Space to Create: First Nations Music Residency
An immersive program providing First Nations creatives at all levels with studio space, mentoring and production support.
Photo of Yil Lull studio technician and leader Will Kepa. Credit: ANU Media.
Space to Create
First Nations music industry residency
Photo of Yil Lull studio technician and leader Will Kepa. Credit: ANU Media.
About the program
This is an immersive program providing First Nations creatives at all levels with studio space, mentoring and production support that will be delivered in partnership with the Australian National University’s School of Music and the Yil Lull (‘To Sing’) recording studio.
The aim of the program is to create a dedicated space so each of the participants can take the time to sustain, grow creative ideas and collaborate including composition, voice coaching, strengthening technical skills and providing professional development opportunities for the future.
The program is open to emerging to established First Nations musicians, artists, songwriters, audio engineers, producers and those employed in the music industry.
The Program will offer 2 stages:
Stage 1: A one-week group residency at ANU between 17 and 25 March 2025
Stage 2: A one-week individual residency to complete your project between April – October 2025.
Please note: You must be available to attend residencies on scheduled dates.
Space to Create: Music Residency will provide:
- travel, accommodation, per diems, ground transport costs to and from ANU campus
- a participation fee for the attendance at the group and individual residential periods
- access to Yil Lull First Nations Recording Studio control room, software, mastering and video editing resources
- technical, studio production support from Yil Lull First Nations Recording Studio Senior Technical Officer and Producer, Will Kepa
- mentoring from selected music industry professionals
- music industry masterclasses and creative labs.
In partnership with:
Situated on Ngunnawal-Ngambri country in the heart of the nation’s capital, and on the campus of Australia’s foremost research university, the School of Music at ANU has a proud and rich history. For nearly 50 years the school has played a leading role in the cultural life of Canberra and the surrounding region.
ANU is home to the Yil Lull First Nations Recording Studio, which offers free recording and music assistance to First Nations musicians from across Australia. The studio is named after the song Yil Lull (‘To Sing’) by legendary First Nations musician Joe Geia, to honour his standing in the industry, and is used with his permission.
The Yil Lull First Nations Recording Studio was established in 2021, the studio is led by Senior Technical Officer, Torres Strait Islander musician Will Kepa. Will’s vision for the studio is to be “a place for us, our mob, to come and meet; to create and to share; to expand on our stories; to keep our culture alive and our music alive; and to just keep that fire burning”.
This new initiative is part of Creative Australia’s First Nations First industry development programs. The programs have been developed in response to extensive community consultation on priorities and needs of the sector in response to Pillar 1, First Nations First – Revive, the Australian Government’s shared vision for Australia: a place for every story and a story for every place. These new initiatives aim to elevate existing programs and deliver new funding that build on a 50-year legacy of First Nations leadership and investment at Creative Australia.
To apply log in here to our Application Management System (AMS) if you have an account. You can create an account if you do not already have one.
Once you have logged in, follow the next steps:
- select ‘Apply for a Grant’ from the left panel menu
- from the list of opportunities select ‘Space to Create’
- complete the fields and select answers with dropdown menus
- upload any necessary support material
- select ‘Save’ once complete
- if you are not ready to submit your application, you can return to it through ‘Your Draft Applications’ in the left panel menu at a later date
- otherwise select ‘Submit’.
Space to Create: Music Residency activities can include (but are not limited to):
- album or EP concept
- engaging with a producer
- multi-disciplinary and cross sector projects
- film soundtrack and commercial jingles
- music for theatre productions
- sound engineering, production and mastering projects
- music recording projects
- informed instrumental/vocal plans of development
- cross-genre music projects
- music industry planning (workshop).
Who can apply?
- Australian First Nations artist, composers, and creators over 18 years of age
- you must be an Australian citizen or an Australian permanent resident.
Please note:
You can only submit one application per year for Space to Create: Music Residency round.
Who cannot apply?
You cannot apply for this grant if:
- you are not an Australian First Nations practising artists or arts professional
- you are a group or organisation
- you are based outside Australia
- you have an overdue grant report
- you owe money to Creative Australia
- you are an artist manager or agent.
Protocols for using First Nations Cultural and Intellectual Property in the Arts
All applications involving First Nations artists, communities or subject matter must adhere to these Protocols, and provide evidence of this in their application and support material. More information on the First Nations Protocols is available here.
A First Nations Industry Advisory Panel will review eligible applications against the following assessment criteria:
- artist merit
- impact
- viability on career.
1. Artistic merit, experience, and previous works
This will include:
- vision, ideas and artistic rationale
- demonstrated ability, skills and creative thinking
- contribution to cultural expression
- quality of work previously produced.
2. Impact on artists career development
This will include:
- significance of the work and relevance to the artist’s career development
- effective use of resources
- capacity to strengthen skills and ability of the individual.
3. Viability
- relevance and timeliness of the residency to the applicant’s career
- where relevant to the project, evidence that the Protocols for using First Nations Cultural and Intellectual Property in the Arts have been adhered to.
You should submit support material with your application. The Industry Advisory Panel may review this support material to help them gain a better sense of your activity and arts practice.
We do not accept application-related support material submitted via post. Application-related material received by post will not be assessed and will be returned to the sender.
If you think you will have difficulty submitting your support material online or need advice on what type of material to submit, please contact Joseph Clarke, Project Manager, First Nations Arts and Culture.
There are three types of support material you may submit:
- artistic support material
- biographies and CVs
- letters of support
Artistic support material
This should include relevant, recent examples of your artistic or cultural work.
Types of support material we accept
Our preferred method of receiving support material is via URLs (weblinks).
You can provide up to three URLs (weblinks) that link to content that is relevant to your project activity. This may include video, audio, images, or written material.
These URLs can include a total of:
- 10 minutes of video and/or audio recording
- 10 images
- 10 pages of written material.
Please note: The Advisory Panel will not access any URLs that require them to log in or sign up to a platform. Please do not provide links to Spotify or other applications that require users to log in or pay for access. If you are linking to media files that are private or password protected like Vimeo, please provide the password in the password field on the application form.
Other accepted file formats:
If you cannot supply support material via URLs, you may upload support material to your application in the following formats:
- video (MP4, QuickTime, and Windows Media)
- audio (MP3 and Windows Media)
- images (JPEG and PowerPoint)
- written material (Word and PDF).
Biographies and CVs
You can include your current brief bio or curriculum vitae (CV) that is relevant to your application.
Please note: Brief bios or CV information should be presented as a single document no longer than two A4 pages in total.
Letters of support
Individuals, groups or organisations can write letters in support of your project. A support letter should explain how the project or activity will benefit you, other artists or arts professionals, participants or the broader community. It can also detail the support or involvement of key project partners, or evidence of consultation.
If relevant to your activity, letters of support must provide evidence of appropriate permissions and support from First Nations organisations, communities, and Elders. Please refer to the First Nations Protocols for more information.
You can include up to five letters of support, with each letter not exceeding one A4 page.
2025 recipients
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Bedlam Rigney
Meet Cringetrender, aka Bedlam Rigney (it/its), a bold and eclectic artist from the Western suburbs of Kaurna Yerta. With a background in a musical family, Bedlam’s journey in music began early, writing its first song at eight. Despite struggles with mental health and homelessness, Bedlam found a creative haven within its queer, disabled community. It’s a member of Lakinyeri with its family, contributing vocals and harmony. Determined to control its solo music, Bedlam has released impactful EPs like dads place and dissociation and distortion. Cringetrender reclaims and redefines the term “transtrender,” celebrating nonbinary identity and the power of being unapologetically authentic.
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Kirsty Burchill
Kaybee (Kirsty Burchill), a Kuku Yalanji, Gubbi Gubbi, Goreng Goreng, Cairns born, and Mossman raised artist developed a love for music at a young age. This has grown into a music career where she is also seen as a role model for her schooling community and hometown. Kirsty has gone on to maintain Indigenous advocacy and Community Development roles whilst pursuing her music career. Moving to Melbourne in 2023 to pursue her dreams, Kaybee released three singles in 2024.
Travelling to New York City in 2023, rehearsing at Carnegie Hall; Kaybee has had her taste in international waters and hopes to continue to further her music nationally and internationally.
In 2025 Kaybee will release her first EP produced and co-written by Aria Award winning producer Rob Amoruso who’s nationally known for his work with amazing artists across the country such as Baker Boy and Mitch Tambo.
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Canisha Clemmet-kennedy
Melbourne based artist Canisha is a soulful singer with an edge, a lyricist whose emotive and playful music captivates and draws you in. Canisha is a First Nations artist with a captivating exploration of emotion in her music.
Her debut EP, DON’T BE SCARED, released in 2024 via Bad Apples Music, showcases her confident and lush pop sound. Canisha’s music is textured and rich, with inviting and warm vocals. Inspired by artists like Adele and Harry Styles, she has grown in confidence and purpose, using music to overcome social anxiety and connect with audiences.
She has performed at festivals like Yirramboi Festival, St. Kilda Music Festival, Share the Spirit at Sidney Myer Music Bowl and Treaty Day Out. Canisha’s music blends pop sensibilities with soul flavour, marked by raw lyricism and storytelling. She aims to create music that others can relate to and find joy in.
In 2022, Canisha put herself on the map, performing alongside Briggs, and other First Nations Artists at the Bad Apples House Party. This opened many doors for Canisha, leading to securing a slot at the 2023 St Kilda Music Festival, Brunswick Music Festival, headlining “Blak Stage” at the Retreat Hotel and Yirramboi Festival.
Canisha has been lucky to work with and receive mentorship from Candice Lorrae from the Merindas, Bad Apples Music, Bumpy, Tasman Keith and Beatrice Lewis from Haiku Hands. Canisha is a 2023 recipient of the Singing our Futures music program run by the Archie Roach Foundation. During this program Canisha wrote a song with soul artist Bumpy and will perform at the Big Sound music conference.
Canisha was also asked to be a part of the First Nations Pathway Program run by Mushroom Group where she was mentored by Tasman Keith. Most recently Canisha participated in the 2024 Resonate program with NATSIMO where she collaborated with Indigenous artists from around the country.
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Toni Janke
Toni Janke, a celebrated First Nations singer-songwriter with heritage from the Wuthathi, Yadhaigana, and Meriam peoples of Cape York and Murray Island, has had a remarkable career spanning music, arts, and Indigenous affairs. Growing up in Cairns and Canberra, Toni began performing and writing music at a young age, releasing acclaimed works through her independent label, Toni Janke Productions. Her discography includes Hearts Speak Out (1993), The Brink (2000), Jewel of the North (2004), and Eternal (2021).
As a pioneer in Australia’s music industry, Toni has won national awards and performed at major festivals and events. She is an Elder in Residence for QMusic’s BigSound Goolwal Goolwal program, Chairperson of the First Nations Advisory Committee, and a Board Member of Brisbane Powerhouse. She is also a member of the National Indigenous Media Awards (NIMAs) Leadership Group and a member of the Indigenous Advisory Council of Lion Nathan.
Beyond music, Toni has dedicated over 30 years to advancing Indigenous affairs, working across government, law, media, education, and the arts. She runs a Brisbane-based consultancy focusing on inspirational leadership for those wanting to make an extraordinary difference in the world through compassion, social justice and creativity. In 2024, she received an Australian Women in Music Award (AWMA) for her trailblazing contributions to inclusivity and cultural diversity. Toni continues to inspire with her creative projects, including an upcoming 2025 production exploring her life and music as a proud First Nations woman.
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Kaytlyn Johnson
Kaytlyn Johnson is a Palawa singer-songwriter and budding producer from rural North-West Tasmania, blending indie, pop, and rock with heartfelt storytelling. With performances alongside GRAMMY-winning artists Lucky Oceans and Thelma Plum, and her debut single Sunburn co-produced at the Indigenous-led Yil Lull studio, Kaytlyn’s music celebrates her identity, lived experiences, and aspirations.
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Davin Ojala
Davin Ojala is an Anaiwan man from the cold Kyuna of the New England tablelands (NSW).
As a musician and composer, Davin uses the electric bass as the driving force behind his compositions and creativity. “I want to be able to shine a light on the beauty and sonic possibilities that lie within an often overlooked instrument,” he says.
After completing an Honours Degree in Music Performance at Te Auaha, Whitireia (Wellington) Davin relocated to Naarm to pursue his musical and cultural journey.
Davin has worked as a professional session bass player for the last four years including live performances, recording, composition, musical direction and arrangements. His last major project included composition and arrangement for Running Into The Sun, which won two awards including “Best Theatre Work” at the 2024 Melbourne Fringe Festival.
Davin continues to forges his path, delivering experiences that resonate far beyond the music itself.
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Blake Rhodes
Blake Rhodes blends soulful future hip-hop with unmatched energy, earning recognition on major platforms and on radio. From early hits like Wonderous to the latest release The World is Mine, he continues to push boundaries. Tours with Winston Surfshirt, Horrorshow, and ILLY cement his position at the forefront.
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Troy Russell
Troy Russell is an accomplished composer and musician of Biripi and Gamillaroi descent. He was born and raised in the Inner West suburbs of Sydney. Troy’s musical journey began at the age of 11 when a neighbour offered to teach him the fundamentals of music.
Troy’s work draws on a range of musical genres, and he often incorporates Indigenous ideas into his compositions. He has collaborated with a variety of artists and organisations, including Bach Akademie, Elysian Fields and Ensemble Offspring.
Troy was one of the inaugural First Peoples Artists-in-Residence along with Nardi Simpson at the Sydney Conservatorium of Music, where he worked on a range of projects that highlight the stories and experiences of First Nations people. His work is powerful and moving, and he is quickly becoming a respected and admired composer.
2024 recipients
- Nidala Barker
- Lilly Gogos
- Normey Jay
- Georgia Llewellyn
- Russell Smith
- Cloe Terare
Key dates
Applications closed
Residency dates
Stage 1: A one-week group residency at ANU between 17 and 25 March 2025
Stage 2: A one-week individual residency to complete your project between April–October 2025.
Please note: To apply you must be registered in our Application Management System a minimum of two business days prior to the closing date.
Contact
Joseph Clarke
Project Manager
First Nations Arts and Culture
Email: joseph.clarke@creative.gov.au
If you need help with your application, please call or email us.