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Naminapu Maymuru-White’s work acquired by Tate Modern, showcasing Australia’s First Nations talent to the world 

Creative Australia congratulates acclaimed Yolŋu artist Naminapu Maymuru-White on the acquisition of her work Milŋiyawuy (Milky Way) by the UK’s Tate Modern.

Jan 01, 1970

Creative Australia congratulates acclaimed Yolŋu artist Naminapu Maymuru-White on the acquisition of her work Milŋiyawuy (Milky Way) by the UK’s Tate Modern.  

The work, currently being presented at Frieze London by Sullivan + Strumpf, with the support of Creative Australia, joins the Tate Modern’s expanding collection of contemporary First Nations Australian art. The acquisition continues the gallery’s commitment to showcasing important voices in contemporary global art.

Earlier this year, Maymuru-White’s work was presented to international audiences at the Venice Biennale, alongside fellow First Nations artists Marlene Gilson and Archie Moore. 

This high-profile acquisition highlights the growing international recognition of Australian First Nations arts and culture. It follows the acquisition of Archie Moore’s Golden Lion winning work, kith and kin in partnership with Queensland Art Gallery | Gallery of Modern Art. 

Maymuru-White is known for her pioneering role as one of the first Yolŋu women taught to paint miny’tji (sacred creation clan designs). Her fluid and unrestrained compositions showcase her as a highly unique and innovative figure in Yolŋu art. Earlier this year, her work was presented to international audiences at the Venice Biennale, alongside fellow First Nations artists Marlene Gilson and Archie Moore. 

Maymuru-White’s Milŋiyawuy weaves themes of ancestral knowledge, celestial imagery, and spiritual connection, offering international audiences a profound insight into Yolŋu culture.  

Creative Australia Executive Director First Nations Arts and Culture Franchesca Cubillo said:  

“The acquisition of this significant work by Naminapu Maymuru-White is a proud moment for all Australians. It underscores the unique role of Australian First Nations art on the global stage and ensures Naminapu’s extraordinary talent can continue to reach new audiences worldwide. It will foster greater understanding and appreciation of Australia’s rich First Nations talent and stories for generations to come.” 


Media contacts: 

Brianna Roberts, Media Manager, Creative Australia
Mobile: 0498 123 541
Email: brianna.roberts@creative.gov.au 

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We acknowledge the many Traditional Custodians of Country throughout Australia and honour their Elders past and present.

We respect their deep enduring connection to their lands, waterways and surrounding clan groups since time immemorial. We cherish the richness of First Nations Peoples’ artistic and cultural expressions.

We are privileged to gather on this Country and through this website to share knowledge, culture and art now, and with future generations.

First Nations Peoples should be aware that this website may contain images or names of people who have died.

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We acknowledge the many Traditional Custodians of Country throughout Australia and honour their Elders past and present.

We respect their deep enduring connection to their lands, waterways, and surrounding clan groups since time immemorial. We cherish the richness of First Nations peoples’ artistic and cultural expressions. We are privileged to gather on this Country and to share knowledge, culture and art, now and with future generations.

Art by Jordan Lovegrove