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Peer Feedback

General feedback from peer assessors for the most recent rounds of Arts Projects, Contemporary Music Touring Program, and Playing Australia Project Investment.

Peer assessors provide general feedback on the applications they assess. You can view the feedback from the most recent rounds of Arts Projects, Contemporary Music Touring Program, and Playing Australia Project Investment on this page. We do not provide specific feedback on applications. Contact Artists Services to discuss a future application to Creative Australia and other funding options. For information on how we assess applications please read Assessment at Creative Australia

We received 1963 eligible applications to the Arts Projects closing date, 2 September 2025. The success rate was 12%. From 15 January 2026, you can use our online grants database to see the list of funded applications. 

 

Arts Projects for Individuals and Groups - General Feedback

Community Arts and Cultural Development (CACD) Panel

Advice for future applicants 

  • Show an awareness of Creative Australia’s five principles of Community Arts and Cultural Development (CACD) and demonstrate how your project follows them. The five principles are:
  • The activity involves the creation of artwork by, with and for the community.
  • Development is a primary objective of the initiative.
  • The activity is socially inclusive.
  • The activity is community centred and collaborative.
  • The activity involves the engagement of highly skilled practitioners.
  • Clearly describe how the project will be developed with the community.   
  • Explain how the community is involved at every stage, from planning and making decisions to creating and presenting the final work.
  • Make sure the authentic voices of the applicant and the community involved comes through the application.
  • Demonstrate how your work is developed in genuine collaboration with the community. Show an understanding of relationship building as an ongoing, reciprocal process grounded in trust, respect, and shared decision-making.
  • Show how the project’s impact continues beyond its timeline by embedding meaningful engagement, building local capacity, and maintaining partnerships that support ongoing benefits of your project outcomes.
  • If you are working with a community that is not your own, it is vital that you provide evidence of genuine relationship building and mutual interest in the project, such as letters of support or other expressions of collaboration.
  • Pay yourself, your artists and collaborators fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • Be clear about what stage your project is currently at; whether it is in the initial stages of development, delivery, or focused on continuation or expansion.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Dance Panel

Peer assessors acknowledged the high quality of applications for this round and praised applications where the artists’ authentic voice was apparent.   

Advice for future applications 

  • Do not assume peers know your work - outline your achievements and highlight any past contributions to the dance sector.
  • Provide compelling support material that enhances your project and check all URLs work and passwords are supplied.
  • Emphasise the timeliness of your proposed activities.
  • Explain your choice of presenting partners. Why they are the best organisations to present your work?
  • Break down budgets and use the description section to provide a detailed explanation of how you have calculated each figure.
  • Where relevant include a contingency plan that sets out what you will do if you do not receive additional funding included in your budget.
  • Box office projections should be realistic and based on demonstrated calculations.
  • Provide relevant support letters from collaborators/partners detailing their commitment to the project, support for your practice or impact of your work.
  • Explain how you will maintain the health, safety and wellbeing for your artists, participants, and audience.
  • Demonstrate your commitment to addressing access and accessibility considerations in the budget and activity details.
  • When engaging with a community that is not your own, you must provide compelling evidence of how you will respectively engage with that community and that they are supportive of your project.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • For more information on the third criterion ‘Impact’ please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Emerging and Experimental Arts (EEA) Panel

Advice for future applicants   

  • Clearly define what makes your work emerging or experimental, showing how both form and content are innovative.
  • Clearly outline your project’s aims and significance: what you want to do, how you’ll do it, why it’s important and why now.
  • Reflect on what experimentation means for your long-term practice and the sector. Explain how this project extends your usual practice and explores new ground for you or the artform, distinguishing it from standard approaches.
  • If you are working with AI or other fast-moving technologies, describe how you’re engaging with that evolving space.
  • Seek and demonstrate consultation in relevant areas of expertise (e.g., technology specialists or ethicists) where relevant.
  • Describe how audiences and/or collaborators participate and engage with your work, and how that engagement shapes the experience. Provide evidence (e.g., letters of support) of meaningful consultation and involvement. Consider including an audience development or community engagement strategy where relevant.
  • Include a risk assessment, particularly where your project involves sensitive subject matter, community participation, or participant safety.
  • If your project is site specific, explain: why here, who are your audiences and why is this relevant for this location? Address any logistical considerations such as site assessments, permits, and risk management.
  • Provide clearly labelled, high-quality support material. Where possible, include artistic support material that is indicative of the current work which shows development, visualisations, or renders of your work. Focus on the most relevant examples that show your project’s quality, viability, and impact.
  • Include signed support letters from all collaborators and presenting partners.
  • Check all your links and make sure all content and documents are accessible without requiring a login.
  • Pay all artists appropriately, including yourself, using current award rates if available and include superannuation.
  • Break down lump sums and explain your expenses in the description box provided in the budget. Show how your confirmed partners are contributing to your project in income/in-kind where relevant.
  • Demonstrate that you have given enough time for experimentation and research in your Activity Timeline.
  • Consider accessibility for both participants and audiences as an integral part of your project planning. Include access fees in the budget, and letters of support where needed.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

First Nations Panel

Advice for future applicants 

  • If you use AI to write your application, make sure the writing is clear and that your unique voice and passion comes through the application.
  • Clearly explain what you want to do and why you want to do it.
  • In the Project Title section of your application, clearly state in less than three sentences what your project is.
  • In the Project Summary section of your application, describe what you will do in your project.
  • Complete the activity timeline section in the application form. It is important for assessors to understand the steps you are going to take to deliver your project.
  • Provide a detailed, transparent budget. Break down large sums and show how you have calculated each item.   
  • Stick to the support material limits.
  • Make sure your letters of support are up to date.
  • If your application addresses sensitive issues like the Stolen Generation, include a content warning at the beginning of the About your project section of your application.
  • If you are applying on behalf of an individual or group, provide evidence to show the artist(s) have given you consent to apply, and show how the artist(s) will keep ownership of their cultural and intellectual property.
  • If any progress occurs on your project after you submit your application (for example, co-funding updates), let us know. Contact an Artist Services Officer if you have further questions. 
  • Consider how your project relates to Creative Australia’s First Nations Protocols. Where relevant, provide evidence of genuine consultation and consent. Demonstrate the practical application of the First Nations Protocols in your budget and support material. You can find the Protocolshere.   
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video.  
  • Please contact Artists Services to discuss a future application to Creative Australia and other funding options. 

Literature Panel

Advice for future applicants   

  • Explain why this project, why now, why you are the right person for the project, how you will make it happen, and what the impact of the funding will be.
  • Address how your project sits within your genre, readership, audience and sector, demonstrating relevance and awareness of the broader literary ecosystem.
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. Consider the impact of your project from multiple perspectives, including career development, innovation, audience engagement, and sector contribution. Consider how your project addresses a need or gap in the sector. For more information, please view this short video. 
  • If your project involves working with First Nations artists, communities, or subject matter, provide evidence of genuine consultation and consent. Your budget must include appropriate fees for Elders and cultural consultants, and your support material should include letters of support from any First Nations partners involved in the project. Acknowledging your project’s connection to place, local communities and histories can enhance your application. You can find the Protocolshere. 
  • If your project involves working with children, you must provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your project concerns sensitive issues or you are working with vulnerable individuals or communities, speak to the safety and wellbeing of those involved, including interviewees, contributors, and yourself.
  • Do not assume peers will know who you are or your earlier work. Include your cv/bio in the support material and outline your earlier experience and track record in the Tell us who you are section.
  • If publication is a stated outcome of your project, provide details and evidence of publisher interest. For self-publishing, explain your rationale and distribution plan.
  • When proposing a podcast or journalism project, highlight the artistic value and impact of your project. Clearly define your audience, show the benefit of your project and include an audience engagement plan.
  • Provide a detailed, realistic timeline broken into phases such as research, writing and editing. Completing the activity details for your project assures the peers of your project’s viability and your ability to complete the work in time.
  • If travelling for your project, explain the importance and impact of these locations, how they are relevant to your project and the activities that will take place at each location.
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Budget 

  • Pay all artists, including yourself, fairly. Where possible, use relevant industry rates of pay or equivalent industry standards. Ensure your wages reflect the amount of time listed in your activities.
  • Break down lump sums in the budget and describe how you have calculated your expenses in the description box. Show how your confirmed partners are contributing to your project in income/in-kind.
  • If you are using ASA, MEAA or IPED rates, be careful about the rate you choose and be clear about how you are applying it. For example, Freelance Writing rates are not applicable for extended periods of long-form writing.  

Support Material   

  • Include strong writing samples that highlight the style and voice of the project. Consider including samples from the work-in-progress alongside excerpts from published work.
  • Letters of support and confirmation should be recent and relevant to your current project. It is essential that key partners have provided a letter. Provide evidence of consultation and consent from experts or consultants where appropriate. 

Multi-art form Panel

Advice for future applicants 

  • Use plain language and clearly explain your planning & delivery processes.
  • Clarify what your project or activity is in the first sentence of the ‘Project Summary” or ‘Project description’ sections. This really helps the assessor become engaged quicker.
  • Ensure the Activity Details section is thorough. Provide an overview of what you plan to do step by step.
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. The ‘Impact’ criterion may refer to the impact on yourself and your practice, but also the impact on participants, audiences or other project partners that you hope to share or create the work with. For more information please view this short video.   
  • Where the impact is primarily with yourself and/or other artists involved, describe this clearly in terms of practice development, career trajectory, ambition, innovation or experimentation.
  • Talk about the timeliness of your project. Why is this project important now?
  • Address the ongoing life of the work: what might come next for the project, your practice, partner organisations, and audiences? What are the next steps and how does this project enable it?
  • Try not to load your application with too many activities or stages. A smaller stage of a project with tangible outcomes might be a more viable proposition.
  • Reliance on AI can also compromise your ability to express your passion and urgency, and the timeliness of your proposed activity. Assessors find that applications that rely on AI do not allow for the artist’s unique voice and style to come through.
  • Where relevant, include a marketing or audience strategy plan. If this is not your strength, invest in the services of an arts marketing professional to help you develop one.
  • Demonstrate how your project fits within the Multi-art form panel.
  • Don’t assume the assessors are familiar with you or your work. If you are partnering with artists organisations, introduce them and explain their role in the project, and provide relevant support material.
  • Provide context about the landscape you operate in - your sector, community, or location - and position your work within that environment.
  • Explain why your presenting partners, commissioning organisations, or locations are appropriate and how the partnership strengthens your project.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • If your project centres Australian site-specific histories, geographies or ecologies, it is assumed you would be including or engaging with First Nations perspectives in your research.   
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If you are collaborating with a specific community, outline & evidence your community engagement plan or strategy. Provide letters of support from community partners or representatives.
  • If you hope to work with vulnerable communities or explore difficult social and cultural issues, ensure you have a plan for managing risk and the well-being of your participants or audience. Consider consulting with relevant project partners who have specialised risk assessment knowledge in these areas.
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Budget 

  • Pay all artists, including yourself fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer lab
  • Keep in-kind support estimates realistic and justified.
  • Explain how the project's outcomes demonstrate impact or value relative to the requested funding. The budget should be aligned with the scale of the project.

Support material  

  • Make sure your support material is well thought out and relevant to the project. Where possible provide support material that is indicative of the proposed project. If this is not possible, include examples of previous work that may be comparable in scope.
  • Label your support documents or links clearly. Where possible, roll multiple files or documents into single links or attachments. For example, consolidate multiple letters of support into one PDF file.
  • If you are including links to long videos – direct which section/s assessors should view.
  • Make sure links are working and accessible (not password-protected or requiring a login). Have someone else test these links before submitting.
  • Demonstrate that the partner or commissioning organisation is robustly supporting the project. This should be outlined in letters of confirmation, detailing any financial or in-kind contributions. 

Music Panel

Advice for future applicants 

  • Answer each application question directly and clearly, using plain language. Keep your responses focused and avoid unnecessary detail.
  • Show clear and detailed project planning, supported by realistic budgets and relevant support material.
  • Demonstrate artistic authenticity, originality, and a strong understanding of their audience or market.
  • Clearing outline “Why this project, and why now?”. This helps assessors understand the project’s importance and strategic timing.
  • Clearly describe the creative or artistic ideas behind your work, not just the logistics or promotion.
  • Complete every section of the form, including timelines, partners, budgets, and support material. This helps assessors understand your full process.
  • Make a compelling argument for the ‘Impact’ criterion. This should include why the project matters artistically and culturally, and why it’s important for your career. Back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • When talking about your project’s environmental or social impact, outline the strategies you will take to achieve this.
  • Where relevant, explain how the project builds on your past practice or previous releases.
  • Justify all claims with evidence in your support material. Provide proof of confirmation and letters of support from any collaborators, partners or presenters mentioned in the proposal. Label you’re your support material clearly.
  • Lead with your strongest, highest-quality work in your support material, and include a range of music samples that shows your artistic breadth.
  • Use accessible links for all materials and avoid sites that require logins or subscriptions to view and listen.
  • If your proposal includes marketing or PR, outline the planned activities, expected results, and justify the cost.
  • Provide a marketing or audience development plan showing how you’ll reach new listeners or communities.
  • Include every income source in your budget: other grants, co-funding, in-kind support, and especially include your estimated earned income or sales.
  • Pay all artists and musicians fairly, including yourself. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • Break down large or unusual expense items, showing how you arrived at each cost.
  • Include contingencies for time-sensitive or travel-related costs.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Theatre Panel

Advice for future applicants: 

  • Outline why this project, why is now the right time for this work, and what is the proposed impact of the activity?
  • Make sure your application is clear and specific. Provide all relevant information about the project rationale, timeline, or budget.
  • It is important that your voice and passion comes through the application.
  • Clearly identify who the key artists are and explain why they have been chosen.
  • Be specific about your audience and reach. Who is the work for and how do you plan to reach your audience? Describe the impact the project seeks to provide for the audience, sector or community.
  • If relevant, articulate how this proposal builds on opportunities for artists to extend earlier developments, presentations, and projects. Discuss the possible future of the project and its expanding or shifting impact and reach.
  • For projects at the development stage, explain what you need to reach the next stage of development or presentation. Speak to your method and flesh out your ideas of experimentation. Show how Creative Australia investment will aid you in reaching the next stage.
  • For creative development projects, describe the vision for the work and what you’re working towards. In what context might the work be presented? Is it being conceived to tour? Is there already early interest in the work? Or how will this development phase unpack some of these questions.
  • If your project involves community engagement and participation, explain your community engagement processes, and provide evidence of community consultation and support. Community and/or partner support letters are crucial in this regard.
  • When addressing sensitive topics, ensure you address the safety and wellbeing of the artists and audience involved. Where relevant, set out your plans and precautions and include fees for any consultants in the budget.
  • For touring projects, simply saying that you’ll take a work overseas isn’t enough. It is important to detail your plans for your work, where you can see it going, what you’d like to achieve, and the connections you’ll draw on.
  • Complete the ‘Activity details’ table in the application form, even if there is only one activity. Mark the activity as confirmed if it is likely to happen or there is in principle support, pending funding.
  • Assessors find that applications that rely on AI do not allow for the artist’s unique voice and style to come through. Reliance on AI can also compromise your ability to express your passion and urgency, and the timeliness of your activity.
  • If the main benefit of the project is to an organisation, consider whether it should be submitted under the Arts Projects for Organisations category.
  • Peer assessors welcomed alternative touring models, especially those with strong community engagement.
  • Don’t assume assessors know your work or reputation. Provide context about your practice, partners, and presenters. Remember to include artist bios.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. Discuss the specific impact of your project. Consider your own practice, your collaborators or partners, participants or audiences, communities, or the broader sector. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia.   

Budget 

  • Use the description field in the budget section to break down large costs and provide any relevant information. For salaries, fees, and wages, include your calculations and use industry and artform specific payment standards. Avoid listing unpaid wages or fees as in-kind support.
  • If you’re paying an honorarium instead of wages or fees, check this is the appropriate payment structure for the activity and include an explanation for this in the budget notes section.
  • Ensure budget contributions listed in-kind are reasonable, realistic and relevant to project delivery.
  • For complex budgets (i.e. touring, multi-phase projects, complex international activity), consider attaching a separate budget document to help clarify the breakdown.
  • Where other funding is unconfirmed, include a contingency plan which sets out what you will do if you do not receive that funding.
  • If Creative Australia funding makes up a large part of your income, explain why other sources aren’t available or suitable.
  • If you’re remounting an earlier work, you can include royalties in your budget.
  • Include access costs in your application and budget for them appropriately. 
       

Support Material 

  • Be intentional with your support material. Providing high quality creative material can prove a strong track record and a clear understanding of your practice. If your pitch is for a work in development, you can split this material between examples of your best work along with the current work in progress.
  • Make sure all links in your application work and that you have provided the correct password. Peers are unable to view support material requiring a login.
  • Provide evidence of partnerships and collaborations. Letters of support should confirm budget contributions and commitment to the proposed project.
  • Letters of support should clearly outline what is being provided in-kind. Make sure this matches what’s in your budget. 

Visual Arts Panel

Advice for future applicants 

  • Set the scene early on in your application. Make sure your project summary is a concise overview of your project.
  • Consider your reader and use plain English. Be clear and succinct and avoid jargon and academic language. Make it easy for the assessors to understand your written responses.
  • Avoid using AI tools to write your application. Assessors found that applications that relied on these tools did not allow for the artist’s unique voice and style to come through. It can also compromise your ability to express your passion and the timeliness and impact of your proposed activity.
  • Help assessors understand what your project will look and feel like. Include clear descriptions of how your creative rationale will be worked out, include any examples you have.
  • Plan realistic timelines and include a contingency. Ensure you complete the activity timeline section in the application form. It is important for assessors to understand the steps you are going to take to deliver your project and its viability. This should cover implementing First Nations ICIP protocols and community engagement (where relevant).
  • Address all potential risks, including cultural safety, psychological safety, and occupational health and safety. Show how you will look after the wellbeing of all artists, participants, audiences, and communities involved in the project.
  • If your project involves community engagement and participation, explain your community engagement processes, and provide evidence of community consultation and support. Community and/or partner support letters are crucial in this regard.
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video.  
  • Consider the impact of your project in the longer term. Is it going to push, expand or innovate your practice or career? If your project has different phases or activities, explain how they connect and work together to create impact.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere.  
  • If your project involves engaging with environments, placemaking or flora and fauna, consider how you should be applying the First Nations Cultural Protocols.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material. 
  • If you are seeking funding for a publication, include information about how it will be circulated. It is also important to tell us who the publication is for in terms of the audience. The same principle applies for video and moving image works.
  • If your project involves an international research trip, make a strong argument for why this is necessary.
  • Applicants applying for film, television or documentary should seek funding from Screen Australia or the relevant screen or film funding agency in their state or territory.  If you believe your project sits within a visual arts context, explain your reasoning.
  • Consider asking other people to read your application before submitting it, preferably individuals who are not directly involved in your project.
  • Please contact Artists Services to discuss a future application to Creative Australia.  

Budget 

  • Break down budget items and tell us specifically what Creative Australia funding will cover. Ask for the amount you need to deliver your project successfully.
  • If a figure in your budget is based on a quote, make sure to provide that information in the description fields provided.
  • Pay all artists and consultants, including yourself, appropriately. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively involve volunteer labour, will be less competitive. Don’t list wages or fees as in-kind support. If individuals are paid at different rates, explain why in the budget notes.
  • Clearly explain the role of any organisations you are partnering with and outline the support and financial contribution they are bringing to the project.
  • Financial and in-kind contributions should be reflected in support letters from your partners. In-kind support means goods or services provided free or at a discount. This could include travel, equipment, or other non-cash support.  

Support material 

  • Carefully curate your artistic support material to ensure that assessors have the best and most relevant examples of your work. When supplying images of your work, include them all in one PowerPoint or pdf file.  
  • Where relevant, include examples of work from any collaborators and participating artists in your artistic support material.
  • Do not supply excess support material. Take careful note of the maximums stated in the published guidelines.
  • Ensure your support letters are relevant and up to date. 

Arts Projects for Organisations - General Feedback

Community Arts and Cultural Development (CACD) Panel

Advice for future applicants   

  • Show an awareness of Creative Australia’s five principles of Community Arts and Cultural Development (CACD) and demonstrate how your project follows them. The five principles are:
  • The activity involves the creation of artwork by, with and for the community.
  • Development is a primary objective of the initiative.
  • The activity is socially inclusive.
  • The activity is community centred and collaborative.
  • The activity involves the engagement of highly skilled practitioners.
  • Tell us how community is centred throughout your proposal from conception, development, delivery and evaluation.
  • Clearly outline the steps you will take to successfully achieve your projects outcomes
  • Consider and explain the outcomes that your proposal will have on all people involved through a CACD perspective. This includes your organisation, audiences, communities, and collaborators.
  • If your project involves engagement with marginalised or vulnerable communities, address how you have considered the wellbeing and access needs of everyone involved. This can be done in the written sections of your application, or through support material documents such as a risk assessment or safety/wellbeing policy.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your project includes working with multiple artists and organisations, try and get confirmation of participation from as many of these partners as possible. If doing this is impractical or not in line with your methods of collaboration, tell us why you have several unconfirmed project participants.
  • If you are proposing an ambitious project in a short timeframe, explain why you are confident that your timeframe is achievable.   
  • Use the activities table to show how your project will take place. Break down activity details to provide further information on how your project will be delivered.
  • Provide a detailed, transparent budget. Break down large sums and show how you have calculated each item.   
  • Pay all artists and participants fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • Explain how you will meaningfully evaluate the impact of your project.
  • Where applicable, demonstrate the commitment and support of artists involved in your project.
  • If any progress occurs on your project after you submit your application (for example, letters of confirmation, or co-funding updates), let us know. Contact an Artist Services Officer if you have further questions.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocols here. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. Articulate the impact your project will have on your audience. For more information please view this short video.
  • Make sure you are applying to the correct art form panel.   
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Dance Panel

Advice for future applicants 

  • Make sure that all aspects of your application (i.e. text, budget, letters of support) complement each other to give a consistent overview of your project.
  • Pay all artists and participants fairly. Use award rates or market rates and show how you have calculated the wages in the budget description fields.   
  • Use the description field in the budget section to break down large costs and provide any relevant information. Provide context, rationale or support material for large or unusual budget items.
  • Where possible, confirm your co-founding. You can advise us after the closing date if you receive late funding confirmations.
  • If co-funding is unconfirmed, include a contingency plan which sets out what you will do if you do not receive that funding.
  • Show any financial contributions from partner organisations that you are working with in your budget. If partner organisations are not contributing financially or if their contribution is limited, you should explain why.
  • Provide a clear and detailed budget. If you have other sources of funding, explain how this grant will be spent.
  • If your project involves community engagement, outline your community engagement process. Identify the community you are planning to engage. Show the plan you have in place to ensure the safety and well-being of these communities. Provide relevant letters of support.
  • Demonstrate that you have necessary access requirements in place. You can do this through letters of support, budget items and your activity description. When presenting work, provide an access plan for the venue.
  • Provide all relevant information such as a risk assessment, access plan, show information package, and marketing plan.
  • Provide strong, relevant support material. Your support material should demonstrate the quality of the work you are proposing and give the assessors an idea of what it will look like. Consider using a ‘mood board’ especially for brand new projects, to help give assessors a sense of the proposed project.
  • When independent artists are interacting directly with developing young artists, provide enough detail and support material (testimonials) to show why they were the right fit.
  • If your application involves an international presentation, provide letters of confirmation from your presenting partners. Each letter must include confirmation of any invitations, partners fees or contributions to the activity, whether cash or in-kind.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Emerging and Experimental Arts (EEA) Panel

Advice for future applicants 

  • Clearly define what is emerging or experimental about your work.
  • When collaborating with artists, communities and audiences from culturally diverse backgrounds, show that you are following cultural protocols and that you are undertaking meaningful consultation.
  • Address all potential risks, including cultural safety, psychological safety, and occupational health and safety. Show how you will look after the wellbeing of all artists, participants, audiences, and communities involved in the project. Include letters from any partnering organisations and include all fees in the budget.
  • Break down lumpsums in the budget and use the description boxes to show how you have arrived at certain amounts.
  • Where relevant, include access costs in your budget.
  • Pay all artists fairly and include superannuation. Where possible, use relevant industry awards and rates of pay.
  • If you are working on a large-scale project, clearly show which phase this application relates to and which budget items are in relation to this phase.
  • If your application is a part of an ongoing program, detail your immediate impact as well as some long-term impacts for participants, audiences and the sector.
  • If your project involves presentation outcomes, consider including audience numbers and talk about your reach under the Impact criterion.
  • Avoid using AI tools to write your application. Reliance on these tools can also compromise your ability to express your passion and urgency, and the timeliness of your proposed activity.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. Demonstrate you have given enough time for any meaningful consultation to take place. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

First Nations Panel

Advice for future applicants 

  • If your use AI to write your application, make sure the writing is clear and that your unique voice and passion comes through the application.
  • Demonstrate that you have consent from participants involved in your project.
  • Provide a detailed, transparent budget. Break down large sums and show how you have calculated each item.      
  • If your project includes working with multiple artists and organisations, try and get confirmation of participation from as many as possible. If doing this is impractical or not in line with your methods of collaboration, tell us why you have several unconfirmed collaborators and partners.
  • If your application does not include certain information such as confirmed partners, confirmed activities, confirmed funding, or key pieces of support material, tell us why this information has not been included. Lack of confirmation will make your application less competitive.
  • If your project involves large scale productions with many people involved, consider including a risk management plan in your support material.
  • If any progress occurs on your project after you submit your application (for example, co-funding updates), let us know. Contact an Artist Services Officer if you have further questions.    
  • Consider how your project relates to Creative Australia’s First Nations Protocols. Where relevant, provide evidence of genuine consultation and consent. Demonstrate the practical application of the First Nations Protocols in your budget and support material. You can find the Protocolshere.  
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video.  
  • Please contact Artists Services to discuss a future application to Creative Australia and other funding options. 

Literature Panel

The assessors applauded the high quality of applications and wished to express how fiercely competitive this round was. 

They commended applications with clearly defined outcomes that engaged community through new work opportunities, targeting young people, creating new readerships or promoting literature to new audiences. 

Advice for future applicants 

  • Demonstrate that you have robust business practices in places and have a plan to future-proof your organisation.
  • Show how your project responds to a need or gap in the industry.
  • Clearly articulate who is involved in the project, how they will be engaged, what they will be paid and who will benefit from this project.
  • Actively address your audience and the demand for your project. Who are you targeting and how will you engage them? Share your strategies to build or expand your audience and reach. If your project is small-scale, address the regional impact or specific communities who will benefit.
  • If your project involves working with First Nations artists, communities, or subject matter, provide evidence of genuine consultation and consent. Your budget must include appropriate fees for Elders and cultural consultants, and your support material should show any First Nations partners involved in the project. Acknowledging your project’s connection to place, local communities and histories can enhance your application. You can find the Protocolshere. 
  • If programming First Nations authors in your festival or publishing schedule, clearly show their consent and compensation for their involvement, especially if acting in an advisory or consulting role.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • Consider how your project might have a lasting benefit or impact. For career development projects, will the newly created role continue beyond the scope of project funding?
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Show assessors a draft line-up of the artists you plan to include in your program. Even if unconfirmed, it will show your project plan and add to the quality of your application.
  • Ensure your activity timeline is realistic. Applications with short lead times can reduce your application’s viability. Give your project the time it needs to be undertaken successfully.
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Budget 

  • Consider the proportion of fees towards artists within your overall ask. Artists fees should be at the centre of your budget. Applications that focused on infrastructure or administration expenses were less competitive.
  • Pay all artists fairly, including superannuation. Where possible, use relevant industry rates of pay (ASA, MEAA, IPED). Explain how you have calculated the wages and fees in the description fields provided. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • If your project has sponsorship or financial support from partners, clearly detail the in-kind, contributions or co-investment in your budget. Make the scope and influence of sponsors clear.
  • Avoid inconsistencies in your budget. Make sure activities listed in your application are also reflected in your budget.
  • Your application will be assessed by professionals who work in the Australian literature sector. Ensure you can back up any claims, especially about industry rates, standards for publishing services and projected income. 

Support Material 

  • Your support material should demonstrate your organisation’s track record and confirm the involvement of key partners and collaborators. Assessors are not expected to know anything that is not included in the application.
  • Letters of support and confirmation should be recent and relevant to your current project. It is essential for publishing partners, any First Nations Elders or cultural advisors, festival sponsors, or any other key players to provide letters of confirmation or support.
  • Follow the limits for support material in the published guidelines. Only provide relevant and high-quality support material that speaks directly to your application. 

Multi-art form Panel

Advice for future applicants 

  • Don’t assume assessors are familiar with your organisation. Provide evidence of your earlier work and track record.
  • Explain the relevance of this project and how it will benefit participants and your organisation.
  • Propose a detailed timeline.
  • Provide a detailed, transparent budget. Break down large sums and show how you have calculated each item.
  • Make sure there is consistency across your timeline and your budget.
  • Pay all artists fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • Where your budget is large, it is useful to identify what components of your project Creative Australia funding will support. You may also want to provide an extra budget spreadsheet in you support material to give a better sense of your activities.
  • If your budget includes unconfirmed co-funding, provide a contingency plan that shows how you can deliver your project if you don’t get that funding.
  • Clearly show support from partnering organisations, institutions, commissioning bodies, presenting partners, and venues. Specify the level of co-investment or support and provide letters of support confirming their co-investment.
  • Think about your audience: articulate who they are, show your audience reach and how they may relate to your program. Include a strategic outreach plan to back-up your claims.
  • When working with community, outline your community engagement process. Identify the community you are planning to engage and explain why you have chosen that community. Provide evidence of your engagement or relationship with the community including letters of support.
  • If your project involves international artists and community engagement, clearly explain what the relationship will be. Highlight the benefits to that community as well as the benefits to local Australian artists and Australian audiences.
  • If your project includes working with multiple artists and organisations, try to get confirmation of participation from as many of these partners as possible.
  • When applying for an annual program, think about its overall impact and how it meets the assessment criteria.
  • When proposing a broad program of activities with many components, be clear about the scope and what you are asking for. In some cases, it may be more viable to break down an annual program into smaller projects.
  • Provide strong, relevant support material. Your support material should demonstrate the quality of the work you are proposing and give the assessors an idea of what it will look like.
  • Outline all potential risks involved in delivering your project and provide a risk assessment plan in the support material where relevant. This is important when proposing large scale projects or festivals.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. Articulate the impact your project will have on your audience. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Music Panel

Advice for future applicants: 

  • Tell us about the growth that you have had as an organisation. If you are applying for a project or program that you have delivered previously, clearly outline its success, and how your proposed activity will build on or be different from past iterations.
  • If you are applying for an annual program, tell us how it aligns with your organisation’s strategic outcomes. Clearly outline the rationale for the inclusion of these activities and how the overall program will align with your organisation’s vision.
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Consider the longer-term impact of your project by telling us what is next in terms of the project’s lifespan beyond the funding period.
  • Provide a clear and detailed budget. If you have other sources of funding, explain how this grant will be spent.
  • Break down large budget items and provide detail in the description fields provided. High level budgets and significant lump sum amounts will affect the viability of your project.
  • Pay all artists fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • A diversity of income streams is important, including in-kind support. Ensure you include the value of in-kind contributions that are being offered to your project in your budget.
  • Assessors noted the prevalence of ChatGPT, and AI generally, in the written components of applications. Reliance on AI can compromise your ability to convey the voices of artists and your organisation’s unique point of view, which are essential.
  • If your project involves an open callout or EOI, outline your process for selection and advertising.
  • If you cannot confirm artists at the application stage, tell us about the kinds of artists you are hoping to engage, or who you might be in discussions with currently. You could also tell us about who you have programmed in the past.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • Assessors look for a cross-section of support letters. Ensure you include letters of support from external industry peers. Endorsements from people or organisations that are not directly involved in the project are important.
  • If you are undertaking a crowd funding campaign for your project, you may wish to reach out to Creative Australia for support and resources.
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Theatre Panel

Advice for future applicants 

  • Introduce your organisation and outline your track record. Don’t assume the assessors are familiar with you or your work.
  • Clearly describe the work, ideas, and activities you are proposing. What will the project look like? Who is it for? What is the context for its presentation?
  • If you are partnering with artists or other organisations, introduce them and explain their role in the project, and provide relevant support material.
  • Provide strong, relevant support material. This can be in multiple formats. Support material should demonstrate the quality of the work you’re proposing and give the assessors an idea of what the project will look like.
  • Consider whether the style of project is more suitable for Arts Projects for Individuals and Groups or Arts Projects for Organisations. Have a conversation with Creative Australia to discuss, where applicable.
  • When working with marginalised communities or stories, outline the process you will use. Stronger applications displayed an ethical framework and methodology that had artistic rigour and a robust social framework.
  • When applying for multiple projects, ensure that each project is clearly described.
  • Demonstrate that you are giving yourself enough time for each stage of the project. This speaks to the viability of the project.
  • When including future fundraising or philanthropy efforts in your budget, provide information about your campaign strategy or fundraising track record.
  • Provide a clear, detailed and transparent budget. Break down big lump-sums in the description section.
  • When proposing a project with youth, it is important to highlight the voice and artistic agency of the young people. This can be done in several ways, for example through quotes or letters of support.
  • Pay all artists and participants. Use award rates or market rates and clearly show how you have calculated the wages in the budget description fields.
  • When partnering with another company, outline the relationship framework between the organisations.
  • Assessors prefer links to videos rather than large files to download.
  • Consolidate your support material. For example, combine letters of support or images into a single file.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 

Visual Arts Panel

Advice for future applicants 

  • Introduce your organisation and outline your track record. Don’t assume the assessors are familiar with you or your work. If you are partnering with artists or other organisations, introduce them and explain their role in the project, and provide relevant support material.
  • Make sure the voice and support of the artists you are working with comes through in your application. This may take the form of letters of support.
  • Set clear parameters for your proposal. What activities and stage of the project are you requesting funding for? This is especially important if you are applying for activities that sit within a broader program.
  • If you are applying for an annual program, be specific about the activities and costs that this grant will cover.
  • If you are seeking funding for artists to travel internationally, clearly explain what the impact and outcomes of this activity will be.
  • Substantial your claims with adequate detail and evidence.
  • Don’t claim your project has a national reach if you are only engaging artists and audiences from one part of the country (i.e., only the East coast).
  • Provide strong, relevant support material. Your support material should demonstrate the quality of the work you are proposing and give the assessors an idea of what it will look like.
  • Assessors look for a cross-section of support letters. Ensure you include letters of support from external industry peers. Endorsements from people or organisations that are not directly involved in the project are important. 
  • Where relevant, include examples of work and CVs or bios from any participating artists in your support material.
  • Ask for what you need. Your request should match the ambition and impact of your project. Explain how the project's outcomes demonstrate impact or value relative to the requested funding.
  • Provide a clear and detailed budget. If you have other sources of funding, explain how this grant will be spent.
  • Pay all artists fairly. Demonstrate best practice by paying at, or above, industry standard rates and include superannuation. Applications with no artist fees and superannuation or exclusively volunteer labour will be less competitive. Don’t list wages or fees as in-kind support.
  • Include co-funding in your budget where possible (income and in-kind). This will make your application more competitive.
  • Show any financial contributions from partner organisations that you are working with in your budget. If partner organisations are not contributing financially, you should explain why.
  • If your budget includes unconfirmed co-funding, provide a contingency plan that shows how you can deliver your project if you don’t get that funding.
  • If you are engaging with children provide evidence that you are following all relevant child safety protocols and regulations. Include a risk assessment and other relevant documentation in your support material.
  • If your proposal involves working with First Nations artists, communities, or subject matter, you must provide evidence of genuine consultation and consent. It is essential to implement and adhere to our First Nations Protocols and demonstrate the practical application of these in your budget by including appropriate fees for Elders and/or consultants. You can find the Protocolshere. 
  • Make a compelling argument for the ‘Impact’ criterion and back up any claims you make by providing adequate detail and evidence. For more information please view this short video. 
  • Please contact Artists Services to discuss a future application to Creative Australia. 
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We acknowledge the many Traditional Custodians of Country throughout Australia and honour their Elders past and present.

We respect their deep enduring connection to their lands, waterways and surrounding clan groups since time immemorial. We cherish the richness of First Nations Peoples’ artistic and cultural expressions.

We are privileged to gather on this Country and through this website to share knowledge, culture and art now, and with future generations.

First Nations Peoples should be aware that this website may contain images or names of people who have died.

Image alt text

We acknowledge the many Traditional Custodians of Country throughout Australia and honour their Elders past and present.

We respect their deep enduring connection to their lands, waterways, and surrounding clan groups since time immemorial. We cherish the richness of First Nations peoples’ artistic and cultural expressions. We are privileged to gather on this Country and to share knowledge, culture and art, now and with future generations.

Art by Jordan Lovegrove