centres, and a number of art fairs, regional hubs and industry service organisations at the heart of Australia’s Indigenous visual art movement. Enquiries via arts.gov.au. 

The Indigenous Visual Arts Industry Support program helps fund the operations of around 80 Indigenous-owned art centres, and a number of art fairs, regional hubs and industry service organisations at the heart of Australia’s Indigenous visual art movement. Enquiries via arts.gov.au.

Kluge-Ruhe Aboriginal Art Collection Artist Residency

The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia seeks applications for a four week artist residency.

Lisa Waup, Recipient of 2023/2024 Artist Residency at the Kluge-Ruhe Aboriginal Art Collection. Image credit: Tom Cogill

About the opportunity

The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia is the only museum dedicated to Australian First Nations art in the United States. Its mission is “to expand knowledge and understanding of Indigenous Australian arts and cultures to cultivate greater appreciation of human diversity and creativity.”

In partnership with the University of Virginia, we offer this exciting professional development opportunity for established First Nations visual artists to undertake a residency of up to four weeks at Kluge-Ruhe and exhibit a collection of work.

Creative Australia has made significant investment in this partnership for over 10 years, supporting some of Australia’s most highly respected First Nations visual artists, including Lisa Waup, James Tylor, Dub Leffler, Brian Robinson, Barbara Moore & Sharon Adamson, Kent Morris, Jenni Kemarre Martiniello, Carol McGregor, Julie Gough, Janet Fieldhouse, Djambawa Marawili AM, Damien Shen, Bianca Beetson, Ricardo Idagi, Nici Cumpston, David Bosun, Yhonnie Scarce, and Vernon Ah Kee.

During the residency, artists will participate actively in the life of the University of Virginia. This participation can be accomplished in several ways, such as working on projects with students, demonstrating work in the studio and delivering artist talks. Artists are encouraged to consider ways their residency might engage students and faculty in different disciplines. Kluge-Ruhe will build on the artist’s strengths and interests to assist them in designing programs and establishing networks.

Artists should submit a detailed expression of interest, exhibition proposal and CV/resume (see application form). View application guidelines.

Kluge-Ruhe will provide the following support:

  • return international flights
  • accommodation in Charlottesville
  • transportation between accommodation and the museum or University of Virginia
  • per diems
  • exhibition support, including shipping, mounting and framing of work
  • access to a studio or workspace
  • assistance with connections to the visual arts sector in the United States and within the University’s network
  • welcome reception and other social events
  • marketing and promotion.

Creative Australia will provide an honorarium to the artist of $20,000 AUD.

To successfully complete your application, you must provide the following:

1. Current resume or CV (Word document or PDF)

2. Letter of Interest addressing the following questions. (Word document or PDF)

  • What opportunities are you looking for in a residency at Kluge-Ruhe?
  • What skills would you like to develop?
  • What skills are you prepared to teach others?
  • How do you propose to share your artistic practice with others, for example, students and faculty at the University of Virginia, Kluge-Ruhe’s public audience and local artists in the Charlottesville community?
  • How do you imagine this residency will benefit your practice and your community?
  • Why is this the right time for you to undertake a residency in the U.S.?

3. Description of a proposed exhibition that you or your agent can loan to Kluge-Ruhe for six months OR up to 10 images of your work.

This proposal is not final but will give us a sense of what you envision exhibiting at Kluge-Ruhe. (Word document or PDF)

Please see the gallery floorplan with dimensions.

Images of the gallery are available at:
Close to the Wind: Lisa Waup
Untouched Landscape: James Tylor
Darkish: Dub Leffler

4. Indicate the periods that you are available to undertake a residency at Kluge-Ruhe. (Check all applicable boxes)

September/October 2025 (exhibition period June – December 2025) February/March 2026 (exhibition period January – June 2026) September/October 2026 (exhibition period July – Dec 2026) February/March 2027 (exhibition period January – June 2027)

Applications will be assessed by a panel of First Nations Australian curators and Kluge-Ruhe staff, with final recommendations endorsed by the First Nations team at Creative Australia. You will be advised of the outcome of your application with 8 weeks of the closing date for applications.

Auckland Writers Festival: First Nations Exchange

Travel and financial support for First Nations writers, editors, journalists, illustrators, and arts workers at all career levels, to attend in May 2023.

About the Opportunity

The Auckland Writers Festival is hosting a First Nations Literature Cultural Exchange as part of their 2023 program. We are inviting First Nations writers, poets, editors, illustrators, arts workers and journalists in the literature sector of all career levels to participate.  This program is engaging with New Zealand and Canada which aims to enhance the cultural, artistic and market development of First Nations artists. The Australia Council will cover costs and arrange associated travel, accommodation, per diems and pay an additional $1000 fee to the successful applicants.

This fund is open to individuals and provides networking, professional development, co-creation, and cultural exchange opportunities for participants.

Who can apply?

  • Open to Australian First Nations’ artists and arts workers living in Australia
  • Disciplines include writers, poets, editors and illustrators and arts workers, journalist in the Literature sector.

Artistic and career outcome

The Panel will assess the potential of the artist/arts worker. They may consider the following:

  • how attending the Auckland Writers Festival will benefit and strengthen your practice and career development, including any anticipated outcomes from attending the festival.
  • quality of work previously produced.
  • demonstrated ability, skills and creative thinking.

Impact on career

The Panel will assess the impact that this opportunity will have on your career. They may consider the following:

  • capacity to strengthen skills and abilities of artists/arts worker relevance of your attendance

Applications will be considered by the Australia Council in consultation with First Nations Industry Advisors.

Essential:

  • CV
  • brief biographical information and headshot
  • proof of valid passport
  • Letters of support(if applicable)
  • up to 3 pages of previous work
  • the preferred method of receiving support material is via URLs (weblinks).
  • up to three URLs that link to content that is relevant to your proposal.
  • If you cannot supply support material via URLs, you may upload support material to your application as written material (Word and PDF).

Digital Transformation for the Creative Industries

A six-week, online short course providing insight into digital strategy and new technologies.

Image: tuylupaby pakana kanaplila and Soma Lumia. Presented by Tasdance and Mona Foma, in collaboration with Theatre Royal. Credit: Jillian Mundy

About the program

Digital Transformation for the Creative Industries is an online short course designed specifically for artists and arts and creative workers it is best suited for those with a beginner or intermediate understanding of the digital space as it relates to the creative industries.

Developed and delivered in collaboration with the University of Technology Sydney (UTS), this six-week course will give you an insight into key digital concepts, modes of digital practice, emergent technologies and also introduce ideas around digital strategy and business model innovation.

As a leading Australian university and a top-ranked university in Australia, UTS is home to industry-connected educators and researchers who are leaders in their creative fields, and passionate about organisational and individual skills development and uplift.

Curated by arts and cultural practitioners, Digital Transformation for the Creative Industries is specifically designed for artists and creative practitioners, arts administrators, managers, and directors working, whether independent, or from organisations large or small who want to begin to understand digital practice and strategy.

You will join a cohort of industry peers and colleagues working in different artforms across Australia to understand, explore and shape your thinking around digital. Key topics include:

  • Understanding key digital concepts
  • Digital practices for the arts
  • Digital transformation strategy
  • Digital leadership
  • Digital business models
  • Demystifying emerging technologies.

This six-week course requires a commitment of up to four hours a week, and is a combination of facilitated sessions, online group learning and self-directed activities that can be directly applied to your existing work and practice.

In collaboration with:

This course is for artists and creative practitioners, arts administrators, managers, and directors working in organisations or independently in the arts and creative industry. Participants will work in a range of artforms around Australia.

  • Participants must be over 18 years of age.
  • Participants must be based within Australia to partake in the first round. Positions will be open to international artists and arts workers from the second round onwards.

The Australia Council encourages applications from people who identify as First Nations, from culturally and linguistically diverse backgrounds, people with disability and people living in regional and remote areas.

This course is digitally accessible and follows the AAA standards. Please get in touch if you have any specific access requirements.

Applications for subsidised positions in the first three cohorts closed on Tuesday 2 August.

Applications for subsidised positions in the first three cohorts closed on  Tuesday 7 February, 3pm (AEST).

The course will run for six weeks, beginning with an introductory session the week prior to commencement. Five cohorts of participants will be accepted in the March – June 2023 sessions:

  • 13 March – 21 April 2023
  • 8 May – 16 June 2023

Positions in the first three rounds of the Digital Transformation for the Creative Industries course are subsidised as part of the Digital Culture Program.

Tiered subsidies are available to support access for a diversity of participants:

  • Independent artists/practitioner – A $600 subsidy is available. Participants will be required to pay $75
  • Small to medium arts organisations – $300 subsidy available for representatives from. Participants will be required to pay $375
  • Large organisations/institutions – The overall course fee of $675 (ex GST) applies

If your subsidy application is unsuccessful, you can choose to pay the course fee in full. The overall course fee is $675 (ex GST).

Subsidised positions are limited. Subsidy applications will be assessed to ensure an equitable spread of participants across artform, location and priority areas.

If your application is successful, we will contact you with payment and onboarding information.

Frequently asked questions

This course is designed to support arts and creative practitioners to embrace a digital mindset and to enable digital innovation within the sector.

The course is delivered in partnership with University of Technology Sydney (UTS) and will draw on expert knowledge and experience to build the digital literacy and capacity of the creative industries.

Through the ‘Digital Transformation for Creative Industries’ course, participants will:

  • Gain the knowledge and ability to assess the digital strengths and priorities of their practice or organisation.
  • Identify and implement digital practices, workflows and platforms to gain efficiencies and digital workflows.
  • Be able to develop, mobilise and implement a relevant and customised organisation-wide digital strategy.
  • Be able to apply adaptive architecture principles to enable digital innovation and transformation.

The course will be facilitated by leading creatives and academics from the UTS team, with a range of guest speakers and facilitators from across artforms and across Australia.

This course is for artists and creative practitioners, arts administrators, managers, and directors working in organisations or independently in the arts and creative industry. Participants will work in a range of artforms around Australia.

best suited for those with a beginner or intermediate understanding of the digital space as it relates to the creative industries. There is not a requirement for an existing high-level of technological skills or understanding to undertake the course. The course will focus on digital mindsets, literacy and strategic development.

The course is six weeks and requires up to four hours of your time each week.

The course includes self-directed reading, activities and online content as well as one hour of group learning and discussion with a facilitator every week.

The course is delivered on UTS online learning platform Canvas. Details of how to access, use and navigate the platform will be provided on enrolment.

For any questions or further information about the Digital Culture Program please email digitalarts@creative.gov.au or call 02 9215 9036.